While Vicksburg and Gettysburg tend to receive the most attention among Civil War battles, it is Port Hudson that holds the record for the longest-running siege in American history. During the summer of 1863, US soldiers fought in the infamous heat and damp of Louisiana for forty-eight grueling days, having severely underestimated the Confederates’ determination to win.

Previous accounts of these events have rested on the leaders, well-known figures, and familiar faces of the Civil War. Here, social historian Christopher Thrasher draws from a robust collection of archival sources to tell the story of the common people’s experience throughout the Port Hudson Campaign: the soldiers who fought, the civilians who persisted, and the men who persevered, for those long days.

With more than forty illustrations and maps depicting the battles of Port Hudson and the defenses of the place itself, Miserable Little Conglomeration builds upon previous scholarship to present a social history of this campaign through the eyes of the people who lived, fought, and died within it.

Filling a long-empty gap within Civil War scholarship, Thrasher’s fresh approach to the Port Hudson campaign will be of interest to Civil War scholars, students of Louisiana history, and younger learners who are interested in the voices of American history.
 

In 1978, Lawrence Lee Hewitt became the first manager of the Port Hudson State Historic Site. There, he began collecting photographs related to the Civil War battle. Carefully analyzing a vast and remarkable photographic record of Port Hudson, Hewitt has now brought his four decades of research and collecting together in this book. The quantity, diversity, and in some cases uniqueness of these photos help widen our perspective not only on Port Hudson and the Civil War’s impact on its people and environment, but also on the history of photography.

Together the six cameramen claimed many “firsts,” including the first-ever photograph of soldiers engaged in battle, first exterior shots at night, and first “composition print.” The collection—arranged chronologically—allows readers to follow the changes in the landscape during and after the siege. The sheer range of subjects represented is impressive. A cotton gin, a grist mill, and a Methodist church—all showing signs of damage—caught the eyes of photographers. At the request of a Union soldier’s mother, there was a photograph taken of his burial site. There is even the only known photograph of a Confederate army surrendering. Biographies of the photographers and the captions in this volume also brim with fresh information about both the photographs and the campaign, attesting to the author’s meticulous scholarship and skilled analysis.

Though Port Hudson may never receive the level of attention of Gettysburg or Vicksburg, this well-conceived collection of photographs will make those with a serious interest in the conflict or photography not only reexamine Port Hudson but also the importance of the Civil War’s photographic record.