Traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present

When Europeans encountered them, the Catawba Indians were living along the river and throughout the valley that carries their name near the present North Carolina-South Carolina border. Archaeologists later collected and identified categories of pottery types belonging to the historic Catawba and extrapolated an association with their protohistoric and prehistoric predecessors.

In this volume, Thomas Blumer traces the construction techniques of those documented ceramics to the lineage of their probable present-day master potters or, in other words, he traces the Catawba pottery traditions. By mining data from archives and the oral traditions of contemporary potters, Blumer reconstructs sales circuits regularly traveled by Catawba peddlers and thereby illuminates unresolved questions regarding trade routes in the protohistoric period. In addition, the author details particular techniques of the representative potters—factors such as clay selection, tool use, decoration, and firing techniques—which influence their styles.

A Dan Josselyn Memorial Publication


This collection of Ford's works focuses on the development of ceramic chronology—a key tool in Americanist archaeology.

 

When James Ford began archaeological fieldwork in 1927, scholars divided time simply into prehistory and history. Though certainly influenced by his colleagues, Ford devoted his life to establishing a chronology for prehistory based on ceramic types, and today he deserves credit for bringing chronological order to the vast archaeological record of the Mississippi Valley.


 

This book collects Ford's seminal writings showing the importance of pottery styles in dating sites, population movements, and cultures. These works defined the development of ceramic chronology that culminated in the major volume Archaeological Survey in the Lower Mississippi Alluvial Valley, 1940-1947, which Ford wrote with Philip Phillips and James B. Griffin. In addition to Ford's early writings, the collection includes articles written with Griffin and Gordon Willey, as well as other key papers by Henry Collins and Fred Kniffen.


 

Editors Michael O'Brien and Lee Lyman have written an introduction that sets the stage for each chapter and provides a cohesive framework from which to examine Ford's ideas. A foreword by Willey, himself a participant in this chronology development, looks back on the origin of that method. Measuring the Flow of Time traces the development of culture history in American archaeology by providing a single reference for all of Ford's writing on chronology. It chronicles the formation of one of the most important tools for understanding the prehistory of North America and shows its lasting relevance.


 

Through a comprehensive study of changing pottery attributes, Saunders documents the clash of Spanish and Native American cultures in the 16th-century southeastern United States.

By studying the ceramic traditions of the Guale Indians, Rebecca Saunders provides evidence of change in Native American lifeways from prehistory through European contact and the end of the Mission period. The Guale were among the first southeastern groups to come into contact with Spanish and French colonists, and they adapted various strategies in order to ensure their own social survival. That adaptation is reflected, Saunders shows, in the changing attributes of pottery recovered on archaeological sites on the coasts of Georgia and Florida.

Saunders traces the evolution of Guale pottery from the late prehistoric Irene phase through the Mission period at the three archaeological sites. She uses both technological and stylistic attributes to monitor change, paying particular attention to changes in execution and frequency of the filfot cross—a stylized cross that is a symbol of Guale cosmology. The frequency of this symbol in different ceramic components, according to Saunders, is a measure of change in the worldview of the missionized Guale. Although the symbol abruptly changed after the first Spanish contact, it showed remarkable stability through the Mission period, suggesting that traditional craft training and production remained strong despite high mortality rates and frequent relocation.

Only after 1684, when the Guale were relocated to Amelia Island in present-day Florida, did the use of the cross motif decline, suggesting that the Guale who remained in Spanish territory may have conceived of their place in the cosmos differently from their forebears or their contemporaries who fled to the interior.