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Preaching and the Rise of the American Novel
Dawn Coleman
The Ohio State University Press, 2013
Preaching and the Rise of the American Novel by Dawn Coleman recovers a crucial moment in the history of the intimate yet often contentious relationship between religion and literature. Coleman’s book highlights the intersection of two cultural trajectories in America around 1850, both often downplayed in literary histories: a boom in preaching, associated with the growth of evangelicalism and the country’s oratorical traditions, and the long struggle of the novel, still facing considerable disdain at mid-century, to achieve moral legitimacy and aesthetic autonomy.
 
Before the Civil War, the preacher in the pulpit was the culture’s paradigmatic voice of moral authority, and novelists who wished to establish the moral value of their own storytelling needed to incorporate sermons. This book explores how antebellum ministers sought to preach effective, authoritative sermons and how novelists sought to claim a similar authority through canny representations of preachers, often veiled critiques of actual ministers, and sermonic voice, or a creative reworking of the sound of preaching. Such intense engagement with sermons shaped some of the period’s most interesting and important novels, including The Scarlet Letter, The Quaker City, Moby-Dick, Uncle Tom’s Cabin, and Clotel.
 
In illuminating how novelists sought to displace traditional religious institutions, Preaching and the Rise of the American Novel reminds readers of the deep connections between Americans’ religious practices and their literature and speaks to how the processes of secularization are often less concerned with rejecting the elements of religion than reimagining them.
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The Reader's Repentance
Women Preachers, Women Writers, and Nineteenth-Century Social Discourse
Christine L. Krueger
University of Chicago Press, 1992
"A woman preaching is like a dog walking on its hind legs," Dr. Johnson pronounced. "It is not done well; but you are surprised to find it done at all." The prejudice embodied in this remark has persisted over time, impeding any proper assessment of the female preaching tradition and its role in shaping social and literary discourse. The Reader's Repentance recovers this tradition, and in doing so revises the history of nineteenth-century women's writing.

Christine L. Krueger persuasively argues that Evangelical Christianity, by assuming the spiritual equality of women and men and the moral superiority of middle-class women, opened a space for the linguistic empowerment of women and fostered the emergence of women orators and writers who, in complex and contradictory ways, became powerful public figures. In the light of unpublished or long out-of-print writing by eighteenth- and nineteenth-century women preachers, Krueger shows how these women drew on religious language to critique forms of male domination, promote female political power, establish communities of women, and, most significantly, feminize social discourse. She traces the legacy of these preachers through the work of writers as diverse as Hannah More, Charlotte Elizabeth Tonna, Elizabeth Gaskell, and George Eliot—women who, despite political differences, shared an evangelical strategy for placing women's concerns on the social agenda of their time.

Documenting and analyzing the tradition of women's preaching as a powerful and distinctly feminist force in the development of nineteenth-century social fiction, The Reader's Repentance reconstitutes a significant chapter in the history of women and culture. This original work will be of interest to students of women's history, literature, and eighteenth- and nineteenth-century society.
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