front cover of From Quarry to Cornfield
From Quarry to Cornfield
The Political Economy of Mississippian Hoe Production
Charles Richard Cobb
University of Alabama Press, 2001

From Quarry to Cornfield provides an innovative model for examining the technology of hoe production and its contribution to the agriculture of Mississippian communities.

Lithic specialist Charles Cobb examines the political economy in Mississippian communities through a case study of raw material procurement and hoe production and usage at the Mill Creek site on Dillow Ridge in southwest Illinois. Cobb outlines the day-to-day activities in a Mississippian chiefdom village that flourished from about A.D. 1250 to 1500. In so doing, he provides a fascinating window into the specialized tasks of a variety of "day laborers" whose contribution to the community rested on their production of stone hoes necessary in the task of feeding the village. Overlooked in most previous studies, the skills and creativity of the makers of the hoes used in village farming provide a basis for broader analysis of the technology of hoe use in Mississippian times.

Although Cobb's work focuses on Mill Creek, his findings at this site are representative of the agricultural practices of Mississippian communities throughout the eastern United States. The theoretical underpinnings of Cobb's study make a clear case for a reexamination of the accepted definition of chiefdom, the mobilization of surplus labor, and issues of power, history, and agency in Mississippian times. In a well-crafted piece of writing, Cobb distinguishes himself as one of the leaders in the study of lithic technology. From Quarry to Cornfield will find a well-deserved place in the ongoing discussions of power and production in the Mississippian political economy.

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front cover of The Quarry
The Quarry
Poems
Dan Lechay
Ohio University Press, 2004

Once or twice in a generation a poet comes along who captures the essential spirit of the American Midwest and gives name to the peculiar nature that persists there. Like James Wright, Robert Bly, Ted Kooser, and Jared Carter before him, Dan Lechay reshapes our imagination to include his distinct and profound vision of this undersung region.

The poetry of Dan Lechay, collected in The Quarry, constructs a myth of the Midwest that is at once embodied in the permanence of the landscape, the fleeting nature of the seasons, and the eternal flow of the river. Lechay writes of memory and the mutability of memory, of the change brought on a person by the years lived and lost, and of the stoic attempts made by those around him to elicit an order and rationale to their lives.

The Quarry is the first full-length collection from this seasoned poet. Final judge Alan Shapiro in writing about The Quarry said: “If Dan Lechay’s poems often begin with the ordinary details and circumstances of life in a small Midwestern town or city, they always end by reminding us that no moment of life is ever ordinary, that ‘Nothing is more mysterious than the way things are.’

The Quarry is a marvelous, disquieting, extraordinarily beautiful book that meditates on fundamental questions of time and change in and through a clear-eyed yet loving evocation of everyday existence. Under Lechay’s soulful gaze, the backyards, neighborhoods, animals, and landscapes he describes dramatize the often wrenching connection between beauty and loss, evanescence and memory. The Quarry is a thoroughly mature and accomplished book.”

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