Though ballet is often seen as a white, cis-heteropatriarchal form of dance, in fact it has been, and still is, shaped by artists from a much broader range of backgrounds. This collection looks beyond the mainstream, bringing to light the overlooked influences that continue to inform the culture of ballet. Essays illuminate the dance form’s rich and complex history and start much-needed conversations about the roles of class, gender normativity, and race, demonstrating that despite mainstream denial and exclusionary tactics, ballet thrives with “difference.” 

With contributions from professional ballet dancers and teachers, choreographers, and dance scholars in Europe and the United States, the volume introduces important new thinkers and perspectives. An essential resource for the field of ballet studies and a major contribution to dance scholarship more broadly, (Re:) Claiming Ballet will appeal to academics, researchers, and scholars; dance professionals and practitioners;  and anyone interested in the intersection of race, class, gender, and dance.

What is Europe? This question is ever more pressing, as present day Europe wallows in crisis - its deepest since the process of European integration took off in the 1950s. The current state of affairs sets the stage for this book. It brings together leading international thinkers and scholars of different generations in a feverish quest to better understand Europe's present state.In their essays these authors engage in the paradoxes and puzzles of European identity and culture. They present new answers to the eternal question regarding 'the essence of Europe'.An anthology of influential texts from the making of present-day Europe completes the book as a very European exercise in thinking and re-thinking Europa, its culture, history and present.