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The Daily Sherlock Holmes
A Year of Quotes from the Case-Book of the World’s Greatest Detective
Arthur Conan Doyle
University of Chicago Press, 2019
“Dr. Watson, Mr. Sherlock Holmes,” said Stamford, introducing us.
“How are you?” he said cordially, gripping my hand with a strength for which I should hardly have given him credit. “You have been in Afghanistan, I perceive.”
“How on earth did you know that?” I asked in astonishment.
“Never mind,” said he, chuckling to himself.

At that first sight of Watson, Sherlock Holmes made brilliant deductions. But even he couldn’t know that their meeting was inaugurating a friendship that would make himself and the good Doctor cultural icons, as popular as ever more than a century after their 1887 debut. Through four novels and fifty-six stories, Arthur Conan Doyle led the pair through dramatic adventures that continue to thrill readers today, offering an unmatched combination of skillful plotting, period detail, humor, and distinctive characters. For a Holmes fan, there are few pleasures comparable to returning to his richly imagined world—the gaslit streets of Victorian London, the companionable clutter of 221B Baker Street, the reliable fuddlement (and nerves of steel) of Watson, the perverse genius of Holmes himself.

It’s all there in The Daily Sherlock Holmes, the perfect bedside companion for fans of the world’s only consulting detective. Within these pages readers will find a quotation for every day of the year, drawn from across the Conan Doyle canon. Beloved characters and familiar lines recall favorite stories and scenes, while other passages remind us that Conan Doyle had a way with description and a ready wit. Moriarty and Mycroft, Lestrade and Mrs. Hudson; the Hound, the Red-Headed League, the Speckled Band, and the dread Reichenbach Falls—it’s all here, anchored, of course, in that unforgettable duo of Holmes and Watson. No book published this year will bring a Holmes fan more pleasure. Come, readers. The game is afoot.
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Dane County Place-Names
Frederic G. Cassidy; New introduction by Tracy Will; New foreword by David Medaris
University of Wisconsin Press, 2009
Dane County Place-Names is an entertaining record of the heritage of Dane County, Wisconsin’s capital region, from its earliest days through the 1940s. This classic work by the late lexicographer Frederic G. Cassidy is back in print for new generations to enjoy. Cassidy applied his insightful eye to the origins and evolution of local names that reveal a colorful history: Whiskey Creek, Brag Hollow, Marxville, Pancake Valley, Halunkenburg, Skunk Hollow, and Tipple School. This edition features a new introduction by local historian Tracy Will and a foreword by Isthmus journalist David Medaris.
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Danes in Wisconsin
Revised and Expanded Edition
Frederick Hale
Wisconsin Historical Society Press, 2005

Wisconsin Territory's first Dane arrived in 1829, and by 1860 the state's Danish-born population had reached 1,150. Yet these newcomers remained only a small segment of Wisconsin's increasingly complex cultural mosaic, and the challenges of adapting to life in this new land shaped the Danish experience in the state. In this popular book, now revised and expanded with additional historical photos and documents, Frederick Hale offers a concise introduction to Wisconsin's Danish settlers, exploring their reasons for leaving their homeland, describing their difficult journeys, and examining their adjustments to life on Wisconsin soil.

New to this edition are the selected letters of Danish immigrant Andrew Frederickson. These compelling documents, written over a 40-year span, capture the personal observations of one Dane as he made a new life in Wisconsin.

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Data Analysis in Qualitative Research
Theorizing with Abductive Analysis
Stefan Timmermans and Iddo Tavory
University of Chicago Press, 2022
From two experts in the field comes an accessible, how-to guide that will help researchers think more productively about the relation between theory and data at every stage of their work.

In Data Analysis in Qualitative Research, Iddo Tavory and Stefan Timmermans provide a how-to guide filled with tricks of the trade for researchers who hope to take excellent qualitative data and transform it into powerful scholarship. In their previous book, Abductive Analysis: Theorizing Qualitative Research, Timmermans and Tavory offered a toolkit for innovative theorizing in the social sciences. In this companion, they go one step further to show how to uncover the surprising revelations that lie waiting in qualitative data—in sociology and beyond.
 
In this book, they lay out a series of tools designed to help both novice and expert scholars see and understand their data in surprising ways. Timmermans and Tavory show researchers how to “stack the deck” of qualitative research in favor of locating surprising findings that may lead to theoretical breakthroughs, whether by engaging with theory, discussing research strategies, or walking the reader through the process of coding data. From beginning to end of a research project, Data Analysis in Qualitative Research helps social scientists pinpoint the most promising paths to take in their approach.
 


 
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Death and Dissymmetry
The Politics of Coherence in the Book of Judges
Mieke Bal
University of Chicago Press, 1988
Combining literary criticism and feminist analysis, Death and Dissymmetry radically reinterprets not only the Book of Judges but also the tradition of its reception and understanding in the West. In Mieke Bal's account, Judges documents the Israelite culture learning to articulate itself in a decisive period of transition.

Counter to standard readings of Judges, Bal's interpretation demonstrates that the book has a political and ideological coherence in which the treatment of women plays a pivotal role. Bal concentrates here not on the assassinations and battles that rage through Judges but on the violence in the domestic lives of individual characters, particularly sexual violence directed at women. Her skillful reading reveals that murder, in this text, relates to gender and reflects a social structure that is inherently contradictory. By foregrounding the stories of women and subjecting them to subtle narrative analysis, she is able to expose a set of preoccupations that are essential to the sense of these stories but are not articulated in them. Bal thereby develops a "countercoherence" in conflict with the apparent emphases of Judges—the politics, wars, and historiography that have been the constant focus of commentators on the book.

Death and Dissymmetry makes an important contribution to the development of a feminist method of interpreting ancient texts, with consequences for religious studies, ancient history, literary theory, and gender studies.
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Decrees of the Ecumenical Councils
From Nicaea I to Vatican II
Norman P. Tanner, SJ, English Language Editor. Giuseppe Alberigo et al., Original Language Editors
Georgetown University Press, 1990

This monumental two-volume publication brings together in the original languages and an English translation, all the decrees of all the ecumenical councils from Nicaea I to Vatican II. As such it represents an indispensable reference work for theologians and historians, as well as for anyone interested in the development of Christian thought and doctrine. Indeed, these decrees represent the authoritative distillation of Christian tradition which itself is bound together with scripture "in a close and reciprocal relationship" so that the two "form a single sacred deposit of the word of God, entrusted to the church."

The original text is a reproduction of the brilliant edition by G. Alberigo and others of the decrees Conciliorum Oecumenicorum Decreta, which provides for the first time a reliable critical text for all the ecumenical councils. The English translation faces each page of the original text and is the first rendering into English of all these decrees taken together. The translators have used inclusive language throughout to emphasize the continuity of conciliar documents.

The 2,528 total pages of these two volumes include all the authenticated texts and their English renderings as well as a preface and introduction by the oringinal languages editor, a foreword by the English language editor, a bibliography for each decree, various commentaries and explanatory notes, and ten comprehensive indices.

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Decrees of the Ecumenical Councils
Volume 2: Trent to Vatican II
Georgetown University Press

Volume two of this two-volume set includes the decrees of the ecumenical councils from Trent to Vatican II. Of particular interest to Roman Catholic historians and theologians, as well as anyone interested in the development of Christian thought and doctrine, this volume presents the decrees in their original language and in English translation. These decrees represent the authoritative distillation of Christian tradition which itself is bound together with scripture "in a close and reciprocal relationship" so that the two "form a single sacred deposit of the word of God, entrusted to the church." The original text is a reproduction of the brilliant edition by G. Alberigo and others of the decrees Conciliorum Oecumenicorum Decreta, which provides for the first time a reliable critical text for all the ecumenical councils. The English translation faces each page of the original text and is the first rendering into English of all these decrees taken together. The translators have used inclusive language throughout to emphasize the continuity of conciliar documents.

This volume includes authenticated texts and their English renderings for the Councils of Trent, Vatican I, and Vatican II. The text of each council features an introduction, bibliography, and various commentaries and explanatory notes. Additionally, ten comprehensive indices allow for referencing across several categories such as Biblical verse, proper names, and chronology.

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The Deipnosophists, Volume VI
Books 13–14.653b
Athenaeus
Harvard University Press

Athenaeus (ca. 170–ca. 230 CE), a Greek of Naucratis in Egypt, lived in Rome and wrote a historical work now lost. Of the fifteen books of his surviving Deipnosophists ('Sophists at Dinner'), the first two and parts of the third, eleventh, and fifteenth exist only in summary, the rest apparently complete. In it he pretends to tell a friend about a banquet at a scholar's house whither the learned guests brought extracts from poetry for recitation and discussion. Much of the matter however concerns the food provided and accessories. One learns about cooks, strange dishes, wines, menu cards, and countless other matters. Athenaeus was an antiquarian. The whole work, which mentions nearly eight hundred writers and two thousand five hundred writings, is a large treasury of information not only about table matters but also music, dances, games, and all sorts of literary subjects. And it abounds in quotations, mostly made direct by Athenaeus himself, from authors whose writings have not survived.

The Loeb Classical Library edition of The Deipnosophists is in seven volumes. There is a comprehensive index in the final volume.

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A Descriptive Bibliography of the Works of Emanuel Swedenborg (1688-1772)
Norman Ryder
Swedenborg Foundation Publishers, 2012
A Descriptive Bibliography of the Works of Emanuel Swedenborg (1688-1772) is a reference work that no publisher, library or academic of Swedenborg should be without. Editors and proofreaders will be grateful to be able to look up publishing and bibliographic details of Swedenborg editions spanning over 300 years without having to make trips to various libraries, or trawls through their respective catalogues (not one of which matches Norman Ryder’s Bibliography for the comprehensive detail of its records). For academics, meanwhile, Ryder’s new Bibliography will be useful in providing contexts and overviews of the compositional and publishing history for each of Swedenborg’s individual texts. And for ‘professional’ Swedenborgians, academics and all other interested readers of Swedenborg alike, the Bibliography contains a wealth of useful and fascinating information, revealing, beneath the astonishing depth of its data, the stories and trends behind the reception of Swedenborg’s works across the globe.
 
Volume Two of the Bibliography contains:
 
·       ‘Section C: Bibliographic Descriptions, 1743-1755’
 
Also included in the volume are an introduction; lists of abbreviations; and a glossary of bibliographical terms.
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A Descriptive Bibliography of the Works of Emanuel Swedenborg (1688-1772)
Norman Ryder
Swedenborg Foundation Publishers, 2010
A Descriptive Bibliography of the Works of Emanuel Swedenborg (1688-1772) is a reference work that no publisher, library or academic of Swedenborg should be without. Editors and proofreaders will be grateful to be able to look up publishing and bibliographic details of Swedenborg editions spanning over 300 years without having to make trips to various libraries, or trawls through their respective catalogues (not one of which matches Norman Ryder’s Bibliography for the comprehensive detail of its records). For academics, meanwhile, Ryder’s new Bibliography will be useful in providing contexts and overviews of the compositional and publishing history for each of Swedenborg’s individual texts. And for ‘professional’ Swedenborgians, academics and all other interested readers of Swedenborg alike, the Bibliography contains a wealth of useful and fascinating information, revealing, beneath the astonishing depth of its data, the stories and trends behind the reception of Swedenborg’s works across the globe.
 
Volume One of the Bibliography contains:
 
·       ‘Section A: Swedenborg’s Literary Corpus, 1700-1771’ (an overview and summary listing of Swedenborg’s entire literary output)
·       ‘Section B: Bibliographies of Swedenborg’s Works’ (details of all previous bibliographies of Swedenborg)
·       ‘Section C: Bibliographical Descriptions, 1700-1742’ (each of Swedenborg’s works written or published during this time period is treated to an introduction concerning its compositional history, followed by detailed bibliographical entries for the manuscripts, first editions, and all subsequent editions and translations of the work known to have appeared, including extracts, accompanied by lists of libraries and institutions known to possess copies of the editions in question)
 
Also included in the volume are a general introduction; lists of abbreviations; and a glossary of bibliographical terms.

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The Design of Books
An Explainer for Authors, Editors, Agents, and Other Curious Readers
Debbie Berne
University of Chicago Press, 2024
Seasoned designer Debbie Berne presents an accessible introduction to book design for authors, editors, and other book people.
 
Design is central to the appeal, messaging, and usefulness of books, but to most readers, it’s mysterious or even invisible. Through interiors as well as covers, designers provide structure and information that shape the meaning and experience of books. In The Design of Books, Debbie Berne shines a light on the conventions and processes of her profession, revealing both the aesthetic and market-driven decisions designers consider to make books readable and beautiful. In clear, unstuffy language, Berne reveals how books are put together, with discussions of production considerations, typography and fonts, page layouts, use of images and color, special issues for ebooks, and the very face of each book: the cover.  
 
The Design of Books
speaks to readers and directly to books’ creators—authors, editors, and other publishing professionals—helping them to become more informed partners in the design of their projects. Berne lays out the practical steps at each stage of the design process, providing insight into who does what when and offering advice for authors on how to be effective advocates for their ideas while also letting go and trusting their manuscripts with teams of professionals. She includes guidance as well for self-publishing authors, including where to find a designer, what to expect from that relationship, and how to art direct your own book.
 
Throughout, Berne teaches how understanding the whats, hows, and whys of book design heightens our appreciation of these cherished objects and helps everyone involved in the process to create more functional, desirable, and wonderful books.
 
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Developing Writers in Higher Education
A Longitudinal Study
Anne Ruggles Gere, editor
University of Michigan Press, 2019
For undergraduates following any course of study, it is essential to develop the ability to write effectively. Yet the processes by which students become more capable and ready to meet the challenges of writing for employers, the wider public, and their own purposes remain largely invisible. Developing Writers in Higher Education shows how learning to write for various purposes in multiple disciplines leads college students to new levels of competence.

This volume draws on an in-depth study of the writing and experiences of 169 University of Michigan undergraduates, using statistical analysis of 322 surveys, qualitative analysis of 131 interviews, use of corpus linguistics on 94 electronic portfolios and 2,406 pieces of student writing, and case studies of individual students to trace the multiple paths taken by student writers. Topics include student writers’ interaction with feedback; perceptions of genre; the role of disciplinary writing; generality and certainty in student writing; students’ concepts of voice and style; students’ understanding of multimodal and digital writing; high school’s influence on college writers; and writing development after college. The digital edition offers samples of student writing, electronic portfolios produced by student writers, transcripts of interviews with students, and explanations of some of the analysis conducted by the contributors.

This is an important book for researchers and graduate students in multiple fields. Those in writing studies get an overview of other longitudinal studies as well as key questions currently circulating. For linguists, it demonstrates how corpus linguistics can inform writing studies. Scholars in higher education will gain a new perspective on college student development. The book also adds to current understandings of sociocultural theories of literacy and offers prospective teachers insights into how students learn to write. Finally, for high school teachers, this volume will answer questions about college writing.

Companion Website
Click here to access the Developing Writers project and its findings at
the interactive companion website.

Project Data
Access the data from the project through this tutorial.
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Developmental Editing
A Handbook for Freelancers, Authors, and Publishers
Scott Norton
University of Chicago Press, 2009

Editing is a tricky business. It requires analytical flair and creative panache, the patience of a saint and the vision of a writer. Transforming a manuscript into a book that edifies, inspires, and sells? That’s the job of the developmental editor, whose desk is the first stop for many manuscripts on the road to bookdom—a route ably mapped out in the pages of Developmental Editing.

Author Scott Norton has worked with a diverse range of authors, editors, and publishers, and his handbook provides an approach to developmental editing that is logical, collaborative, humorous, and realistic. He starts with the core tasks of shaping the proposal, finding the hook, and building the narrative or argument, and then turns to the hard work of executing the plan and establishing a style.

Developmental Editing includes detailed case studies featuring a variety of nonfiction books—election-year polemic, popular science, memoir, travel guide—and authors ranging from first-timer to veteran, journalist to scholar. Handy sidebars offer advice on how to become a developmental editor, create effective illustration programs, and adapt sophisticated fiction techniques (such as point of view, suspense, plotting, character, and setting) to nonfiction writing.  

Norton’s book also provides freelance copyeditors with a way to earn higher fees while introducing more creativity into their work lives. It gives acquisitions, marketing, and production staff a vocabulary for diagnosing a manuscript’s flaws and techniques for transforming it into a bestseller. And perhaps most importantly, Developmental Editing equips authors with the concrete tools they need to reach their audiences.

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Developmental Editing, Second Edition
A Handbook for Freelancers, Authors, and Publishers
Scott Norton
University of Chicago Press, 2023
The only guide dedicated solely to developmental editing, now revised and updated with new exercises and a chapter on fiction.

Developmental editing—transforming a manuscript into a book that edifies, inspires, and sells—is a special skill, and Scott Norton is one of the best at it. With more than three decades of experience in the field, Norton offers his expert advice on how to approach the task of diagnosing and fixing structural problems with book manuscripts in consultation with authors and publishers. He illustrates these principles through a series of detailed case studies featuring before-and-after tables of contents, samples of edited text, and other materials to make an otherwise invisible process tangible.
 
This revised edition for the first time includes exercises that allow readers to edit sample materials and compare their work with that of an experienced professional as well as a new chapter on the unique challenges of editing fiction. In addition, it features expanded coverage of freelance business arrangements, self-published authors, e-books, content marketing, and more.
 
Whether you are an aspiring or experienced developmental editor or an author who works alongside one, you will benefit from Norton’s accessible, collaborative, and realistic approach and guidance. This handbook offers the concrete and essential tools it takes to help books to find their voice and their audience. 
 
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Developments in Russian Politics 10
Henry E. Hale, Juliet Johnson, and Tomila V. Lankina, editors
Duke University Press
The tenth edition of this go-to text offers critical discussion of contemporary Russian politics and its fundamental principles. It covers established topics such as executive leadership, parties, and elections as well as newer issues of national identity, protest, and Russia and Greater Eurasia. Taking a bottom-up approach, Developments in Russian Politics 10 analyzes the political system in which Putin’s influence can be understood and covers frequently overlooked topics like the informal economy, climate change, and gender. The book is organized around the informal politics of hybrid regimes and authoritarianism and accounts for how Russian history impacts contemporary politics in counterintuitive ways, addressing notions of hybrid warfare, disinformation, and election meddling. The chapters have a modular quality and are designed to correspond to course teaching. Compiled by an international team of specialists and offering key questions, further reading suggestions, and a list of up-to-date repositories of video material, the edition will appeal to undergraduate and postgraduate students from across the world.
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The Devil's Dictionary
Ambrose Bierce
Bodleian Library Publishing, 2018
Ambrose Bierce, journalist and former soldier for the Union army in the Civil War, began writing satirical definitions for the San Francisco Wasp in 1881, and later for the San Francisco Examiner, launching a journalistic career that would see him liked and loathed in equal measure and earn him the title of “the wickedest man in San Francisco.”

A contemporary of Mark Twain, Bierce brought his biting humor to bear on spoof definitions of everyday words, writing deliberate mistranslations of the vocabulary of the establishment, the church, and the politics of his day, and shining a sardonic light on hypocrisy and deception. These columns formed the beginnings of a dictionary, first published in 1906 as The Cynic’s Word Book, which stopped at the letter L, and five years later as a full A–Z text known as The Devil's Dictionary. More than one hundred years later, Bierce’s redefinitions still give us pause for thought: interpreting reporter, for example, as “a writer who guesses his way to the truth and dispels it with a tempest of words”; un-american as “wicked, intolerable, heathenish”; and politics as “the conduct of public affairs for private advantage.” This timely new edition of Bierce’s irreverent and provocative dictionary is the perfect gift for misanthropes and word lovers alike.
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A Diary from Dixie
Mary Boykin Chesnut
Harvard University Press, 1980
One of the most important documents in southern history, this is a day-by-day diary of the Civil War years. It rings with authenticity while evoking the nostalgia, bitterness, and comedy of the Confederacy.
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Dictionary of American Regional English
Frederic G. Cassidy
Harvard University Press, 1985

Dip into the Dictionary of American Regional English and enter the rich, endlessly entertaining, ever-changing world of American speech. Learn what a Minnesota grandma is making when she fixes lefse, what a counterman in a Buffalo deli means by kimmelweck or a Hawaiian baker puts into a malassada. Find out what kids on the streets of New York are doing when they play Johnny-on-the-pony or off-the-point, what Southerners do when they use their tom walkers, what the folks in Oklahoma and Texas celebrate on Juneteenth and those in some parts of Wisconsin at a kermis.

Like its enormously popular predecessors, this volume captures the language of our lives, from east to west, north to south, urban to rural, childhood to old age. Here are the terms that distinguish us, one from the other, and knit us together in one vast, colorful tapestry of imperfect, perfectly enchanting speech. More than five hundred maps show where you might be if you looked in a garden and saw moccasin flowers, indian cigars, or lady peas; if you encountered a bullfrog and cried, "jugarum!"; or came upon a hover fly and exclaimed, "newsbee!" And here, at long last, is an explanation of what the madstone and the money cat portend.

Built upon an unprecedented survey of spoken English across America and bolstered by extensive historical research, the Dictionary of American Regional English preserves a language that lives and dies as we breathe. It will amuse and inform, delight and instruct, and keep alive the speech that we have made our own, and that has made us who we are.

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Dictionary of American Regional English
Joan Houston Hall
Harvard University Press, 1985

With this fifth volume of the Dictionary of American Regional English, readers now have the full panoply of American regional vocabulary, from Adam's housecat to Zydeco. Like the first four volumes, the fifth is filled with words that reflect our origins, migrations, ethnicities, and neighborhoods.

Contradicting the popular notion that American English has become homogenized, DARE demonstrates that our language still has distinct and delightful local character. If a person lives in a remote place, would you say he's from the boondocks? Or from the puckerbrush, the tules, or the willywags? Where are you likely to live if you eat Brunswick stew rather than jambalaya, stack cake, smearcase, or kringle? What's your likely background if your favorite card game is hasenpfeffer? bid whist? sheepshead? Whether we are talking about foods, games, clothing, family members, animals, or almost any other aspect of life, our vocabulary reveals much about who we are.

Each entry in DARE has been carefully researched to provide as complete a history of its life in America as possible. Illustrative citations extend from the seventeenth century through the twenty-first. More than 600 maps show where words were collected by the DARE fieldworkers. And quotations highlight the wit and wisdom of American speakers and writers. Recognized as the authoritative record of American English, DARE serves scholars and professionals of all stripes. It also holds treasures for readers who simply love our language.

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Dictionary of American Regional English
Joan Houston Hall
Harvard University Press, 1985

This companion volume to the Dictionary of American Regional English vastly enhances readers' use of the five volumes of DARE text. Those who want to investigate the regional synonyms for a rustic, or a submarine sandwich, or that strip of grass between the sidewalk and the street can search through the five volumes and compare the distributional maps. Or, with this volume, they can open to a page with all those maps displayed side by side. Not only is it an extraordinary teaching tool, it is also a browser's delight.

The user who wants to know what words characterize a given state or region is also in luck. The Index to the five volumes not only answers that question but also satisfies the reader's curiosity about words that have come into English from other languages, and words that vary with the speakers' age, sex, race, education, and community type.

And those who simply love to explore the variety and ingenuity of American expression will be seduced by the lists of answers to the DARE fieldwork questions. Dust balls under the bed? Americans have at least 176 names for them. Names for a heavy rainstorm? There are more than 200, including the fanciful frog-strangler, goose-drownder, lightwood-knot floater, and trash-mover. More than 400 questions and all of their answers are included in this treasure trove of American linguistic creativity.

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Dictionary of American Regional English
Joan Houston Hall, Chief Editor
Harvard University Press, 1985

Every page in this new volume of the Dictionary of American Regional English makes it wonderfully clear that regional expressions still flourish throughout the United States.

Depending on where you live, your conversation may include such beguiling terms as paddybass (North Carolina), pinkwink (Cape Cod), or scallyhoot (West); if you're invited to a potluck dinner, in Indiana you're likely to call it a pitch-in, while in northern Illinois it's a scramble; if your youngsters play hopscotch, they may call it potsy in Manhattan, but sky blue in Chicago.

Like the popular first three volumes of DARE, the fourth is a treasure-trove of linguistic gems, a book that invites exclamation, delight, and wonder. More than six hundred maps pinpoint where you might live if your favorite card games are sheepshead and skat; if you eat pan dulce rather than pain perdu; if you drive down a red dog road or make a purchase at a racket store; or if you look out your window and see a parka squirrel or a quill pig.

The language of our everyday lives is captured in DARE, along with expressions our grandparents used but our children will never know. Based on thousands of interviews across the country, the Dictionary of American Regional English presents our language in its infinite variety. Word lovers will delight in the wit and wisdom found in the quotations that illustrate each entry, and will prize the richness and diversity of our spoken and written culture.

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Dictionary of American Regional English
Frederic G. Cassidy
Harvard University Press, 1985

Volume I of the Dictionary of American Regional English (DARE), published to wide acclaim in 1985, captured the wondrous variety and creativeness of American folk words and expressions and tickled the imagination of lovers of language around the world. Decades in preparation, the DARE corpus reflects the liveliness of English as it is spoken on America’s main streets and country roads—the regional metaphors and similes passed along within homes and communities.

Like its popular predecessor, Volume II is a treasury of vernacular Americanisms. In Virginia a goldfinch is a dandelion bird, in Missouri an insufficient rain shower a drizzle-fizzle. Gate was Louis Armstrong’s favorite sender (a verbal spur to a sidekick in a band), a usage that probably originated from the fact that gates swing. Readers will bedazzled by the wealth of entries—more than 11,000—contained in this second volume alone. The two and a half pages on “dirt” reveal that a small marble is a dirt pea in the South. To eat dried apples, a curious rural euphemism for becoming pregnant, appears in the five pages on “eat.” Seven pages on “horn” and related words take readers on a tour of the animal and nether worlds: horned lark, horned frog, horned pout (look that one up), and that horned fellow, the devil.

Initiated under the leadership of Frederic G. Cassidy, DARE represents an unprecedented attempt to document the living language of the entire country. The project’s primary tool was a carefully worded survey of 1,847 questions touching on most aspects of everyday life and human experience. Over a five-year period fieldworkers interviewed natives of 1,002 communities, a patchwork of the United States in all its diversity.

The result is a database of more than two and a half million items—a monument to the richness of American folk speech. Additionally, some 7,000 publications, including novels, diaries, and small-town newspapers, have yielded a bountiful harvest of local idioms. Computer-generated maps accompanying many of the entries illustrate the regional distribution of words and phrases.

The entries contained in Volume II—from the poetic and humorous to the witty and downright bawdy—will delight and inform readers.

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Dictionary of American Regional English
Frederic G. Cassidy
Harvard University Press, 1985

How do Americans really talk—what are their hometown, everyday expressions in the many regions and sections of this huge country? The Dictionary of American Regional English (DARE), twenty years in preparation, answers these questions. It gives visible proof of the diversity—and the vitality—of American folk language, past and present.

DARE includes thousands of words and phrases not found in conventional dictionaries, and out-of-the-way meanings for common terms. Here are local names for familiar objects, from old cars to frying pans to dust-balls under the bed (176 names for these); for plants, animals, and critters real and imaginary; for rainstorms and heat waves; for foods, clothing, children’s games and adults’ pastimes; for illnesses and traditional remedies. Here are terms—salty, sarcastic, humorous—by which people describe each other, their physical appearance, characters, emotions, states of mind. Here are metaphors and similes galore.

In Wisconsin a man whose motives are suspect “has beans up his nose.” In Georgia a conceited person is “biggity”; someone important or self-important in the Northwest is “bull of the woods.” A close friend may be “bobbasheely” (Mississippi) or an “ace boon coon” (New York City). West of the Appalachians the old saw “I wouldn’t know him from Adam” becomes “I wouldn’t know him from Adam’s off-ox” (or, in the South, “from Adam’s housecat”). These and some twelve thousand other expressions are identified and explained in the first volume of DARE.

While DARE is the work of many dedicated people, it owes its existence to Frederic G. Cassidy, who in 1963 agreed to organize the project, raise funds for it, and serve as Editor-in-Chief. Cassidy trained teams of fieldworkers and equipped them with a carefully worded questionnaire: 1,847 questions grouped in 41 broad categories ranging over most aspects of everyday life and common human experience. From 1965 to 1970 the fieldworkers conducted week-long interviews with natives of 1,002 representative communities in all fifty states. The two and a half million items gleaned from the fieldwork, coded and computer-processed, are DARE’s primary data base, a rich harvest of regional Americanisms current in the seventh decade of this century. Earlier collections have been drawn upon as well, notably the 40,000 expressions recorded by the American Dialect Society since 1889; and some 5,000 publications, including regional novels and diaries and small-town newspapers, have been combed for local idioms.

A unique feature of the dictionary is the computer-generated maps that accompany many of the entries to show the geographical distribution of the term. The base map is schematic, distorting the areas of the states to reflect their population density.

Volume I includes extensive introductory material on DARE itself and on American folk speech. Its entries, from Aaron’s rod to czarnina, cover nearly a quarter of the total DARE corpus.

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DICTIONARY OF CORRESPONDENCES
THE KEY TO BIBLICAL INTERPRETATION
GEORGE NICHOLSON
Swedenborg Foundation Publishers, 2010

Interwoven with Emanuel Swedenborg’s commentary on the Bible is his system of correspondences, which describes the relationship between the spiritual and the physical worlds in symbolic terms. For Swedenborg, specific people, places, animals, and objects represented spiritual principles or ideas—for example, light corresponds to truth, and darkness to ignorance. Using this system, he interpreted the Bible in a radically new way, using it to illuminate the path to spiritual growth.

First compiled in the decades following Swedenborg’s death, the Dictionary of Correspondences has been continually revised and reprinted for over two hundred years. It provides an essential reference to Swedenborg’s complex thought that can be used by students, scholars, and the curious alike.

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A Dictionary of Ethology
Klaus Immelmann and Colin Beer
Harvard University Press, 1989

What do such words as “information,” “displacement,” and “courtship” mean to the growing ranks of ethologists who study animal behavior? Like all sciences, ethology has accumulated its own set of concepts and terms, taken from everyday language, borrowed from neighboring disciplines, or coined especially to describe novel ideas and phenomena. Klaus Immelmann and Colin Beer have responded to the acute need for an authoritative dictionary of ethology with this valuable guide to the world of animal behavior.

The authors present a balance of historical, enduring, and current terminology, providing clear and concise definitions of the terms central to ethological writing. They give special treatment to terms from related disciplines, particularly evolutionary biology, physiology, ecology, and sociobiology, and to controversial concepts such as “instinct,” “motivation,” and “imprinting.” For words like these, the authors take pains to explain the nature of the problem, to distinguish differences of meaning, and to chart the range of application. A preponderance of terms relate to the behavior of higher vertebrates, especially mammals and birds, since these animals supply a high proportion of ethology’s basic ideas and technical concepts.

Representing the culmination of two decades of assiduous scholarship, this book will be immensely useful to neophyte and professional alike.

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Dictionary of Indonesian Islam
Mis Sea#94
Howard M. Federspiel
Ohio University Press, 1994
Drawing from an extensive list of writings about Indonesian Islam that have appeared over the past fifteen years, Federspiel defines approximately 1,800 terms, phrases, historical figures, religious books, and place names that relate to Islam and gives their Arabic sources.

This dictionary will be indispensable to English–speaking students and researchers working in Indonesian or Southeast Asian studies. It will also be useful for scholars working in Bahasa Indonesian, reading texts written about Islam by Indonesian Muslims, as well as for Southeast Asia area scholars generally who are using sources in Western languages.
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A Dictionary of Iowa Place-Names
Tom Savage
University of Iowa Press, 2007
Lourdes and Churchtown, Woden and Clio, Emerson and Sigourney, Tripoli and Waterloo, Prairie City and Prairieburg, Tama and Swedesburg, What Cheer and Coin. Iowa’s place-names reflect the religions, myths, cultures, families, heroes, whimsies, and misspellings of the Hawkeye State’s inhabitants. Tom Savage spent four years corresponding with librarians, city and county officials, and local historians, reading newspaper archives, and exploring local websites in an effort to find out why these communities received their particular names, when they were established, and when they were incorporated.
    Savage includes information on the place-names of all 1,188 incorporated and unincorporated communities in Iowa that meet at least two of the following qualifications: twenty-five or more residents; a retail business; an annual celebration or festival; a school; church, or cemetery; a building on the National Register of Historic Places; a zip-coded post office; or an association with a public recreation site. If a town’s name has changed over the years, he provides information about each name; if a name’s provenance is unclear, he provides possible explanations. He also includes information about the state’s name and about each of its ninety-nine counties as well as a list of ghost towns. The entries range from the counties of Adair to Wright and from the towns of Abingdon to Zwingle; from Iowa’s oldest town, Dubuque, starting as a mining camp in the 1780s and incorporated in 1841, to its newest, Maharishi Vedic City, incorporated in 2001.
    The imaginations and experiences of its citizens played a role in the naming of Iowa’s communities, as did the hopes of the huge influx of immigrants who settled the state in the 1800s. Tom Savage’s dictionary of place-names provides an appealing genealogical and historical background to today’s map of Iowa.

“It is one of the beauties of Iowa that travel across the state brings a person into contact with so many wonderful names, some of which a traveler may understand immediately, but others may require a bit of investigation. Like the poet Stephen Vincent Benét, we have fallen in love with American names. They are part of our soul, be they family names, town names, or artifact names. We identify with them and are identified with them, and we cannot live without them. This book will help us learn more about them and integrate them into our beings.”—from the foreword by Loren N. Horton

“Primghar, O’Brien County. Primghar was established by W. C. Green and James Roberts on November 8, 1872. The name of the town comes from the initials of the eight men who were instrumental in developing it. A short poem memorializes the men and their names:
Pumphrey, the treasurer, drives the first nail;
Roberts, the donor, is quick on his trail;
Inman dips slyly his first letter in;
McCormack adds M, which makes the full Prim;
Green, thinking of groceries, gives them the G;
Hayes drops them an H, without asking a fee;
Albright, the joker, with his jokes all at par;
Rerick brings up the rear and crowns all ‘Primghar.’
Primghar was incorporated on February 15, 1888.”
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Dictionary of Manitoba Biography
J.M. Bumsted
University of Manitoba Press, 1999
Manitoba has been at the crossroads of many of the important debates and events in Canadian history. From the early fur trade to the Riel Rebellion to the Winnipeg General Strike, Manitobans have frequently played crucial roles in Canadian and sometimes world history. Until now, there has been no comprehensive, contemporary source for information on the many Manitobans who have left their mark on history and society. Dictionary of Manitoba Biography fills this gap, with biographical sketches of over 1700 Manitobans who have made an impact in politics, the arts, sports, commerce, agriculture, and society. It is an invaluable resource for scholars, students, and general readers interested in Canadian history. Particular emphasis has been placed on reflecting Manitoba's ethnic and social diversity, and on including men and women who were notable in their own day but have now been forgotten. Many entries also refer the reader to additional references for further reading. More than a reference book, Dictionary of Manitoba Biography is also a fascinating work of history in its own right, which presents the full and colourful scope of over 300 years of people in Manitoba history and social life, from premiers and mayors to nightclub owners and sports heroes.
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Dictionary of Music
Theodore Karp
Northwestern University Press, 1983
This concise, clear reference gets straight to the important points in the history of music. With extended articles on major figures, movements, technical concepts, and explanations of standard symbols, abbreviations, and notations, Karp's text has been praised for its ease of use and unfailing accuracy. This edition features new illustrations and covers all musical periods: Medieval, Renaissance, Baroque, Classical, Romantic, and Modern.
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Digital Magazine Design
With Case Studies
Daniel Carpenter and Paul Honeywill
Intellect Books, 2000
Publishers of contemporary magazines invest more and more money in developing innovative design for an increasingly design-literate reader. Innovation, however, must always be grounded in the underlying conventions of legibility to ensure loyal readership and economic success.

Digital Magazine Design provides detailed descriptions of all the necessary rules of design, and uses these rules to cast a critical eye over a selection of contemporary high-street magazines.

The second part of this volume, written by publishing students, demonstrates how the tools of design can be applied to the analysis and practice of contemporary magazine design.

Through an understanding of the relationship between text, image and design, and the ability to make informed judgements, the student is able to critically evaluate all publishable material.
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Digital Medieval Studies—Experimentation and Innovation
Sean Gilsdorf
Arc Humanities Press, 2024

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Digital Medieval Studies—Practice and Preservation
Laura K. Morreale
Arc Humanities Press, 2022
In the last decade, the terms “digital scholarship” and “digital humanities” have become commonplace in academia, spurring the creation of fellowships, research centres, and scholarly journals. What, however, does this “digital turn” mean for how you do scholarship as a medievalist? While many of us would never describe ourselves as “DH people,” computer-based tools and resources are central to the work we do every day in offices, libraries, and classrooms. This volume highlights the exciting ways digital methods are expanding and re-defining how we understand, represent, and teach the Middle Ages, and provides a new model for how this work is catalogued and reused within the scholarly community. The work of its contributors offers valuable insights into how “the digital” continues to shape the questions medievalists ask and the ways they answer them, but also into how those questions and answers can lead to new tools, approaches, and points of reference within the field of digital humanities itself.
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Digital Paper
A Manual for Research and Writing with Library and Internet Materials
Andrew Abbott
University of Chicago Press, 2014
Today’s researchers have access to more information than ever before. Yet the new material is both overwhelming in quantity and variable in quality. How can scholars survive these twin problems and produce groundbreaking research using the physical and electronic resources available in the modern university research library? In Digital Paper, Andrew Abbott provides some much-needed answers to that question.

Abbott tells what every senior researcher knows: that research is not a mechanical, linear process, but a thoughtful and adventurous journey through a nonlinear world. He breaks library research down into seven basic and simultaneous tasks: design, search, scanning/browsing, reading, analyzing, filing, and writing. He moves the reader through the phases of research, from confusion to organization, from vague idea to polished result. He teaches how to evaluate data and prior research; how to follow a trail to elusive treasures; how to organize a project; when to start over; when to ask for help. He shows how an understanding of scholarly values, a commitment to hard work, and the flexibility to change direction combine to enable the researcher to turn a daunting mass of found material into an effective paper or thesis.

More than a mere  how-to manual, Abbott’s guidebook helps teach good habits for acquiring knowledge, the foundation of knowledge worth knowing. Those looking for ten easy steps to a perfect paper may want to look elsewhere. But serious scholars, who want their work to stand the test of time, will appreciate Abbott’s unique, forthright approach and relish every page of Digital Paper.
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DIGITAL RESOURCES
FRANCES CONDRON
West Virginia University Press, 2001

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Digital Typography
Donald E. Knuth
CSLI, 1998
In this collection, the second in the series, Knuth explores the relationship between computers and typography. The present volume, in the words of the author, is a legacy to all the work he has done on typography. When he thought he would take a few years' leave from his main work on the art of computer programming, as is well known, the short typographic detour lasted more than a decade. When type designers, punch cutters, typographers, book historians, and scholars visited the University during this period, it gave to Stanford what some consider to be its golden age of digital typography. By the author's own admission, the present work is one of the most difficult books that he has prepared. This is truly a work that only Knuth himself could have produced.
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Dinosaurs of Australia and New Zealand and Other Animals of the Mesozoic Era
John A. Long
Harvard University Press

Beginning in the 1990s, fossils unearthed in Australia and New Zealand began to reshape the debates around some of paleontology's most hotly contested questions: how dinosaurs and birds are related, whether dinosaurs were warm-blooded, and when and how the mammals began their rise.

In this first comprehensive account of Mesozoic vertebrates from New Zealand and Australia, John Long shows that, while the fossil record from the region can be sparse and fragmentary, finds from such sites as Dinosaur Cove, Coober Pedy, Lightning Ridge, and the fossil trackways at Broome offer new and occasionally startling evidence that has the potential to challenge current views. Long's up-to-date coverage includes the discovery in late 1996 of a new shrew-like mammal, Ausktribosphenos nyktos.

Entries on individual fauna begin with a brief introduction, written to be accessible to the armchair paleontologist, that describes the prevailing climate and habitat during the relevant geological time period, followed by more technical information aimed at specialists, including type characteristics, location and other details about the specimen's discovery. Dinosaurs of Australia and New Zealand is profusely illustrated with photographs of the fossils, maps, and newly commissioned life restorations by some of the leading dinosaur illustrators from Australia and the United States: Peter Schouten, Tony Windberg, Bill Stout, and Mike Skrepnick.

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Directing
Virginia Wright Wexman
Rutgers University Press, 2017
When a film is acclaimed, the director usually gets the lion’s share of the credit. Yet the movie director’s job—especially the collaborations and compromises it involves—remains little understood. 

The latest volume in the Behind the Silver Screen series, this collection provides the first comprehensive overview of how directing, as both an art and profession, has evolved in tandem with changing film industry practices. Each chapter is written by an expert on a different period of Hollywood, from the silent film era to today’s digital filmmaking, providing in-depth examinations of key trends like the emergence of independent production after World War II and the rise of auteurism in the 1970s. Challenging the myth of the lone director, these studies demonstrate how directors work with a multitude of other talented creative professionals, including actors, writers, producers, editors, and cinematographers.   

Directing examines a diverse range of classic and contemporary directors, including Orson Welles, Tim Burton, Cecil B. DeMille, Steven Soderbergh, Spike Lee, and Ida Lupino, offering a rich composite picture of how they have negotiated industry constraints, utilized new technologies, and harnessed the creative contributions of their many collaborators throughout a century of Hollywood filmmaking.  
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Directory of World Cinema
American Independent
Edited by John Berra
Intellect Books, 2010

With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emergedto capture the attention of a rapidly growing audience of young viewers.

A thorough overview of a thriving area of cultural life, Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that not only find wide audiences but enjoy considerable box office appeal—without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres—including African American cinema, queer cinema, documentary, familial dysfunction, and exploitation—are individually considered, with an emphasis on their ability to engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.

At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars, and movie buffs alike.

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Directory of World Cinema
Australia and New Zealand
Edited by Ben Goldsmith and Geoff Lealand
Intellect Books, 2010

This addition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand and offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century.  Though the two nations share considerable cultural and economic connections, their film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.

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Disciplining Music
Musicology and Its Canons
Edited by Katherine Bergeron and Philip V. Bohlman
University of Chicago Press, 1992
Provocative and timely, Disciplining Music confronts a topic that has sparked considerable debate in recent years: how do musicians and music scholars "discipline" music in their efforts to confer order and meaning on it? This collection of essays addresses this issue by formulating questions about music's canons—rules that measure and order, negotiate cultural constraints, reconstruct the past, and shape the future. Written by scholars representing the fields of historical musicology, ethnomusicology, and music theory, many of the essays tug and push at the very boundaries of these traditional division within the study of music.

"Fortunately, in a blaze of good-humored . . . scholarship, [this] book helps brains unaccustomed to thinking about the future without jeopardizing the past imagine the wonder classical-music life might become if it embraced all people and all musics."—Laurence Vittes, Los Angeles Reader

"These essays will force us to rethink our position on many issues. . . [and] advance musicology into the twenty-first century."—Giulio Ongaro, American Music Teacher

With essays by Katherine Bergeron, Philip V. Bohlman, Richard Cohn and Douglas Dempster, Philip Gossett, Robert P. Morgan, Bruno Nettl, Don Michael Randel, Ruth A. Solie, and Gary Tomlinson.
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The Dissertation-to-Book Workbook
Exercises for Developing and Revising Your Book Manuscript
Katelyn E. Knox and Allison Van Deventer
University of Chicago Press, 2023
Writing an academic book is a daunting task. Where to start? This workbook.

So, you’ve written a dissertation. Congratulations! But how do you turn it into a book? Even if you know what to do when revising your dissertation, do you know how to do those things? This workbook by Katelyn E. Knox and Allison Van Deventer, creators of the successful online Dissertation-to-Book Boot Camp, offers a series of manageable, concrete steps with exercises to help you revise your academic manuscript into publishable book form.
 
The Dissertation-to-Book Workbook uses targeted exercises and prompts to take the guesswork out of writing a book. You’ll clarify your book’s core priorities, pinpoint your organizing principle, polish your narrative arc, evaluate your evidence, and much more. Using what this workbook calls “book questions and chapter answers,” you’ll figure out how to thread your book’s main ideas through its chapters. Then, you’ll assemble an argument, and finally, you’ll draft any remaining material and revise the manuscript. And most important, by the time you complete the workbook, you’ll have confidence that your book works as a book—that it’s a cohesive, focused manuscript that tells the story you want to tell.
 
Indispensible to anyone with an academic manuscript in progress, the prompts, examples, checklists, and activities will give you confidence about all aspects of your project—that it is structurally sound, coherent, free of the hallmarks of “dissertationese," and ready for submission to an academic publisher.
 
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Distribution of Illinois Vascular Plants
Robert H. Mohlenbrock and Douglas M. Ladd
Southern Illinois University Press, 1978
This new distribution list— the first since Winterringer and Evers (1960)— brings up-to-date every vascular plant known to occur in Illinois as a native, naturalized, or escaped species, some 3,001 taxa of vascular plants within the boundaries of the state.
 
There are 251 pages of distribution maps included in this book. The plants are arranged alphabetically by genus, and under each genus alphabetically by species. The nomenclature follows Mohlenbrock, Guide to the Vascular Flora of Illinois (1975).
 
In addition, a list of synonyms applied to Illinois taxa by Fernald (1950), Gleason (1952), and Jones (1963) follows the distribution maps.
 
Finally, in order to gain an under­standing of relationships of the plants in the Illinois flora, all 3,001 taxa are arranged in a phylogenetic sequence at the end of the book.
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Do Bats Drink Blood?
Fascinating Answers to Questions about Bats
Schmidt-French, Barbara A
Rutgers University Press, 2009
Bat biologist Barbara A. Schmidt-French and writer Carol A. Butler offer a compendium of insightful facts about bats in this accessible and expertly written question-and-answer volume. Numbering more than one thousand species in our world today, bats in the wild are generally unthreatening. Like most other mammals, bats are curious, affectionate, and even playful with one another.

Highly beneficial animals, bats are critical to global ecological, economic, and public health. Do Bats Drink Blood? illuminates the role bats play in the ecosystem, their complex social behavior, and how they glide through the night sky using their acute hearing: echolocation skills that have helped in the development of navigational aids for the blind. Personal in voice with the perspective of a skilled bat researcher, this book explores wide-ranging topics as well as common questions people have about bats, providing a trove of fascinating facts.

Featuring rare color and black-and-white photographs, including some by renowned biologist, photographer, and author Merlin Tuttle, Do Bats Drink Blood? provides a comprehensive resource for general readers, students, teachers, zoo and museum enthusiasts, farmers and orchardists, or anyone who may encounter or be fascinated by these extraordinary animals.

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Doctoral Dissertations on South Asia, 1966–1970
An Annotated Bibliography Covering North America, Europe, and Australia
Frank Joseph Shulman
University of Michigan Press, 1971
This volume gathers the harvest of recent doctoral dissertations on South Asia, principally from North America and Western Europe, but exclusive of theses from universities in South Asia itself. The yield—1305 dissertations based on research carried out during the early and middle nineteen-sixties and brought to completion between 1966 and 1970—is even greater than one would have guessed, eloquent testimony to the expansion of South Asian studies in the West over the last decade.
Doctoral Dissertations on South Asia seeks to be a comprehensive compilation of recently completed theses dealing in whole or in part with the former civilizations and the contemporary affairs of Ceylon, India, Nepal and Pakistan. At the same time, this work provides striking testimony of the dynamic growth of Asian Studies outside the subcontinent and particularly in the United States, Great Britain, Germany and France, where most of the major centers of scholarship are presently found. It is an interdisciplinary work covering the natural sciences as well as the humanities and social sciences.
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Dog Whistles, Walk-Backs, and Washington Handshakes
Decoding the Jargon, Slang, and Bluster of American Political Speech
Chuck McCutcheon and David Mark
University Press of New England, 2014
To the amusement of the pundits and the regret of the electorate, our modern political jargon has become even more brazenly two-faced and obfuscatory than ever. Where once we had Muckrakers, now we have Bed-Wetters. Where Blue Dogs once slept peaceably in the sun, Attack Dogs now roam the land. During election season—a near constant these days—the coded rhetoric of candidates and their spin doctors, and the deliberately meaningless but toxic semiotics of the wing nuts and backbenchers, reach near-Orwellian levels of self-satisfaction, vitriol, and deceit. The average NPR or talk radio listener, MSNBC or Fox News viewer, or blameless New York Times or Wall Street Journal reader is likely to be perplexed, nonplussed, and lulled into a state of apathetic resignation and civic somnolence by the rapid-fire incomprehensibility of political pronouncement and commentary—which is, frankly, putting us exactly where the pundits want us. Dog Whistles, Walk-Backs, and Washington Handshakes is a tonic and a corrective. It is a reference and field guide to the language of politics by two veteran observers that not only defines terms and phrases but also explains their history and etymology, describes who uses them against whom, and why, and reveals the most telling, infamous, amusing, and shocking examples of their recent use. It is a handbook of lexicography for the Wonkette and This Town generation, a sleeker, more modern Safire’s Political Dictionary, and a concise, pointed, bipartisan guide to the lies, obfuscations, and helical constructions of modern American political language, as practiced by real-life versions of the characters on House of Cards.
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Doing Honest Work in College
How to Prepare Citations, Avoid Plagiarism, and Achieve Real Academic Success
Charles Lipson
University of Chicago Press, 2004
As college deans and faculty are well aware, cheating and plagiarism have become an epidemic. Some students deliberately download papers, while others break rules they simply don't understand. Unfortunately, there have been no reliable guides to aid students, faculty, and teaching assistants in navigating these challenging issues. Now, there's help. Charles Lipson, a distinguished scholar and teacher who has coached thousands of students in the basics of honest work, provides clear, accessible, and often humorous advice on all aspects of college studies, from papers and exams to study groups and labs.

In the first part of the book, Lipson outlines three core principles of academic honesty and explores how these principles inform all aspects of college work. He discusses plagiarism in detail, outlining an ingenious note-taking system and offering guidelines for quoting and paraphrasing. Careful attention is paid to online research, including the perils of "dragging and dropping" text without proper citation. These chapters include numerous tips, all highlighted for students, on how to work honestly and study effectively.

The second part of the book gives a full account of citation styles in the humanities, social sciences, and physical and biological sciences, as well as in pre-professional studies. Filled with examples, these chapters show students exactly how to cite books, journals, edited volumes, Web sites, online publications, and much more—in every citation style imaginable.

By clearly communicating the basic principles of academic honesty and exploring these principles in action, Doing Honest Work in College promotes genuine learning and academic success. This must-have reference empowers faculty and students to address questions about academic honesty before problems arise. It will be the book students turn to for advice from their first class to their final exam.
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Doing Honest Work in College
How to Prepare Citations, Avoid Plagiarism, and Achieve Real Academic Success, Second Edition
Charles Lipson
University of Chicago Press, 2008
Since its publication in 2004, Doing Honest Work in College has become an integral part of academic integrity and first-year experience programs across the country. This helpful guide explains the principles of academic integrity in a clear, straightforward way and shows students how to apply them in all academic situations—from paper writing and independent research to study groups and lab work. Teachers can use this book to open a discussion with their students about these difficult issues. Students will find a trusted resource for citation help whether they are studying comparative literature or computer science. Every major reference style is represented. Most important of all, many universities that adopt this book report a reduction in cheating and plagiarism on campus.
            For this second edition, Charles Lipson has updated hundreds of examples and included many new media sources. There is now a full chapter on how to take good notes and use them properly in papers and assignments. The extensive list of citation styles incorporates guidelines from the American Anthropological Association. The result is the definitive resource on academic integrity that students can use every day.
             “Georgetown’s entering class will discover that we actually have given them what we expect will be a very useful book, Doing Honest Work in College. It will be one of the first things students see on their residence hall desks when they move in, and we hope they will realize how important the topic is.”—James J. O’Donnell, Provost, Georgetown University
            “A useful book to keep on your reference shelf.”—Bonita L. Wilcox, English Leadership Quarterly 
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Doing Honest Work in College, Third Edition
How to Prepare Citations, Avoid Plagiarism, and Achieve Real Academic Success
Charles Lipson
University of Chicago Press, 2018
Doing Honest Work in College stands on three principles: do the work you say you do, give others credit, and present your research fairly. These are straightforward concepts, but the abundance of questionable online sources and temptation of a quick copy-paste can cause confusion as to what’s considered citing and what’s considered cheating. This guide starts out by clearly defining plagiarism and other forms of academic dishonesty and then gives students the tools they need to avoid those pitfalls. This edition addresses the acceptable use of mobile devices on tests, the proper approach to sources such as podcasts or social media posts, and the limitations of citation management software.
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Doing What Comes Naturally
Change, Rhetoric, and the Practice of Theory in Literary & Legal Studies
Stanley Fish
Duke University Press, 1989
In literary theory, the philosophy of law, and the sociology of knowledge, no issue has been more central to current debate than the status of our interpretations. Do they rest on a ground of rationality or are they subjective impositions of a merely personal point of view? In Doing What Comes Naturally, Stanley Fish refuses the dilemma posed by this question and argues that while we can never separate our judgments from the contexts in which they are made, those judgments are nevertheless authoritative and even, in the only way that matters, objective. He thus rejects both the demand for an ahistorical foundation, and the conclusion that in the absence of such a foundation we reside in an indeterminate world. In a succession of provocative and wide-ranging chapters, Fish explores the implications of his position for our understanding of legal, literary, and psychoanalytic interpretation, the nature of professional and institutional culture, and the place of reason in a world that is rhetorical through and through.
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Drafting for the Theatre
Dennis Dorn and Mark Shanda
Southern Illinois University Press, 2012
In this newly revised second edition, veteran stage designers and technical directors Dennis Dorn and Mark Shanda introduce industry-standard drafting and designing practices with step-by-step discussions, illustrations, worksheets, and problems to help students develop and refine drafting and other related skills needed for entertainment set production work. By incorporating the foundational principles of both hand- and computer-drafting approaches throughout the entire book, the authors illustrate how to create clear and detailed drawings that advance the production process. 

Early chapters focus on the basics of geometric constructions, orthographic techniques, soft-line sketching applications, lettering, and dimensioning. Later chapters discuss real-life applications of production drawing and ancillary skills such as time and material estimation and shop-drawing nomenclature. Two chapters detail a series of design and shop drawings required to mount a specific design project, providing a guided path through both phases of the design/construction process. Most chapters conclude with one or more worksheets or problems that provide readers with an opportunity to test their understanding of the material presented. 

The authors' discussion of universal CAD principles throughout the manuscript provides a valuable foundation that can be used in any computer-based design, regardless of the software. Dorn and Shanda treat the computer as another drawing tool, like the pencil or T-square, but one that can help a knowledgeable drafter potentially increase personal productivity and accuracy when compared to traditional hand-drafting techniques. 

Drafting for the Theatre, second edition assembles in one book all the principal types of drawings, techniques, and conventional wisdom necessary for the production of scenic drafting, design, and shop drawings. It is richly illustrated with numerous production examples and is fully indexed to assist students and technicians in finding important information. It is structured to support a college-level course in drafting, but will also serve as a handy reference for the working theatre professional.
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The Dramatic Writer's Companion, Second Edition
Tools to Develop Characters, Cause Scenes, and Build Stories
Will Dunne
University of Chicago Press, 2017
In just eight years, The Dramatic Writer’s Companion has become a classic among playwrights and screenwriters. Thousands have used its self-contained character, scene, and story exercises to spark creativity, hone their writing, and improve their scripts.
Having spent decades working with dramatists to refine and expand their existing plays and screenplays, Dunne effortlessly blends condensed dramatic theory with specific action steps—over sixty workshop-tested exercises that can be adapted to virtually any individual writing process and dramatic script. Dunne’s in-depth method is both instinctual and intellectual, allowing writers to discover new actions for their characters and new directions for their stories. The exercises can be used by those just starting the writing process and by those who have scripts already in development.  With each exercise rooted in real-life issues from Dunne’s workshops, readers of this companion will find the combined experiences of more than fifteen hundred workshops in a single guide.
This second edition is fully aligned with a brand-new companion book, Character, Scene, and Story, which offers forty-two additional activities to help writers more fully develop their scripts. The two books include cross-references between related exercises, though each volume can also stand alone.
No ordinary guide to plotting, this handbook centers on the principle that character is key. “The character is not something added to the scene or to the story,” writes Dunne. “Rather, the character is the scene. The character is the story.” With this new edition, Dunne’s remarkable creative method will continue to be the go-to source for anyone hoping to take their story to the stage.
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front cover of The Dramatic Writer's Companion
The Dramatic Writer's Companion
Tools to Develop Characters, Cause Scenes, and Build Stories
Will Dunne
University of Chicago Press, 2009

Moss Hart once said that you never really learn how to write a play; you only learn how to write this play. Crafted with that adage in mind, The Dramatic Writer’s Companion is designed to help writers explore their own ideas in order to develop the script in front of them. No ordinary guide to plotting, this handbook starts with the principle that character is key. “The character is not something added to the scene or to the story,” writes author Will Dunne. “Rather, the character is the scene. The character is the story.”

Having spent decades working with dramatists to refine and expand their existing plays and screenplays, Dunne effortlessly blends condensed dramatic theory with specific action steps—over sixty workshop-tested exercises that can be adapted to virtually any individual writing process and dramatic script. Dunne’s in-depth method is both instinctual and intellectual, allowing writers to discover new actions for their characters and new directions for their stories.

Dunne’s own experience is a crucial element of this guide. His plays have been selected by the Eugene O’Neill Theatre Center for three U.S. National Playwrights Conferences and have earned numerous honors, including a Charles MacArthur Fellowship, four Bay Area Theatre Critics Circle Awards, and two Drama-Logue Playwriting Awards. Thousands of individuals have already benefited from his workshops, and The Dramatic Writer’s Companion promises to bring his remarkable creative method to an even wider audience.

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front cover of Dying Swans and Madmen
Dying Swans and Madmen
Ballet, the Body, and Narrative Cinema
McLean, Adrienne L
Rutgers University Press
From mid-twentieth-century films such as Grand Hotel, Waterloo Bridge, and The Red Shoes to recent box-office hits including Billy Elliot, Save the Last Dance, and The Company, ballet has found its way, time and again, onto the silver screen and into the hearts of many otherwise unlikely audiences. In Dying Swans and Madmen, Adrienne L. McLean explores the curious pairing of classical and contemporary, art and entertainment, high culture and popular culture to reveal the ambivalent place that this art form occupies in American life.

Drawing on examples that range from musicals to tragic melodramas, she shows how commercial films have produced an image of ballet and its artists that is associated both with joy, fulfillment, fame, and power and with sexual and mental perversity, melancholy, and death. Although ballet is still received by many with a lack of interest or outright suspicion, McLean argues that these attitudes as well as ballet's popularity and its acceptability as a way of life and a profession have often depended on what audiences first learned about it from the movies.



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