front cover of Freedom Seekers
Freedom Seekers
Escaping from Slavery in Restoration London
Simon P. Newman
University of London Press, 2021
Freedom Seekers reveals the hidden stories of Britain’s enslaved people and their liberation.

This book brings the history of slavery in England to light, revealing the powerful untold stories of resistance by enslaved workers from Africa, South Asia, and First-Nations America forced to work in London as sailors and dockworkers, wet-nurses and washerwomen. Featuring a series of original case studies on those enslaved people who escaped captivity, this volume provides a rich source of information about slavery in eighteenth-century mainland Britain and the “freedom seekers” therein. Using maps, photographs, newspaper advertisements, and more, the book details escape routes, the networks of slaveholders, and the community of people of color across the London region.

Freedom Seekers demonstrates that not only were enslaved people present in Restoration London but that white Londoners were intimately involved in the construction of the system of racial slavery, a process traditionally regarded as happening in the colonies rather than the British Isles. Freedom Seekers is an utterly unmissable and important book that seeks to delve into Britain’s colonial past.
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front cover of Wicked Intelligence
Wicked Intelligence
Visual Art and the Science of Experiment in Restoration London
Matthew C. Hunter
University of Chicago Press, 2013
In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures revealing the “exact proportions” of sea monsters—all were created by members of the Royal Society of London, the leading institutional platform of the early Scientific Revolution. Wicked Intelligence reveals that these natural philosophers shaped Restoration London’s emergent artistic cultures by forging collaborations with court painters, penning art theory, and designing triumphs of baroque architecture such as St Paul’s Cathedral.
 
Matthew C. Hunter brings to life this archive of experimental-philosophical visualization and the deft cunning that was required to manage such difficult research. Offering an innovative approach to the scientific image-making of the time, he demonstrates how the Restoration project of synthesizing experimental images into scientific knowledge, as practiced by Royal Society leaders Robert Hooke and Christopher Wren, might be called “wicked intelligence.” Hunter uses episodes involving specific visual practices—for instance, concocting a lethal amalgam of wax, steel, and sulfuric acid to produce an active model of a comet—to explore how Hooke, Wren, and their colleagues devised representational modes that aided their experiments. Ultimately, Hunter argues, the craft and craftiness of experimental visual practice both promoted and menaced the artistic traditions on which they drew, turning the Royal Society projects into objects of suspicion in Enlightenment England.
 
The first book to use the physical evidence of Royal Society experiments to produce forensic evaluations of how scientific knowledge was generated, Wicked Intelligence rethinks the parameters of visual art, experimental philosophy, and architecture at the cusp of Britain’s imperial power and artistic efflorescence.
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