A SCHOLARLY BOOK REPOSITORY
In the frozen reaches of Michigan’s Upper Peninsula, fierce winter storms hit without warning. The white opacity of one such blizzard allows Norman Haas to walk away from his prison work detail. Dangerously close to freezing to death, Norman is given shelter by Liesl Tiomenen, a middle-aged woman who lives in a house she and her late husband built in the woods. Armed with a rifle, she tries to turn him in, but when they set out on snowshoes, she suffers a fall, allowing him to flee again. Thus begins Norman’s journey back to his past, back to the woman he loved who betrayed him, back to the brother who helped put him away, back to a dangerous web of family allegiances, deceptions, and intrigue.
After finding Liesl injured and abandoned in the woods, Yellow Dog Township’s sole full-time law enforcement officer Del Maki pursues Norman through a storm of mythic proportions.
Hugely successful when published in the 1960s, Death and the Dervish is an enduring classic made into a feature length film in 1974.
While pursuing a race for district prosecutor in the 1970s, Glasgow had run afoul of the local political machine. The machine later decided to teach Glasgow a lesson even though he’d lost the race. Down and Dirty Down South is Glasgow’s story of how he attempted to clear his name and also track down the people who had set him up for charges of smuggling illegal drugs into the United States.
A story of love, vengeance, and renewal, Fire Point depicts the young couple’s attempt to rebuild their lives. But when Hannah’s former boyfriend Sean Colby returns home after a mysterious early discharge from the army, he cannot accept the fact that she has a new lover and commits a series of increasingly violent acts against Hannah, Martin, and the house that has come to represent their future.
An intensely dramatic true story, Forsaking All Others recounts the fascinating case of an interracial couple who attempted, in defiance of
society’s laws and conventions, to formalize their relationship in the post-Reconstruction South. It was an affair with tragic consequences, one that entangled the protagonists in a miscegenation trial and, ultimately, a desperate act of revenge.
From the mid-1870s to the early 1880s, Isaac Bankston was the proud sheriff of Desha County, Arkansas, a man so prominent and popular that he won five consecutive terms in office. Although he was married with two children, around 1881 he entered into a relationship with Missouri Bradford, an African American woman who bore his child. Some two years later, Missouri and Isaac absconded
to Memphis, hoping to begin a new life there together. Although Tennessee lawmakers had made miscegenation a felony, Isaac’s dark complexion enabled the couple to apply successfully for a marriage license and take their vows. Word of the marriage quickly spread, however, and Missouri and Isaac were charged with unlawful cohabitation. An attorney from Desha County, James Coates, came to Memphis to act as special prosecutor in the case. Events then took a surprising turn as Isaac chose to deny his white heritage in order to escape conviction. Despite this victory in court, however, Isaac had been publicly disgraced, and his sense of honor propelled him into a violent confrontation with Coates, the man he considered most responsible for his downfall. Charles F. Robinson uses Missouri and Isaac’s story to examine key aspects of post-Reconstruction society, from the rise of miscegenation laws and the particular burdens they placed on anyone who chose to circumvent them, to the southern codes of honor that governed both social and individual behavior, especially among white men. But most of all, the book offers a compelling personal narrative with important implications for our supposedly more
tolerant times.
Lovers of Shakespeare’s language take heart: Lisa Peterson’s translation of Hamlet into contemporary American English was guided by the principle of “First, do no harm.” Leaving the most famous parts of Hamlet untouched, Peterson untied the language knots that can make the rest of the play difficult to understand in a single theatrical viewing. Peterson’s translation makes Hamlet accessible to new audiences, drawing out its timeless themes while helping to contextualize "To be, or not to be: that is the question," and “Something is rotten in the state of Denmark,” so that contemporary audiences can feel their full weight.
This translation of Hamlet was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Irrawaddy Tango, a pepper-tongued, tango-dancing Asian beauty rises from a village girlhood to become the wife of her country's dictator and then a leader of the rebel forces arrayed against him. Tango captures the attention of an ambitious colonel --the self-proclaimed Supremo--while dancing at a talent contest. Once married, she is forced to endure the cruelties of a ruthless and foolish husband, is kidnapped by rebel forces, recaptured and brutally punished by her husband's military clique, and eventually exiled to America. Her return to the fictional Republic of Daya (clearly Burma) brings about the destruction of her husband and his dictatorship. Irrawaddy Tango tells the unsettling tale of powerful men and powerless women. It evokes as well the harshness of exile, revealing the misunderstandings between East and West and by doing so captures the intensity of living between the two.
A first-rate novel that provides vivid descriptions of Alabama during an important period in the state’s history, The Long Night is set in the vicinity of Montgomery, Alabama, between 1850 and 1865. Originally published in 1936, the book is based on a true story related to Lytle by one of his close friends and colleagues at Vanderbilt University, Frank L. Owsley, who later became the chairman of The University of Alabama Department of History. In fact, the novel opens with a letter to Professor Owsley from the author, and Owsley’s son has written the introduction to this edition.
As described by George B. Tindall, The Long Night is “the episodic story of a young Alabamian beset by the moral dilemma of desire for revenge against the persecutors of his father and his larger duty in the war, a story that rose to its climax in the Battle of Shiloh.” The work is rich in its description of the land and people of Black-Belt Alabama during the mid-19th century.
Told in the form of the pithy, even lyrical advice a young soldier leaves behind after a mission gone wrong, Notes for a Young Gentleman is no exception. Its brilliantly creative form, and the epigrammatic genius Litt displays in its creation, nonetheless can’t hide the powerful, emotional story at its heart: of a young soldier parachuting toward a beautiful, moonlit country house on a mission . . . of betrayal. The house? Marlborough. The target? Winston Churchill, an old friend of his father. A brilliant, at times dizzying but always heartfelt exploration of love, revenge, and the essence of a gentleman, Notes for a Young Gentleman is classic Toby Litt: wholly new and wholly unforgettable.
In this bold new book, Stephen Fineman lifts the lid on revenge, exposing its intriguing contours in arenas as diverse as the workplace, intimate relationships, the search for societal justice, war, and politics. He explores the psychology and experience of revenge and touches on more recent manifestations, like cyber-stalking and revenge pornography, in order to ask important questions: How best can we prevent the most damaging effects of revenge? When should retribution be tolerated, or even celebrated? If we are all potential avengers, what does that say about us?
In an age when digital media has created a new generation of armchair avengers, settling real or imaginary scores and starting-up new ones, Revenge is more than timely. Thoughtful and critical, Revenge tackles one of society’s oldest and greatest vices.
As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women.
With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem “Identity,” with the refrain “Identity is the crisis you can't see.” Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.
Hawthorne’s greatest romance, The Scarlet Letter, is often simplistically seen as a timeless tale of desire, sin, and redemption. In his introduction, Michael J. Colacurcio argues that The Scarlet Letter is a serious historical novel. If Hawthorne’s fiction rigorously and faithfully subjects Hester and Dimmesdale to the limits of seventeenth-century possibility, it nonetheless looks forward to the better, brighter world of Margaret Fuller and Fanny Fern, of Charles Fourier and John Humphrey Noyes.
The John Harvard Library edition reproduces the authoritative text of The Scarlet Letter in the Centenary Edition of the Works of Nathaniel Hawthorne.
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