The American Civil War and the Paris Commune of 1871, Philip Katz argues, were part of the broader sweep of transatlantic development in the mid-nineteenth century--an age of democratic civil wars. Katz shows how American political culture in the period that followed the Paris Commune was shaped by that event.

The telegraph, the new Atlantic cable, and the news-gathering experience gained in the Civil War transformed the Paris Commune into an American national event. News from Europe arrived in fragments, however, and was rarely cohesive and often contradictory. Americans were forced to assimilate the foreign events into familiar domestic patterns, most notably the Civil War. Two ways of Americanizing the Commune emerged: descriptive (recasting events in American terms in order to better understand them) and predictive (preoccupation with whether Parisian unrest might reproduce itself in the United States).

By 1877, the Commune became a symbol for the domestic labor unrest that culminated in the Great Railroad Strike of that year. As more powerful local models of social unrest emerged, however, the Commune slowly disappeared as an active force in American culture.

In this important and wide-ranging critique of Rosa Luxemburg (1871-1919) Raya Dunayevskaya examines the life, political thought, and action of one of the most critical revolutionary figures of our time. Dunayevskaya sheds new light on the questions of socialist democracy after the revolution, disclosing both the unprobed feminist dimension of Rosa Luxemburg and the previously unrecognized new moments in Marx's last decade concerning the role of women and the peasantry. As the founder of Marxist-Humanism in the United States, Dunayevskaya (1910-87) was an internationally respected writer, philosopher, and revolutionary. This new and expanded edition includes two previously unpublished articles by Dunayevskaya, including her "Challenge to all Post-Marx Marxists."