front cover of Crossing the Rift
Crossing the Rift
Resources, Settlements Patterns and Interaction in the Wadi Arabah
P. Bienkwoski
Council for British Research in the Levant, 2006
Most of the papers published in this volume were originally presented at a conference of the same name, organised by the editors, and held in Atlanta, Georgia, in November 2003. The Wadi Arabah falls between the two areas of southern Jordan and Negev, and has traditionally been seen as a barrier and border. This book (and the conference it came out of) is an attempt to look at this neglected area anew: bridge, rather than barrier.
[more]

logo for University of Minnesota Press
Rift
V.Y. Mudimbe
University of Minnesota Press, 1993

front cover of A Rift in the Clouds
A Rift in the Clouds
Race and the Southern Federal Judiciary, 1900-1910
Brent J. Aucoin
University of Arkansas Press, 2007
A Rift in the Clouds chronicles the efforts of three white southern federal judges to protect the civil rights of African Americans at the beginning of the twentieth century, when few in the American legal community were willing to do so. Jacob Treiber of Arkansas, Emory Speer of Georgia, and Thomas Goode Jones of Alabama challenged the Supreme Court's reading of the Reconstruction amendments that were passed in an attempt to make disfranchised and exploited African Americans equal citizens of the United States. These unpopular white southerners, two of whom who had served in the Confederate Army and had themselves helped to bring Reconstruction to an end in their states, asserted that the amendments not only established black equality, but authorized the government to protect blacks. Although their rulings won few immediate gains for blacks and were overturned by the Supreme Court, their legal arguments would be resurrected, and meet with greater success, over half a century later during the civil rights movement.
[more]

front cover of Rift
Rift
Poems
Barbara Helfgott Hyett
University of Arkansas Press, 2008
Barbara Helfgott Hyett's new collection considers, from close and afar, the elemental forces coming to bear on human character in our time. In one sense a personal explication of a long marriage and its betrayal, these stunning poems take solace in nature's steadfastness, and in the prospect of a newly resilient self, awakened to the predicament of a battered world. The title poem spills across the face of history—9/11, Hiroshima, the harrowing geological formation of earth, the sudden appearance of cave art, and ultimately, the uncertainty of God. The Daphne and Apollo sequence invents fourteen speakers, including a chisel, a river god, the sculptor, Bernini, and the poet, Ovid, each telling his own story as together they deconstruct the longstanding myth of lust gone awry. Such is the imaginative, kaleidoscopic process of Rift, in which acts of observation shatter and shift our view of experience. While we ache for the loss in these poems, Helfgott Hyett risks such honest grief that redemption comes, free standing and moral, on its own.
[more]


Send via email Share on Facebook Share on Twitter