Historian Gilad Margalit eloquently fills a tragic gap in the historical record with this sweeping examination of the plight of Gypsies in Germany before, during, and since the era of the Third Reich.
Germany and Its Gypsies reveals the painful record of the official treatment of the German Gypsies, a people whose future, in the shadow of Auschwitz, remains uncertain. Margalit follows the story from the heightened racism of the nineteenth century to the National Socialist genocidal policies that resulted in the murder of most German Gypsies, from the shifting attitudes in the two Germanys in 1945 through reunification and up to the present day.
Drawing upon a rich variety of sources, Margalit considers the pivotal historic events, legal arguments, debates, and changing attitudes toward the status of the German Gypsies and shines a vitally important light upon the issue of ethnic groups and their victimization in society. The result is a powerful and unforgettable testament.
“Gypsies” have lived among Europeans since the Middle Ages. Yet Roms still seem exotic to Westerners, who often rely on fictional depictions for what they know, or think they know, about this much-misunderstood people. The Romani Gypsies challenges stereotypes that have long been the unwelcome travel companions of this community in Europe and the New World. Yaron Matras offers a perspective-changing account of who the Roms are, how they live today, and how they have survived over centuries.
Descendants of Indian migrants, Roms began moving into western Europe in the 1300s, refugees of a collapsing Byzantine Empire. By the 1500s they had spread throughout Europe, working as itinerant smiths and toolmakers, healers and entertainers, and would soon reach the Americas. Often described as Egyptian—hence the name Gypsies—they were ostracized as beggars, vilified as criminals, respected as artisans, and idealized as free spirits. They have been both enslaved and protected, forced to settle down and forcibly expelled, in a pattern of manipulation and persecution that persists in our own time.
Matras draws on decades of firsthand research into Romani life to explain the organization of Romani society, its shared language, history, and traditions, as well as differences among widely dispersed Romani groups. He also details the present-day dilemmas surrounding the struggle of Roms for political recognition in European countries which are, by turns, either ambivalent or openly hostile.
Little has been written about the Spanish film musical, a genre usually associated with the early Franco dictatorship and dismissed by critics as reactionary, escapist fare. A timely and valuable corrective, White Gypsies shows how the Spanish folkloric musical films of the 1940s and ’50s are inextricably tied to anxious concerns about race—especially, but not only, Gypsiness.
Focusing on the processes of identity formation in twentieth-century Spain—with multifaceted readings of the cinematic construction of class, gender, and sexuality—Eva Woods Peiró explores how these popular films allowed audiences to negotiate and imaginatively, at times problematically, resolve complex social contradictions. The intricate interweaving of race and modernity is particularly evident in her scrutiny of a striking popular phenomenon: how the musicals progressively whitened their stars, even as their story lines became increasingly Andalusianized and Gypsified.
White Gypsies reveals how these imaginary individuals constituted a veritable cultural barometer of how racial thinking was projected and understood across a broad swath of popular Spanish cinema.
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