The ancient Romans' story down to 264 B.C. can be made credible by stripping away their later myths and inventions to show how their national character shaped their destiny.
After many generations of scholarly study, consensus is clear: the account in writers like Livy is not to be trusted because their aims were different from ours in history-writing. They wanted their work to be both improving and diverting. It should grow out of the real past, yes, but if that reality couldn't be recovered, or was uncertain, their art did not forbid invention. It more than tolerated dramatic incidents, passions, heroes, heroines, and villains. If, however, all this resulting ancient fiction and adornment are pruned away, a national character can be seen in the remaining bits and pieces of credible information, to explain the familiar story at least in its outlines.
To doubt the written sources has long been acceptable, but this or that detail or narrative section must always be left for salvage by special pleading. To press home the logic of doubt is new. To reach beyond the written sources for a better support in excavated evidence is no novelty; but it is a novelty, to find in archeology the principal substance of the narrative—which is the choice in this book. To use this in turn for the discovery of an ethnic personality, a Roman national character, is key and also novel.
What is repeatedly illustrated and emphasized here is the distance traveled by the art or craft of understanding the past—"history" in that sense—over the course of the last couple of centuries. The art cannot be learned, because it cannot be found, through studying Livy and Company. Readers who care about either of the two disciplines contrasted, Classics and History, may find this argument of interest.
The papers in this volume are based on a 2006 Princeton University symposium in honor of Glen W. Bowersock on the occasion of his retirement from the faculty of the Institute for Advanced Study. Here a distinguished international group of ancient historians explores the classical antiquity that Bowersock has given us over a scholarly career of almost fifty years.
The topics offered in East and West range throughout the ancient world from the second century BCE to late antiquity, from Hellenistic Greece and Republican Rome to Egypt and Arabia, from the Second Sophistic to Roman imperial discourse, from Sulla’s self-presentation in his memoirs to charitable giving among the Manichaeans in Egypt.
This collection of essays represents the first attempt to take in Glen Bowersock’s well-developed scholarly interests as a whole. The contributors open up new avenues that often run well beyond the conventional geographical and temporal boundaries of the Greco-Roman Mediterranean, leading to a host of fresh insights into antique thought and life.
Abbatial annals of medieval England.
Bede “the Venerable,” English theologian and historian, was born in AD 672 or 673 in the territory of the single monastery at Wearmouth and Jarrow. He was ordained deacon (691–2) and priest (702–3) of the monastery, where his whole life was spent in devotion, choral singing, study, teaching, discussion, and writing. Besides Latin he knew Greek and possibly Hebrew.
Bede’s theological works were chiefly commentaries, mostly allegorical in method, based with acknowledgment on Jerome, Augustine, Ambrose, Gregory, and others, but bearing his own personality. In another class were works on grammar and one on natural phenomena; special interest in the vexed question of Easter led him to write about the calendar and chronology. But his most admired production is his Ecclesiastical History of the English Nation. Here a clear and simple style united with descriptive powers to produce an elegant work, and the facts diligently collected from good sources make it a valuable account. Historical also are his Lives of the Abbots of his monastery, the less successful accounts (in verse and prose) of Cuthbert, and the Letter (November 734) to Egbert his pupil, so important for our knowledge about the Church in Northumbria.
The Loeb Classical Library edition of Bede’s historical works is in two volumes.
Abbatial annals of medieval England.
Bede “the Venerable,” English theologian and historian, was born in AD 672 or 673 in the territory of the single monastery at Wearmouth and Jarrow. He was ordained deacon (691–2) and priest (702–3) of the monastery, where his whole life was spent in devotion, choral singing, study, teaching, discussion, and writing. Besides Latin he knew Greek and possibly Hebrew.
Bede’s theological works were chiefly commentaries, mostly allegorical in method, based with acknowledgment on Jerome, Augustine, Ambrose, Gregory, and others, but bearing his own personality. In another class were works on grammar and one on natural phenomena; special interest in the vexed question of Easter led him to write about the calendar and chronology. But his most admired production is his Ecclesiastical History of the English Nation. Here a clear and simple style united with descriptive powers to produce an elegant work, and the facts diligently collected from good sources make it a valuable account. Historical also are his Lives of the Abbots of his monastery, the less successful accounts (in verse and prose) of Cuthbert, and the Letter (November 734) to Egbert his pupil, so important for our knowledge about the Church in Northumbria.
The Loeb Classical Library edition of Bede’s historical works is in two volumes.
“The classic of all Europe.” —T. S. Eliot
Virgil (Publius Vergilius Maro) was born in 70 BC near Mantua and was educated at Cremona, Milan, and Rome. Slow in speech, shy in manner, thoughtful in mind, weak in health, he went back north for a quiet life. Influenced by the group of poets there, he may have written some of the doubtful poems included in our Virgilian manuscripts. All his undoubted extant work is written in his perfect hexameters. Earliest comes the collection of ten pleasingly artificial bucolic poems, the Eclogues, which imitated freely Theocritus’ idylls. They deal with pastoral life and love. Before 29 BC came one of the best of all didactic works, the four books of Georgics on tillage, trees, cattle, and bees. Virgil’s remaining years were spent in composing his great, not wholly finished, epic the Aeneid, on the traditional theme of Rome’s origins through Aeneas of Troy. Inspired by the Emperor Augustus’ rule, the poem is Homeric in metre and method but influenced also by later Greek and Roman literature, philosophy, and learning, and deeply Roman in spirit. Virgil died in 19 BC at Brundisium on his way home from Greece, where he had intended to round off the Aeneid. He had left in Rome a request that all its twelve books should be destroyed if he were to die then, but they were published by the executors of his will.
The Loeb Classical Library edition of Virgil is in two volumes.
Learned love poems from the early Augustan age.
The passionate and dramatic elegies of Propertius gained him a reputation as one of Rome’s finest love poets. Here he portrays the exciting, uneven course of his love affair with Cynthia and tells us much about his contemporaries and the society in which he lives, while in later poems he turns to mythological themes and the legends of early Rome.
Born in Assisi about 50 BC, Propertius moved as a young man to Rome, where he came into contact with a coterie of poets, including Virgil, Tibullus, Horace, and Ovid. Publication of his first book brought immediate recognition and the unwavering support of Maecenas, the influential patron of the Augustan poets. He died perhaps in his mid-thirties, leaving us four books of elegies that have attracted admirers throughout the ages.
In this new edition of Propertius, G. P. Goold solves some longstanding questions of interpretation and gives us a faithful and stylish prose translation. His explanatory notes and glossary-index offer steady guidance and a wealth of information.
The eastern Roman Empire was the largest state in western Eurasia in the sixth century. Only a century later, it was a fraction of its former size. Surrounded by enemies, ravaged by warfare and disease, the empire seemed destined to collapse. Yet it did not die. In this holistic analysis, John Haldon elucidates the factors that allowed the eastern Roman Empire to survive against all odds into the eighth century.
By 700 CE the empire had lost three-quarters of its territory to the Islamic caliphate. But the rugged geography of its remaining territories in Anatolia and the Aegean was strategically advantageous, preventing enemies from permanently occupying imperial towns and cities while leaving them vulnerable to Roman counterattacks. The more the empire shrank, the more it became centered around the capital of Constantinople, whose ability to withstand siege after siege proved decisive. Changes in climate also played a role, permitting shifts in agricultural production that benefitted the imperial economy.
At the same time, the crisis confronting the empire forced the imperial court, the provincial ruling classes, and the church closer together. State and church together embodied a sacralized empire that held the emperor, not the patriarch, as Christendom’s symbolic head. Despite its territorial losses, the empire suffered no serious political rupture. What remained became the heartland of a medieval Christian Roman state, with a powerful political theology that predicted the emperor would eventually prevail against God’s enemies and establish Orthodox Christianity’s world dominion.
The religious transformations that marked late antiquity represent an enigma that has challenged some of the West’s greatest thinkers. But, according to Guy Stroumsa, the oppositions between paganism and Christianity that characterize prevailing theories have endured for too long. Instead of describing this epochal change as an evolution within the Greco-Roman world from polytheism to monotheism, he argues that the cause for this shift can be found not so much around the Mediterranean as in the Near East.
The End of Sacrifice points to the role of Judaism, particularly its inventions of new religious life following the destruction of the Second Temple in 70 CE. The end of animal sacrifice gave rise to new forms of worship, with a concern for personal salvation, scriptural study, rituals like praying and fasting, and the rise of religious communities and monasticism. It is what Christianity learned from Judaism about texts, death, and, above all, sacrifice that allowed it to supersede Greco-Roman religions and, Stroumsa argues, transform religion itself.
A concise and original approach to a much-studied moment in religious history, The End of Sacrifice will be heralded by all scholars of late antiquity.
Poetic concision in abundance.
It was to celebrate the opening of the Roman Colosseum in AD 80 that Martial published his first book of poems, “On the Spectacles.” Written with satiric wit and a talent for the memorable phrase, the poems in this collection record the broad spectacle of shows in the new arena. The great Latin epigrammist’s twelve subsequent books capture the spirit of Roman life—both public and private—in vivid detail. Fortune hunters and busybodies, orators and lawyers, schoolmasters and street hawkers, jugglers and acrobats, doctors and plagiarists, beautiful slaves, and generous hosts are among the diverse characters who populate his verses.
Martial is a keen and sharp-tongued observer of Roman society. His pen brings into crisp relief a wide variety of scenes and events: the theater and public games, life in the countryside, a rich debauchee’s banquet, lions in the amphitheater, the eruption of Vesuvius. The epigrams are sometimes obscene, in the tradition of the genre, sometimes warmly affectionate or amusing, and always pointed. Like his contemporary Statius, though, Martial shamelessly flatters his patron Domitian, one of Rome’s worst-reputed emperors.
D. R. Shackleton Bailey’s translation of Martial’s often difficult Latin eliminates many misunderstandings in previous versions. The text is mainly that of his highly praised Teubner edition of 1990.
Poetic concision in abundance.
It was to celebrate the opening of the Roman Colosseum in AD 80 that Martial published his first book of poems, “On the Spectacles.” Written with satiric wit and a talent for the memorable phrase, the poems in this collection record the broad spectacle of shows in the new arena. The great Latin epigrammist’s twelve subsequent books capture the spirit of Roman life—both public and private—in vivid detail. Fortune hunters and busybodies, orators and lawyers, schoolmasters and street hawkers, jugglers and acrobats, doctors and plagiarists, beautiful slaves, and generous hosts are among the diverse characters who populate his verses.
Martial is a keen and sharp-tongued observer of Roman society. His pen brings into crisp relief a wide variety of scenes and events: the theater and public games, life in the countryside, a rich debauchee’s banquet, lions in the amphitheater, the eruption of Vesuvius. The epigrams are sometimes obscene, in the tradition of the genre, sometimes warmly affectionate or amusing, and always pointed. Like his contemporary Statius, though, Martial shamelessly flatters his patron Domitian, one of Rome’s worst-reputed emperors.
D. R. Shackleton Bailey’s translation of Martial’s often difficult Latin eliminates many misunderstandings in previous versions. The text is mainly that of his highly praised Teubner edition of 1990.
Poetic concision in abundance.
It was to celebrate the opening of the Roman Colosseum in AD 80 that Martial published his first book of poems, “On the Spectacles.” Written with satiric wit and a talent for the memorable phrase, the poems in this collection record the broad spectacle of shows in the new arena. The great Latin epigrammist’s twelve subsequent books capture the spirit of Roman life—both public and private—in vivid detail. Fortune hunters and busybodies, orators and lawyers, schoolmasters and street hawkers, jugglers and acrobats, doctors and plagiarists, beautiful slaves, and generous hosts are among the diverse characters who populate his verses.
Martial is a keen and sharp-tongued observer of Roman society. His pen brings into crisp relief a wide variety of scenes and events: the theater and public games, life in the countryside, a rich debauchee’s banquet, lions in the amphitheater, the eruption of Vesuvius. The epigrams are sometimes obscene, in the tradition of the genre, sometimes warmly affectionate or amusing, and always pointed. Like his contemporary Statius, though, Martial shamelessly flatters his patron Domitian, one of Rome’s worst-reputed emperors.
D. R. Shackleton Bailey’s translation of Martial’s often difficult Latin eliminates many misunderstandings in previous versions. The text is mainly that of his highly praised Teubner edition of 1990.
A condensed Roman history of non-Roman civilizations.
To Justin (Marcus Junian(i)us Justinus), otherwise unknown, is attributed our abbreviated version of the lost Philippic History by (Gnaeus?) Pompeius Trogus, a massive account, in forty-four books, of the non-Roman world and its civilizations, from mythic beginnings through Alexander the Great, the Hellenistic kingdoms, and Parthia. Trogus’ work thus complemented the monumental history of Rome by his Augustan contemporary, Livy, and in high style traced similar moral themes: rulers and states that lack such virtues as moderation, justice, and piety bring harm or ruin on themselves, and often on their realms as well.
Justin, working at some time in the late second to the late fourth century AD, did not produce a strict epitome or summary but what he calls “a brief anthology”: not unlike Florus (LCL 231), who used Livy’s history as the primary source for a brief but original military history of Rome, Justin freely selected what suited his own purposes, favoring “what makes pleasurable reading or serves to provide a moral,” with an eye to the kind of emotive anecdotes that might be useful to orators. He also blends Trogus’ language with borrowings from literature of subsequent generations. Justin’s anthology became one of the most widely read and influential books in the Middle Ages and Renaissance, indeed the main authority on world history other than Roman, surviving in more than 200 manuscripts.
Also included in this edition are the “Prologues,” summaries of Trogus by some other compiler, which preserve many details that Justin omits or reports differently.
A condensed Roman history of non-Roman civilizations.
To Justin (Marcus Junian(i)us Justinus), otherwise unknown, is attributed our abbreviated version of the lost Philippic History by (Gnaeus?) Pompeius Trogus, a massive account, in forty-four books, of the non-Roman world and its civilizations, from mythic beginnings through Alexander the Great, the Hellenistic kingdoms, and Parthia. Trogus’ work thus complemented the monumental history of Rome by his Augustan contemporary, Livy, and in high style traced similar moral themes: rulers and states that lack such virtues as moderation, justice, and piety bring harm or ruin on themselves, and often on their realms as well.
Justin, working at some time in the late second to the late fourth century AD, did not produce a strict epitome or summary but what he calls “a brief anthology”: not unlike Florus (LCL 231), who used Livy’s history as the primary source for a brief but original military history of Rome, Justin freely selected what suited his own purposes, favoring “what makes pleasurable reading or serves to provide a moral,” with an eye to the kind of emotive anecdotes that might be useful to orators. He also blends Trogus’ language with borrowings from literature of subsequent generations. Justin’s anthology became one of the most widely read and influential books in the Middle Ages and Renaissance, indeed the main authority on world history other than Roman, surviving in more than 200 manuscripts.
Also included in this edition are the “Prologues,” summaries of Trogus by some other compiler, which preserve many details that Justin omits or reports differently.
A very short introduction to Roman history.
Florus, born apparently in Africa, lived in Spain and in Rome during Hadrian’s time. He wrote, in succinct rhetorical style, a summary of Roman history (especially wars) in two books in order to show the early greatness and subsequent decline of Roman morals. It is based chiefly on Livy. Florus’ Epitome was perhaps planned to reach his own times, but the extant work ends with Augustus’ reign. Florus provides a useful rapid sketch of Roman military history.
Poetry by Florus is also available in the Loeb Classical Library, in Volume II of Minor Latin Poets (LCL 434).
Why did Caesar have to die--and why did his death solve nothing? The plot was confused, the execution bungled, and within hours different versions of the event were circulating. It was the end of republican Rome and the beginning of the Roman Empire--and yet everything about it remains somewhat mysterious.
Beginning with this legendary political assassination, immortalized in art and literature through the ages, Greg Woolf delivers a remarkable meditation on Caesar's murder as it echoes down the corridors of history, affecting notions and acts of political violence to our day.
Assassins Brutus and Cassius dined with their fiercest enemies within days of the murder--and were then hunted down and killed. After the murder neither conspirators nor Caesar's partisans knew how to react. From these beginnings this book follows the normalization of assassination at Rome, cataloguing the murder of Caesar after Caesar and recording the means, methods, and motives of the perpetrators. How was the Roman Empire so untouched by these events? And how had the Republic contained such violence between friends for so long? Woolf shows how Caesar's death--and the puzzled reactions to it--points back to older ethics of tyrannicide.
When is it justified to kill a head of state? Does extra-judicial execution provide answers worth the cost of the ensuing chaos? Ranging among texts by Cicero, Suetonius, and Seneca, plays by Shakespeare and Corneille, and the ideas of Michel Foucault and Francis Fukuyama, Woolf pursues these questions through the ages. His book tells us not only how, but why, Caesar's Vast Ghost still holds us spellbound.
Modern Rome is a city rife with contradictions. Once the seat of ancient glory, it is now often the object of national contempt. It plays a significant part on the world stage, but the concerns of its residents are often deeply parochial. And while they live in the seat of a world religion, Romans can be vehemently anticlerical. These tensions between the past and the present, the global and the local, make Rome fertile ground to study urban social life, the construction of the past, the role of religion in daily life, and how a capital city relates to the rest of the nation.
Michael Herzfeld focuses on Rome’s historic Monti district and the wrenching dislocation caused by rapid economical, political, and social change. Evicted from Eternity tells the story of the gentrification of Monti—once the architecturally stunning home of a community of artisans and shopkeepers now displaced by an invasion of rapacious real estate speculators, corrupt officials, dithering politicians, deceptive clerics, and shady thugs. As Herzfeld picks apart the messy story of Monti’s transformation, he ranges widely over many aspects of life there and in the rest of the city, richly depicting the uniquely local landscape of globalization in Rome.
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