As a writer, Glenway Wescott (1901–1987) left behind several novels, including The Grandmothers and The Pilgrim Hawk, noted for their remarkable lyricism. As a literary figure, Wescott also became a symbol of his times. Born on a Wisconsin farm in 1901, he associated as a young writer with Hemingway, Stein, and Fitzgerald in 1920s Paris and subsequently was a central figure in New York’s artistic and gay communities. Though he couldn’t finish a novel after the age of forty-five, he was just as famous as an arts impresario, as a diarist, and for the company he kept: W. H. Auden, Christopher Isherwood, Marianne Moore, Somerset Maugham, E. M. Forster, Joseph Campbell, and scores of other luminaries.
     In Glenway Wescott Personally, Jerry Rosco chronicles Wescott’s long and colorful life, his early fame and later struggles to write, the uniquely privileged and sometimes tortured world of artistic creation. Rosco sensitively and insightfully reveals Wescott’s private life, his long relationship with Museum of Modern Art curator Monroe Wheeler, his work with sex researcher Alfred Kinsey that led to breakthrough findings on homosexuality, and his kinship with such influential artists as Jean Cocteau, George Platt-Lynes, and Paul Cadmus.

Charm, wit, compassion, wisdom, literature, nature, sex, humor, politics, sorrow, love: these themes fill the late journal pages of enigmatic American writer Glenway Wescott. From humble beginnings on a poor Wisconsin farm, Wescott went on to study at the University of Chicago, narrowly survive the Spanish flu pandemic, and eventually emerge as an influential poet and novelist. A major figure in the American literary expatriate community in Paris during the 1920s and a prominent American novelist in the years leading up to World War II, he spent a decade living abroad before relocating permanently to New York and New Jersey with his partner, Museum of Modern Art publications director and curator Monroe Wheeler.

            Together they mixed with such intellectual and creative greats as Jean Cocteau, Colette, George Platt Lynes, Paul Cadmus, Somerset Maugham, Christopher Isherwood, Marianne Moore, W. H. Auden, Truman Capote, Joseph Campbell, and scores of other luminaries. During the second half of his life, Wescott wrote nonfiction essays and worked for the Academy Institute of Arts and Letters, all the while keeping journals in which he recorded the experiences that fostered his love of life, literature, the arts, and humanity. A Heaven of Words looks back on Wescott's entire fascinating life and reveals the riveting narrative of his last decades.

Winner, Gay Memoir/Biography, Lambda Literary Awards

            The autobiographical story is about a literary man, frustrated in love, who puts aside his pride and makes a date with a young artist in Maine. Lavishly rendered in Wescott's elegant prose, the tale is explicit where it needs to be, but—as is typical of Wescott—it is filled with descriptive beauty and introspective lessons about sex and sexuality, love and creativity.

            Previously published in anthology form in the United Kingdom, "A Visit to Priapus" is presented for the first time in book form in America, containing previously uncollected stories, including three never before published. The result is a candid portrayal of the gifted but enigmatic writer who was famous in youth and remained a perceptive and compassionate voice throughout his long life. Drawn together from midcentury literary journals and magazines of the 1920s and 1930s, as well as from Wescott's papers, the stories were inspired by his life, from childhood to old age, from Wisconsin farm country to New York, London, Germany, and Paris.

Finalist, Gay General Fiction, Lambda Literary Awards