Family forms are changing rapidly in Western society, and with them, the microenvironments within which men, women, and children live together. Stuart Aitken argues that, whether environment is taken as physical space or as a metaphor for the social, economic, and psychological basis of families, there remains a tendency to keep defining the meaning of families and communities in terms of older, traditional, "imagined," and idealized structures of politics, gender, and geography.
Using the stories of several families in San Diego, Aitken describes geographies of everyday life that contest definitions of cities and communities as mosaics reflecting patterns of social relations. He begins inside the family circle, looking at patriarchal power and the subordination of women, men, and children. Moving beyond the household, he then stresses the importance of place in defining the social and political character of communities and families' interplay within them--whether "communities" are viewed as neighborhoods, towns, or organizations that provide space for fellowship and common purpose. In turn, he shows that as the individual child reaches beyond family life to find a place in these communities, political cultures are reproduced through the child.
Aitken suggests ways in which individual and family identities are complexly intertwined with the cultural politics of communities, cities, and regions. He concludes that family and community spaces reproduce and reconstruct themselves daily according to divisions of race, class, gender, and differential access to housing, work, and child-care.
Filipino Americans are now the second largest group of Asian Americans as well as the second largest immigrant group in the United States. As reflected in this collection, their lives represent the diversity of the immigrant experience and their narratives are a way to understand ethnic identity and Filipino American history.
Men and women, old and young, middle and working class, first and second generation, all openly discuss their changing sense of identity, the effects of generational and cultural differences on their families, and the role of community involvement in their lives. Pre- and post-1965 immigrants share their experiences, from the working students who came before WWII, to the manongs in the field, to the stewards and officers in the U.S. Navy, to the "brain drain" professionals, to the Filipinos born and raised in the United States.
As Yen Le Espiritu writes in the Introduction, "each of the narratives reveals ways in which Filipino American identity has been and continues to be shaped by a colonial history and a white-dominated culture. It is through recognizing how profoundly race has affected their lives that Filipino Americans forge their ethnic identities—identities that challenge stereotypes and undermine practices of cultural domination."
Insightful and dramatic, Lured by the American Dream is the untold story of how Filipino servicepersons overcame tradition and hierarchy in their quest for dignity.
Winner, Susan Koppelman Award, Best Edited Volume in Women's Studies in Popular and American Culture, 2008
The 1970s and 1980s saw the awakening of social awareness and political activism in Mexican-American communities. In San Diego, a group of Chicana women participated in a political theatre group whose plays addressed social, gender, and political issues of the working class and the Chicano Movement. In this collective memoir, seventeen women who were a part of Teatro de las Chicanas (later known as Teatro Laboral and Teatro Raíces) come together to share why they joined the theatre and how it transformed their lives. Teatro Chicana tells the story of this troupe through chapters featuring the history and present-day story of each of the main actors and writers, as well as excerpts from the group's materials and seven of their original short scripts.
Situated in the South Texas borderlands some fifty miles west of Corpus Christi, San Diego was a thriving town already a hundred years old at the turn of the twentieth century. With a population that was 90 percent Mexican or Mexican American and 10 percent Anglo, the bicultural community was the seat of Duval County and a prosperous town of lumberyards, banks, mercantile stores, and cotton gins, which also supplied the needs of area ranchers and farmers. Though Anglos dominated its economic and political life, San Diego was culturally Mexican, and Mexican Americans as well as Anglos built successful businesses and made fortunes.
This collection of nearly one hundred photographs from the estate of amateur photographer William Hoffman captures the cosmopolitan town of San Diego at a vibrant moment in its history between 1898 and 1909. Grouped into the categories women and their jobs, local homes, men and their businesses, children at school and church, families and friends, and entertainment about town, the photos offer an immediate visual understanding of the cultural and economic life of the community, enhanced by detailed captions that identify the subjects and circumstances of the photos. An introductory historical chapter constitutes the first published history of Duval County, which was one of the most important areas of South Texas in the early twentieth century.
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