front cover of Landscapes of Origin in the Americas
Landscapes of Origin in the Americas
Creation Narratives Linking Ancient Places and Present Communities
Edited and with an introduction by Jessica Joyce Christie
University of Alabama Press, 2009
Landscape is a powerful factor in the operation of memory because of the associations narrators make between the local landscape and the events of the stories they tell. Ancestors and mythological events often become fixed in a specific landscape and act as timeless reference points.

In conventional anthropological literature, "landscape" is the term applied to the meaning local people bestow on their cultural and physical surroundings. In this work, the authors explore the cultural and physical landscapes an individual or cultural group has constructed to define the origins or beginnings of that cultural group as revealed through shared or traditional memory. The cultural landscapes of origins in diverse sites throughout the Americas are investigated through multidisciplinary research, not only to reveal the belief system and mythologies but also to place these origin beliefs in context and relationship to each other. In a continual interaction between the past, present, and future, time is subordinate to place, and history, as defined in Western academic terms, does not exist.



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A Pre-Columbian World
Jeffrey Quilter
Harvard University Press, 2006
The articles in this book conceptualize the ancient New World through new and varied approaches, from iconography to the history of anthropology. The many essays in this volume explore the vast vista of the Pre-Columbian world, including representations of history, memory, and knowledge in Andean visual imagery and Pre-Columbian narrative, the ideology of rain making, and Maya beliefs about animal transformations.
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Rock Art Of Utah
Polly Schaafsma
University of Utah Press, 1994

Over many centuries, the prehistoric Fremont and Anasazi peoples of present-day Utah left an artistic record in which distinctive styles are readily identifiable. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah’s abundant prehistoric rock art offers glimpses of a lost world.

The Rock Art of Utah is a rich sample of the many varieties of rock art found in the state. Through nearly two hundred high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 1930s, rock art expert Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy.

From the Uinta Mountains through the central canyonlands to the Virgin River, Utah’s abundant prehistoric rock art offers glimpses of a lost world. Over many centuries, the Fremont and Anasazi peoples left an artistic record in which distinctive styles are readily identifiable.

The Rock Art of Utah is a guide to the many varieties of rock art found in the state. Through dozens of high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 30s, author Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy. Now in an updated edition, it will engage anyone with an interest in the ancient peoples of the Colorado Plateau.
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Talking to the Rain
Paintings and Carvings on Stone in Chihuahuan Desert Landscapes
Polly Schaafsma
University of Utah Press, 2025
Explores ancient dialogue between desert farmers and the cosmos

In this visually stunning volume, Polly Schaafsma, leading authority on pre-Hispanic Indian rock imagery and kiva murals of the greater American Southwest, provides an insightful journey into the petroglyphs and rock paintings of the Jornada Mogollon farmers in southern New Mexico's lower Chihuahuan Desert.

Talking to the Rain defines the Rio Grande Tradition, emphasizing the foundational Jornada Style as exemplified by its Mimbres-like imagery as well as its diverse and complex rain-making symbolism. By examining visual metaphors of cosmology and place-making, the book reveals an ancient dialogue between farmers and the cosmos that places rain for crops as its central concern. Exceptional color photographs by François Gohier invite readers to experience the landscapes and locations selected for creating these images. Both scholarly and accessible, Talking to the Rain offers a fresh perspective on cultural landscapes and the profound connections between people, art, and environment, making it essential for understanding Southwest cultural history.
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