In this captivating book, artist and avid beachcomber Josie Iselin reveals the unexpected beauty of seaweed. Produced on a flatbed scanner, Iselin’s vibrant portraits of ocean flora reveal the exquisite color and extraordinary forms of more than 200  specimens gathered from tidal pools along the California and Maine  coasts. Her engaging text, which accompanies the images, blends personal observation and philosophical musings with scientific fact. Now available in paperback for the first time, An Ocean Garden: The Secret Life of Seaweed is a poetic and compelling tribute to the natural world and the wonder it evokes.

In one of those rare books that allows us to see the world not as we’ve never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science.

In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.

We all see the largest features of mountain ecosystems—the impressively rugged peaks, the clear blue lakes, and the extensive forests—but each of these readily visible features depends on largely invisible creatures and flows of material and energy. Something Hidden in the Ranges draws on a wide array of scientific research to reveal the complex ecology of Rocky Mountain National Park in Colorado and, by extension, of mountain ecosystems generally.

Geologist Ellen Wohl has spent three decades investigating the streams and forests near her home in Colorado. In writing that is free from jargon and easy to understand, she tells the intricate story of how streams provide energy to adjacent forests, how lake sediments record the history of wind-blown pollutants, and how hidden networks of fungi keeps forests healthy. She guides readers through forests at both lower and higher elevations, revealing how trees rely on microbes in the soil, in the forest canopy, and even within individual pine needles to obtain the food they need. Other chapters focus on subalpine lakes, mountain streams, beaver meadows, and alpine tundra.

While scientists, students, and scholars will benefit from Wohl’s intimate knowledge of mountain ecosystems, Something Hidden in the Ranges is written for anyone interested in natural or environmental history. It will change the way readers perceive and think about natural landscapes.

 

Throughout the four hundred thousand years that humanity has been collecting fossils, sea urchin fossils, or echinoids, have continually been among the most prized, from the Paleolithic era, when they decorated flint axes, to today, when paleobiologists study them for clues to the earth’s history. 

In The Star-Crossed Stone, Kenneth J. McNamara, an expert on fossil echinoids, takes readers on an incredible fossil hunt, with stops in history, paleontology, folklore, mythology, art, religion, and much more. Beginning with prehistoric times, when urchin fossils were used as jewelry, McNamara reveals how the fossil crept into the religious and cultural lives of societies around the world—the roots of the familiar five-pointed star, for example, can be traced to the pattern found on urchins. But McNamara’s vision is even broader than that: using our knowledge of early habits of fossil collecting, he explores the evolution of the human mind itself, drawing striking conclusions about humanity’s earliest appreciation of beauty and the first stirrings of artistic expression. Along the way, the fossil becomes a nexus through which we meet brilliant eccentrics and visionary archaeologists and develop new insights into topics as seemingly disparate as hieroglyphics, Beowulf, and even church organs.

An idiosyncratic celebration of science, nature, and human ingenuity, The Star-Crossed Stone is as charming and unforgettable as the fossil at its heart.