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Although Richard Hooker (1554–1600) is now known principally as the author of the Laws of Ecclesiastical Polity, in his lifetime the Tractates and Sermons brought him greater notoriety. Hooker’s views on justification, the perseverance of faith, and the relationship of the Church of Rome to the reformed Church of England were widely reported, and texts of the tracts were extensively circulated in manuscript.

Thanks to the meticulous editing of Laetitia Yeandle, Curator of Manuscripts at the Folger Shakespeare Library, the contemporary impact of these debates can now be appreciated for the first time. These tracts provide a unique perspective on the turbulent world of late Elizabethan theology. In addition, they lay the doctrinal foundations of the Laws of Ecclesiastical Polity itself and—with the excellent commentary of Egil Grislis, Professor of Theology at the University of Manitoba in Winnipeg, enable us to trace the intellectual formation of sixteenth-century England’s most innovative and provocative theologian.

The volume includes a newly discovered letter; three newly attributed sermon fragments; and analysis by P. F. Forte of Hooker’s distinctive preaching style.

The writings of Richard Hooker are of central interest to those studying English Renaissance thought and literature. In this, the third volume of a much-needed critical edition of the Works of Richard Hooker, are the posthumous books of the Laws of Ecclesiastical Polity. Hooker planned the Laws in eight books, but he died shortly after publication of Book Five. Books Six, Seven, and Eight, which contain his analysis of jurisdiction, episcopacy, and the royal supremacy, are here transcribed from versions that have the most authority. The volume also includes Hooker’s autograph notes toward those texts (brought to light by P. G. Stanwood in the course of his research) and the contemporary notes by George Cranmer and Edwin Sandys on a lost draft of Book Six. Mr. Stanwood’s introduction lays to rest all doubts about the authenticity of the last three books as we have them, doubts current since publication of Walton’s Life of Hooker in 1662.

This edition, sponsored by the Folger Library, is providing authoritative texts to serve as a basis for the scholarly reappraisal of Richard Hooker’s writings that is presently underway.

Richard Hooker is the first major voice of Anglican theology, and his defense of the Elizabethan Church against the attacks of the Puritans set the prevailing tone of Anglicanism for centuries to follow. Through his eloquent treatise on ecclesiastical law the medieval political thought of Thomas Aquinas became a part of the English political heritage, to be used by such writers as Locke, Burke, and Coleridge. The Laws of Ecclesiastical Polity is also a primary statement in English of a theory of natural law. Finally, we must turn to Hooker if we are to understand the intellectual background of the Renaissance, for he luminously sets forth the ethical, political, and religious assumptions of his age.

The Folger Library has answered a long-felt need in sponsoring this critical, old-spelling edition of Hooker’s Works, prepared with all the expertise modern scholarship can bring to bear. Six scholars share the editorial responsibility, consulting their eighteen-member Board of Advisers as necessary. The texts for the edition are based on fresh transcriptions of the earliest and most authoritative documents, in many cases manuscripts written or corrected by Hooker himself or contemporary transcripts of these. The critical apparatus for each text records substantive variants among the authoritative documents as well as departures in accidentals from the copy text. The aim of the apparatus is to enable the interested reader to reconstruct the authority underlying the text.

The Preface and Books I–V of the Laws of Ecclesiastical Polity, Volumes I and II of this edition, represent all of Hooker’s work published in his lifetime. These volumes were prepared by Georges Edelen, Professor of English at Indiana University, and W. Speed Hill, Associate Professor of English, Herbert H. Lehman College, City University of New York.

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Born to merchant-class parents who served in the court of Henry VIII and his queens, Anne Vaughan Lock lived in London and Exeter, spent time in Geneva as a religious exile, belonged to the Cooke sisters’ political-religious circle, maintained friendships with prominent Protestant leaders, and engaged the issues of her day. As a recognized public figure, she took on the roles of reformer, poet, translator, correspondent, spiritual counselor, and political advocate. During her lifetime, she published two books, both of which were reprinted several times.

This volume provides a collection of Lock’s works presented in modern spelling, and it includes additional contemporary materials that place her voice in the larger context of the Tudor period, offering insight into the intertwined complexities of political, social, and religious life in sixteenth-century England.
 

As the patron of travelers, Saint Christopher inspired one of the most popular cults in the medieval era, which spread across Europe and especially the Iberian Peninsula. Artistic renderings of the saint were found near the doors of most Spanish Gothic churches, and paratheatrical representations of Saint Christopher were also commonplace in religious processions. His conversion and martyrdom were often staged between the fifteenth and early eighteenth centuries. 

In the theater, Juan de Benavides’s Vida y muerte de San Cristóbal is one of two known comedias dealing with the saint, but it was heavily censored after its premiere. The immense popularity of St. Christopher and other primitive saints first drew the attention of the Council of Trent in the mid-1500s, when the Catholic Church attempted to suppress the influence of the earlier saints due to their fantastical nature. The stories of these saints were censored, rewritten or even omitted in the post-Tridentine martyrologies. This publication is the first critical edition of the only extant copy of Benavides’s playscript. The circumstances surrounding Benavides’s play continue a dialogue about such important topics as censorship and the influence of the church over artistic production.