A free black woman in antebellum America, Rebecca Cox Jackson (1795-1871) was an independent itinerant preacher and religious visionary who founded a Shaker community in Philadelphia that survived her death by twenty-five years. Gifts of powers containers her complete extant writings, covering the period 1830 to 1864.

From the very beginning in the 1770s, singing was an important part of the worship services of the Shakers, formally known as the United Society of Believers in Christ's Second Appearing. Yet until the early nineteenth century, nearly all Shaker songs were wordless—expressed in unknown tongues or as enthusiastic vocalizations. Only when Shaker missionaries moved west into Ohio and Kentucky did they begin composing hymn texts, chiefly as a means of conveying the sect's unconventional religious ideas to new converts. In 1812–13, the Shakers published their first hymnal. This venture, titled Millennial Praises, included the texts without music for one hundred and forty hymns and elucidated the radical and feminist theology of the Shakers, neatly distilled in verse. This scholarly edition of the hymnal joins the texts to original Shaker tunes for the first time. One hundred and twenty-six of the tunes preserved in the Society's manuscript hymnals have been transcribed from Shaker musical notation into modern standard notation, thus opening this important religious and folk repertoire to modern scholars. Many texts are presented with a wide range of variant tunes from Shaker communities in New England, New York, Ohio, and Kentucky. Introductory essays by volume editors Christian Goodwillie and Jane F. Crosthwaite place Millennial Praises in the context of Shaker history and offer a thorough explication of the Society's theology. They track the use of the hymnal from the point of publication up to the present day, beginning with the use of the hymns by both Shaker missionaries and anti-Shaker apostates and ending with the current use of the hymns by the last remaining Shaker family at Sabbathday Lake, Maine. The volume includes a CD of historical recordings of six Shaker songs by Brother Ricardo Belden, the last member of the Society at Hancock Shaker Village.

Today we witness a steadily growing interest in the Shakers and their way of life, especially their crafts. Although Shaker furniture, architecture, and herbs, for example, have been written about repeatedly, there are no other studies in depth of another all-important element in Shaker lives--Shaker textiles. Beverly Gordon, an experienced craftswoman and teacher, presents a comprehensive, illustrated book on the kinds of textiles the Shakers used, how they were produced, and their cultural and economic importance to the communities. She shows how Shaker beliefs were manifested in the actual artifacts and integrates detailed technical information in a way that will appeal to the nonprofessional admirers of these crafts as well as to experts. Professional dealers may use the book to verify the authenticity of a variety of items. An introductory chapter is followed by sections on the general characteristics of the textiles, their importance in Shaker lives, and the types of textile activities they undertook. Textile production, including fiber preparation, spinning, weaving, dyeing, knitting, crocheting, and sewing, is examined. Detailed descriptions of rugs and floor coverings, chair and seat tapes and cushions, clothing and personal accessories, popular cloth, and fancywork are followed by appendices on original Shaker weaving drafts, analyses of rugs and chair seat tapes, dye recipes, and instructions for knitting and constructing “fancy” items. This indispensable reference work results in part from the author’s close association with Shaker textiles between 1973 and 1977, when she was a textile interpreter at Hancock Shaker Village. Since then she has had access to artifacts and original manuscripts and documents throughout the country, works that are reflected in her full bibliography. A study from the procurement and processing of materials to the uses of finished products, this is a book of lasting value to collectors and antique dealers, museum curators, home economists, historians, weavers, and fiber artists with related specialties.