front cover of Dark Tourist
Dark Tourist
Essays
Hasanthika Sirisena
The Ohio State University Press, 2021

Finalist for the 2022 LAMBDA literary award in bisexual nonfiction

Winner of the 2021 Gournay Prize

“Shimmers with honesty, vulnerability, and circumspection.” —Kirkus

“Sirisena explores how stories can become a ‘talisman against the overwhelming darkness of another’s pain’ in her emotionally charged nonfiction debut … [Her] searching spirit leaves readers with plenty to dig into.” —Publishers Weekly

Dark tourism—visiting sites of war, violence, and other traumas experienced by others—takes different forms in Hasanthika Sirisena’s stunning excavation of the unexpected places (and ways) in which personal identity and the riptides of history meet. The 1961 plane crash that left a nuclear warhead buried near her North Carolina hometown, juxtaposed with reflections on her father’s stroke. A visit to Jaffna in Sri Lanka—the country of her birth, yet where she is unmistakably a foreigner—to view sites from the recent civil war, already layered over with the narratives of the victors. A fraught memory of her time as a young art student in Chicago that is uneasily foundational to her bisexual, queer identity today. The ways that life-changing impairments following a severe eye injury have shaped her thinking about disability and self-worth. 
 
Deftly blending reportage, cultural criticism, and memoir, Sirisena pieces together facets of her own sometimes-fractured self to find wider resonances with the human universals of love, sex, family, and art—and with language’s ability to both fail and save us. Dark Tourist becomes then about finding a home, if not in the world, at least within the limitless expanse of the page.
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front cover of The Other One
The Other One
Stories
Hasanthika Sirisena
University of Massachusetts Press, 2016
Set in Sri Lanka and America, the ten short stories in this debut collection feature characters struggling to contend with the brutality of a decades-long civil war while also seeking security, love, and hope. The characters are students, accountants, soldiers, servants. They are immigrants and strivers. They are each forced to make sometimes comic, sometimes tragic, choices. What they share, despite what they've endured, is the sustaining power of human connection.

An excerpt from the book:

"All I want to know is when you are coming? When are you bringing my sons, my family?"

She watched as a gecko, tinier than normal, skittered across the far wall. It disappeared into a small crack. The room was very hot, and she hadn't turned on the ceiling fan so that the family could save a little money. She took a handkerchief from her nightstand and wiped the beads of sweat from her forehead and the back of her neck.

"I can't leave malli alone here. He's making progress but—"

"It will be for two years only. Then you can sponsor him."

"The lawyer says it's not so easy."

"He's a grown man. Let the government take him. The government did this to malli. Let the government pay the price for his care."

Even though there was no chance that her brother Ranjith could hear her, Anoja dropped her voice. "Malli is all alone here. He has nobody but aiya and me."
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