logo for Duke University Press
Smut and Sandwiches
A History of Stag Film
Russell Sheaffer
Duke University Press, 2027
In Smut and Sandwiches, Russell Sheaffer reconstructs the history of “stag films,” spanning from the term’s roots in the late nineteenth century to the Commission on Obscenity and Pornography’s 1970 Report, which used the term to refer to early hardcore film. While histories of pornography equate the phrase with sexually explicit films, Sheaffer draws from an archive of advertisements, newspaper reports, institutional records, and public spaces to show that the early stag films were comprised of a variety of genres deemed to be popular with men, including boxing pictures, slapstick comedies, films that displayed women’s bodies through dancing or modeling, and both softcore and hardcore representations of sex. Sheaffer highlights how the 1920s vice reform movements played a crucial role in shaping the codification of the term itself as well as the environments in which stag films would be viewed and remembered, ironically making screenings more noteworthy than they would have been otherwise. Smut and Sandwiches intervenes in the established history of transgressive film to understand the methods and consequences of mobilizing and modifying language in service of moral and political aims.
[more]

front cover of Smut
Smut
Erotic Reality/Obscene Ideology
Murray S. Davis
University of Chicago Press, 1983

Smut investigates sex in a way that differes from nearly all previous books on the subject. Drawing on a wide variety of literary forms, including the work of novelists, poets, and even comedians–resources ranging from the most sublime theologians to the most profane pornographers–Murray S. Davis goes beyond those who regard sex merely as a biological instinct or animal behavior. He recaptures sex for the social sciences by reemphasizing the aspects of it that are unique to human beings in all their rich perplexity.

In part one, Davis employs a phenomenlogical approach to examine the differrence between sexual arousal and ordinary experience: sexual arousal, he argues, alters a person's experience of the world, resulting in an "erotic reality" that contratsts strikingly to our everyday reality; different perceptions of time, space, human bodies, and other social types occur in  each realm. Davis describes in detail the movement from everyday into erotic reality from the first subtle castings-off to the shocking post-orgasmic return.

In part two the author employs a structuralist approach to determine why some people find this alternation between realities "dirty." He begins with a meditation on the similarity between sex and dirt and then asks, "How must somone view the world for him to find sex dirty?" Normal sex can be disliked, Davis concludes, only if it violates a certain conception of the individual; perverted sex can be despised only if it further violates certain conceptions of social relations and social organization. Davis ends part two with a "periodic table of perversions" that systematically summarizes the fundamental social elements out of which those who find sex dirty construct their world.

Finally, in part three Davis considers other conceptual grids affected by the alternation between everyday and erotic realities: the "pornographic," which concieves of the individual, social relations, and social organizations as deserving to disrupted by sex; and the "naturalistic," which concieves of them in a way that cannot be disrupted by sex. Throughout history these ideologies have contested for control over Western society, and, in his conlusion, Davis ofers a prognosis for the future of sex based on these historical ideological cycles.

[more]


Send via email Share on Facebook Share on Twitter