A New York Times Notable Book of the Year
A Times Literary Supplement Book of the Year
A Globe and Mail Best Book of the Year
A Publishers Weekly Best Book of the Year
A Tablet Best Book of the Year
Winner of a Christianity Today Book Award

“One finds big nuggets of insight, useful to almost anybody with an interest in the progress of human society.”
—The Economist

What does it mean to say that we live in a secular age? Almost everyone would agree that we—in the West, at least—largely do. And clearly the place of religion in our societies has changed profoundly in the last few centuries. In what will be a defining book for our time, Charles Taylor takes up the question of what these changes mean—of what, precisely, happens when a society in which it is virtually impossible not to believe in God becomes one in which faith, even for the staunchest believer, is only one human possibility among others.
Taylor, long one of our most insightful thinkers on such questions, offers a historical perspective. He examines the development in “Western Christendom” of those aspects of modernity which we call secular. What he describes is in fact not a single, continuous transformation, but a series of new departures, in which earlier forms of religious life have been dissolved or destabilized and new ones have been created. As we see here, today’s secular world is characterized not by an absence of religion—although in some societies religious belief and practice have markedly declined—but rather by the continuing multiplication of new options, religious, spiritual, and anti-religious, which individuals and groups seize on in order to make sense of their lives and give shape to their spiritual aspirations.
What this means for the world—including the new forms of collective religious life it encourages, with their tendency to a mass mobilization that breeds violence—is what Charles Taylor grapples with, in a book as timely as it is timeless.

There is no society without right and wrong. There is no society without sin. But every culture has its own favorite list of trespasses. Perhaps the most influential of these was drawn up by the Church in late antiquity: the Seven Deadly Sins. Pride, sloth, gluttony, envy, anger, lust, and greed are not forbidden acts but the passions that lead us into temptation. Aviad Kleinberg, one of the most prominent public intellectuals in Israel, examines the arts of sinning and of finger pointing. What is wrong with a little sloth? Where would haute cuisine be without gluttony? Where would we all be without our parents’ lust? Has anger really gone out of style in the West? Can consumer culture survive without envy and greed? And with all humility, why shouldn’t we be proud?

With intellectual insight and deadpan humor, Kleinberg deftly guides the reader through Jewish, Christian, and Greco-Roman thoughts on sin. Each chapter weaves the past into the present and examines unchanging human passions and the deep cultural shifts in the way we make sense of them. Seven Deadly Sins is a compassionate, original, and witty look at the stuff that makes us human.

Sex and Salvation chronicles the coming of age of a generation of women in Tamatave in the years that followed Madagascar’s economic liberalization. Eager to forge a viable future amid poverty and rising consumerism, many young women have entered the sexual economy in hope of finding a European husband. Just as many Westerners believe that young people break with the past as they enter adulthood, Malagasy citizens fear that these women have severed the connection to their history and culture.

Jennifer Cole’s elegant analysis shows how this notion of generational change is both wrong and consequential. It obscures the ways young people draw on long-standing ideas of gender and sexuality, it ignores how urbanites relate to their rural counterparts, and it neglects the relationship between these husband-seeking women and their elders who join Pentecostal churches. And yet, as talk about the women circulates through the city’s neighborhoods, bars, Internet cafes, and churches, it teaches others new ways of being.

Cole’s sophisticated depiction of how a generation’s coming of age contributes to social change eschews a narrow focus on crisis. Instead, she reveals how fantasies of rupture and conceptions of the changing life course shape the everyday ways that people create the future.

A new constitutional world burst into American life in the mid-twentieth century. For the first time, the national constitution's religion clauses were extended by the United States Supreme Court to all state and local governments. As energized religious individuals and groups probed the new boundaries between religion and government and claimed their sacred rights in court, a complex and evolving landscape of religion and law emerged.

Sarah Gordon tells the stories of passionate believers who turned to the law and the courts to facilitate a dazzling diversity of spiritual practice. Legal decisions revealed the exquisite difficulty of gauging where religion ends and government begins. Controversies over school prayer, public funding, religion in prison, same-sex marriage, and secular rituals roiled long-standing assumptions about religion in public life. The range and depth of such conflicts were remarkable—and ubiquitous.

Telling the story from the ground up, Gordon recovers religious practices and traditions that have generated compelling claims while transforming the law of religion. From isolated schoolchildren to outraged housewives and defiant prisoners, believers invoked legal protection while courts struggled to produce stable constitutional standards. In a field dominated by controversy, the vital connection between popular and legal constitutional understandings has sometimes been obscured. The Spirit of the Law explores this tumultuous constitutional world, demonstrating how religion and law have often seemed irreconcilable, even as they became deeply entwined in modern America.

Mwenda Ntarangwi explores the Kenyan hip hop scene through the lens of Juliani's life and career. A born-again Christian, Juliani produces work highlighting the tensions between hip hop's forceful self-expression and a pious approach to public life, even while contesting the basic presumptions of both. In The Street Is My Pulpit, Ntarangwi forges an uncommon collaboration with his subject that offers insights into Juliani's art and goals even as Ntarangwi explores his own religious experience and subjective identity as an ethnographer. What emerges is an original contribution to the scholarship on hip hop's global impact and a passionate study of the music's role in shaping new ways of being Christian in Africa.

We live in a world shaped by secularism—the separation of numinous power from political authority and religion from the political, social, and economic realms of public life. Not only has progress toward modernity often been equated with secularization, but when religion is admitted into modernity, it has been distinguished from superstition. That such ideas are continually contested does not undercut their extraordinary influence.

These divisions underpin this investigation of the role of religion in the construction of modernity and political power during the Nanjing Decade (1927–1937) of Nationalist rule in China. This book explores the modern recategorization of religious practices and people and examines how state power affected the religious lives and physical order of local communities. It also looks at how politicians conceived of their own ritual role in an era when authority was meant to derive from popular sovereignty. The claims of secular nationalism and mobilizational politics prompted the Nationalists to conceive of the world of religious association as a dangerous realm of “superstition” that would destroy the nation. This is the first “superstitious regime” of the book’s title. It also convinced them that national feeling and faith in the party-state would replace those ties—the second “superstitious regime.”