front cover of Autumn Rhythm
Autumn Rhythm
New and Selected Poems
Leon Stokesbury
University of Arkansas Press, 1996
In this selection of poems written over thirty years, Leon Stokesbury careens through the Maple Leaf Bar and the Restaurant-on-the-Corner, Oklahoma City, and Fairbanks, Alaska, consuming and offering up his sweet-and-sour vision of our lot in life. Whether he comes at us in masks as varied as his father and mother, Nick Bottom or John Keats, Señor Wences or Owen Glendower, it is his own Cheshire grin we spy creeping out around the edges. He readily sees the horror in the death of a New Orleans poet, in his own brother’s sufferings, in the inescapable process of mutability itself, but he finds also, often enough, the dark joke at the center of things and the chance for redemptive laughter. Whether in his own deeply personal voice or in the multitude of idioms from which he is able to draw—southern, midwestern, Shakespearean—Stokesbury creates whole landscapes in perfected, formal lines from the shards of memories and dreams.
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front cover of The Made Thing
The Made Thing
An Anthology of Contemporary Southern Poetry
Leon Stokesbury
University of Arkansas Press, 2000
The second edition features twelve new poets as well as new work by Donald Justice, T. R. Hummer, Dave Smith, Pattiann Rogers, Andrew Hudgins, Henry Taylor, Gerald Barrax, Rodney Jones, and others. Among the new additions are Mark Jarman, Cathy Smith Bowers, and Charlie Smith. Many teachers realize that the best way to get their students to relate to poetry is to show them poems that contain landscapes and subjects they understand and can identify with. Leon Stokesbury has put together a richly varied collection used in classrooms not only in the South but all over the country as a means of studying the important influence of southern poetry on American literature. With the publication of the second edition of The Made Thing, Stokesbury has marked the end of the twentieth century and the rise to prominence of southern writers. This collection serves as a substantial sampling of poets whose works span more than five decades and who explore the rich personal and cultural history that extends beyond the boundaries of the South.
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front cover of You Are Here
You Are Here
Poems New & Old
Leon Stokesbury
University of Arkansas Press, 2016

Winnowed from a distinguished career, then distilled, then polished and winnowed again, the poems in You Are Here are Leon Stokesbury’s best from fifty years of published work.

The selections from his earlier volumes are as fully realized as one would expect from the winner of the AWP Poetry Competition and the Poets’ Prize. But it is in Stokesbury’s new work, collected under the heading “These Days,” that he reveals something completely different. From a carnival sideshow to Hitchcock’s Mount Rushmore, from John Keats’s backyard to the miseries of a failed crematorium operator, every turned page divulges a particular we didn’t see coming. You Are Here is like a sideshow of this modern world, even when we discover, amazed, our selves looking back at us.

“Why do we still only stand here?” Stokesbury asks in one of his earliest salvos. The poems in this collection give such varied answers that readers will have no idea what the next page holds, only that they will find themselves somewhere new.

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