Richard Karl, a doctor and teacher, takes the reader closer than any writer before into the corridors of the hospital, on the surgical table, and into the world of medicine. In these pages we see the tragedies and triumphs of modern medicine: the beauty of surgery done well, and the aftermath of operations that fail to deliver on the hopes of the doctor and patient. We witness the "M&M"—the morbidity and mortality meeting—where doctors scrutinize their own work and mistakes, and the often inevitable outcomes of treatment. Suffused throughout are Karl’s keen observations on the workings of the human body and its immense capacity for healing. "...I celebrate the rich privilege accorded the practicing surgeon. The surgical life is really about bearing witness to the human condition and about respecting the many almost whimsical variations of biology and about the intersection of the two. It is remarkable, really, the way I get to know people so intimately so quickly, and to observe the brave and often noble behavior in them, while I witness the relentless push of biology, the aging and decay, the growth and development, but most especially the healing, both physical and emotional. It is this natural drive of our bodies to repair themselves from all injuries (including the surgeon's wounds) that is the centerpiece of medicine. Without it no surgeon could cut." Written with economy and subtlety, Across the Red Line offers a vivid picture of disease and the miracle of life. It will interest anyone who's ever been on either side of the surgical table.

A novel told in short stories, The Affliction is an astounding fiction debut by an award-winning poet full of memorable characters across America and the Caribbean. Young beautifully weaves together the elaborate stories of many while holding together a clear focus: people are not always as they seem.

What happens when fossil fuels run out? How do communities and cultures survive?

Central Appalachia and south Wales were built to extract coal, and faced with coal’s decline, both regions have experienced economic depression, labor unrest, and out-migration. After Coal focuses on coalfield residents who chose not to leave, but instead remained in their communities and worked to build a diverse and sustainable economy. It tells the story of four decades of exchange between two mining communities on opposite sides of the Atlantic, and profiles individuals and organizations that are undertaking the critical work of regeneration.

The stories in this book are told through interviews and photographs collected during the making of After Coal, a documentary film produced by the Center for Appalachian Studies at Appalachian State University and directed by Tom Hansell. Considering resonances between Appalachia and Wales in the realms of labor, environment, and movements for social justice, the book approaches the transition from coal as an opportunity for marginalized people around the world to work toward safer and more egalitarian futures.

These powerful stories limn the complexities and dilemmas of life in Kansas, a state at "the center of the center of America," as a billboard in one story announces. Andrew Malan Milward explores the less visible aspects of the Kansas experience—where its agrarian past comes into conflict with the harsh present reality of drugs, fundamentalism, and corporatism, relegating its agrarian identity to museums and amusement parks.

Presented in a triptych, the stories in Milward's debut collection range across a varied terrain, from tumbledown rural barns to modern urban hospitals, revealing the secrets contained therein.

A new collection of stories from celebrated Kentucky author Gurney Norman

“A beautiful book” … “A remarkable, eye-opening set of stories” … “Brilliantly arranged” … “An exhilarating mirroring of consciousness itself” … “Grand and important, funny and heartbreaking” … “An act of grace”

Allegiance is a brilliant and original set of stories by former Kentucky Poet Laureate Gurney Norman. Spanning forty years of work, Allegiance is an autobiography told through stories—a rich personal journey into Norman’s life, place, and consciousness. In classic short stories, lyrical meditations, folktales, dreamscapes, and stream-of-consciousness writing, Norman imaginatively weaves together the threads of his life. Each story builds on what has come before, “prisms enlarging the effect of the whole …” The stories are humorous and heartbreaking, told mainly in the voice of Norman’s fictional narrator, Wilgus Collier. From his working-class childhood in the coalfields of Appalachia to the center of the 1960s counterculture and back again to Kentucky, Norman’s journey has been a life of many movements. This is a jacketed hardcover edition of Allegiance, featuring a foreword by poet Leatha Kendrick, an author’s note, and an original cover painting by Appalachian artist Pam Oldfield Meade. A selection of nonfiction pieces comprises the book’s epilogue.

Published by Old Cove Press

Eric Hoffer Award, 1st Runner-Up, Short Story/Anthology category

The Amazing Mr. Morality features tenacious men and women whose determination to buck middle-class social convention draws them toward unforeseen challenges. A failed television producer insists upon having a woodchuck relocated from his lawn, only to receive desperate letters in which the woodchuck begs to return. An overconfident ne’er-do-well obtains a lucrative lecture invitation intended for a renowned ornithologist and decides to deliver the speech himself. An innocuous dispute over whether to rename a local street opens up racial fault lines that prove deadly. 

The collection concludes with the title novella in which two unscrupulous ethicists, writing rival newspaper columns, seek to unseat each other by addressing questions such as: If you’re going to commit a murder, is it worse to kill when the victim is sleeping or awake? 

American Grief in Four Stages is a collection of stories that imagines trauma as a space in which language fails us and narrative escapes us. These stories play with form and explore the impossibility of elegy and the inability of our culture to communicate grief, or sympathy, outside of cliché.

One narrator, for example, tries to understand her brother’s suicide by excavating his use of idioms. Other stories construe grief and trauma in much subtler ways—the passing of an era or of a daughter’s childhood, the seduction of a neighbor, the inability to have children. From a dinner party with Aztecs to an elderly shut-in’s recollection of her role in the Salem witch trials, these are stories that defy expectations and enrich the imagination. As a whole, this collection asks the reader to envisage the ways in which we suffer as both unbearably painful and unbearably American.

Winner of the 2021 Grace Paley Prize for Short Fiction
 
The characters in The Archivists are everyday people, but when private losses or the shocks of history set their worlds reeling, they find connection and liberation in surprising, buoyant ways. Winner of the Grace Paley Prize for Short Fiction, this vibrant collection brings transcendence, wry humor, and a touch of the uncanny to life’s absurdities and catastrophes—whether the 2008 economic crash, fallout after the 2016 presidential election, gentrification, pandemic lockdown, illness, or the intergenerational impacts of the Holocaust and Communist occupation of Eastern Europe.

A hardheaded realist is confronted by both her mortality and a would-be wizard. A thirteen-year-old girl in 1950s Toronto infiltrates the ranks of Bell Canada. A ninety-nine-year-old woman appears to be invincible. A group hikes in Germany, and a solitary woman is pursued on a walk in New Mexico. These deeply moving stories ingeniously consider issues of identity, history, and memory and our shared search for meaning in an off-kilter world.

A new story collection from Jennifer Fliss, author of The Predatory Animal Ball
 
Who has a right to tell us how to experience our grief? How to perform—or not perform—the roles society prescribes to us based on our various points of identity?
 
As If She Had a Say, the second story collection from Jennifer Fliss, uses an absurdist lens to showcase characters—predominantly women—plumbing their resources as they navigate misogyny, abuse, and grief. In these stories, a woman melts in the face of her husband’s cruelty; a seven-tablespoons-long woman lives inside a refrigerator and engages in an affair with the man of the house; a balloon-animal artist attends a funeral to discover he was invited as more than entertainment; and a man loses all his nouns.
 
Fans of Karen Russell and Carmen Maria Machado will appreciate how As If She Had a Say’s inventive narratives expose inequities by taking us on imaginative romps through domesticity and patriarchal expectations. Each story functions as a magnifying glass through which we might examine our own lives and see ourselves more clearly.