front cover of Our Animal
Our Animal
Meredith Stricker
Omnidawn, 2016
Our Animal hybridizes novel flaking into poetic forms like a gnat swarm, magnetic filings, or migratory flux. It’s a fierce inquiry into Othering, tracking Kafka’s life through his deep identification with animals, especially those hunted or outcast. Graphically complex with metamorphic text layers, the chapters shape-shift in relation to crows, dragonflies, a frog; there are deer, swallows, a goldfinch, humans, a hybrid Beast, wolf, Insekt, a small unidentified animal in its burrow. We are entangled in biography as biology— paradisiacal transfiguration that leaves out no being.

Our Animal is the winner of the 2014 Omnidawn Poetry Open Book Contest, selected by Mary Jo Bang.
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Rewild
Meredith Stricker
Tupelo Press, 2022
Rewild is a collection of documentary lyric poetry that explores places that, having been ravaged by war and environmental plunder, have since been abandoned to regenerate and restore. At this moment where we find ourselves in the Anthropocene, the poems hover between ruin and restoration. They open ways we can ask transformative questions and turn ourselves into these questions that begin to tunnel through difficulty and despair into “another spreadsheet than human … chromosomal and intricate.” To begin to unbuy ourselves, to rewild our communal lives.
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front cover of SENTIENCE
SENTIENCE
Meredith Stricker
Omnidawn, 2026

 Poetry that invites us to transform our sense of kinship, mutuality, and reciprocity.
 

With this collection, poet and artist Meredith Stricker considers questions about personhood, belonging, property, and ownership within interdependent living cultural systems. Looking beyond humans alone, she considers whether animals dream, who our relations are, what interior lives are held within words, and whether the world is truly alive to us today or if it is simply something we experience through screens. The poems track bee swarms and hazardous waste, separation walls, and diatoms. They are intently visual, aural, and spatial, tracing the dendritic forms of trees and fractal coastlines and the symmetries of biomorphic animal patterns. They highlight non-artificial, non-extractive intelligences in sharp contrast to the rise of AI. Informed by biosemiotics, SENTIENCE arises from Stricker's continuing multidisciplinary work and architectural habitat restoration in Big Sur and her performance collaborations with musicians, composers, artists, and beekeepers.

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