front cover of NO Rhetoric(s)
NO Rhetoric(s)
Versions and Subversions of Resistance in Contemporary Global Art
Edited by Sara Alonso Gómez, Isabel J. Piniella Grillet, Nadia Radwan, and Elena Rosauro
Diaphanes, 2021
An incisive examination of the intersection of global art and political resistance.

NO Rhetoric(s) examines a subject intensely debated during the last three decades but rarely a topic of its own: art as an agent of resistance, whether as a rhetorical stance or critical strategy. In the face of today’s discourse on revolt and insurrection, it is necessary to ask whether the gesture of “negation” still has an emancipatory potential. NO Rhetoric(s) contributes a deeper understanding of the different logics of resistance at play between art and politics. Showcasing a diverse array of voices, this volume presents contributions on topics as varied as sexual dissidence, ecology, and geopolitics in the digital age. Through this interdisciplinary show of force, the collected authors, artists, and scholars shed light on how art approaches the most urgent issues facing today’s society.
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front cover of Subversions of the American Century
Subversions of the American Century
Filipino Literature in Spanish and the Transpacific Transformation of the United States
Adam Lifshey
University of Michigan Press, 2016
Subversions of the American Century: Filipino Literature in Spanish and the Transpacific Transformation of the United States argues that the moment the United States became an overseas colonial power in 1898, American national identity was redefined across a global matrix. The Philippines, which the United States seized at that point from Spain and local revolutionaries, is therefore the birthplace of a new kind of America, one with a planetary reach that was, most profoundly, accompanied by resistance to that reach by local peoples.

Post-1898 Filipino literature in Spanish testifies crucially to this foregrounding fact of American global power, for it is the language of that tradition that speaks directly to the reality of one empire having wrested land from another. Yet this literature is invisible in American Studies programs, Asian Studies programs, Spanish and English departments, and everywhere else. Subversions of the American Century will change that. After Subversions, students and scholars in various American Studies disciplines as well as Asian, Spanish, and Comparative Literature fields will find it necessary to revisit and revamp the basic parameters by which they approach their subjects.

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