front cover of Antisatire
Antisatire
In Defense of Women, against Francesco Buoninsegni
Arcangela Tarabotti
Iter Press, 2020
Arcangela Tarabotti (1604–1652), Venetian nun and polemicist, was known for her protest against forced monachization and her advocacy for the education of women and their participation in public life. She responded to Francesco Buoninsegni’s Against the Vanities of Women (1638) with the Antisatire (1644), a defense of women’s fashions and a denunciation of men, but also a strong condemnation of men’s treatment of women and of the subordination of women in society. Both Buoninsegni and Tarabotti write with the exaggeration and absurd arguments typical of Menippean satire; they flaunt their knowledge of ancient and contemporary literature in a prose interspersed with poetry and replete with the astonishing Baroque conceits that delighted their contemporaries.

The Other Voice in Early Modern Women: The Toronto Series volume 70
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front cover of Convent Paradise
Convent Paradise
Arcangela Tarabotti
Iter Press, 2020
The radical Venetian writer Arcangela Tarabotti (1604–1652), compelled against her will to become a nun, is well known for her scathing attacks on patriarchal institutions for forcing women into convents. Convent Paradise (1643), Tarabotti’s first published work, instead invites the reader into the cloister to experience not only the trials of enclosure, but also its spiritual joys. In stark contrast to her other works, Convent Paradise aims to celebrate the religious culture that colored every aspect of Tarabotti’s experience as a seventeenth-century Venetian and a nun. At the same time, this nuanced exploration of monastic life conveys a markedly feminist spirituality. Tarabotti’s meditative portrait of the convent enriches our understanding of her own life and writing, while also providing a window into a spiritual destiny shared by thousands of early modern women.

The Other Voice in Early Modern Europe - The Toronto Series volume 73
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front cover of Letters Familiar and Formal
Letters Familiar and Formal
Arcangela Tarabotti
Iter Press, 2012
Coerced into taking the veil, Venetian writer Arcangela Tarabotti (1604–1652) spent her life protesting the practice of forcing girls into convents. Her fearless defense of women and attacks on patriarchal Venetian society earned her renown and access to the presses. Her publications, however, invited constant controversy. Tarabotti published her Letters Familiar and Formal to protect and enhance her literary reputation while also chronicling contemporary literary society and material existence in an early modern convent. The Letters flaunted Tarabotti’s literary accomplishments, humiliated her critics, and advertised her powerful network of allies in Northern Italy and France. The Letters document how Tarabotti established herself as one of the most forceful proponents for women’s self-determination in early modern Europe.
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front cover of Paternal Tyranny
Paternal Tyranny
Arcangela Tarabotti
University of Chicago Press, 2004
Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.

Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its women of rights accorded even to foreigners. She accuses parents of treating convents as dumping grounds for disabled, illegitimate, or otherwise unwanted daughters. Finally, through compelling feminist readings of the Bible and other religious works, Tarabotti demonstrates that women are clearly men's equals in God's eyes.

An avenging angel who dared to speak out for the rights of women nearly four centuries ago, Arcangela Tarabotti can now finally be heard.
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