Burbank, Victoria Katherine Rutgers University Press, 1999 Library of Congress GN663.B88 1988 | Dewey Decimal 305.235089991509
This analysis of female adolescence in an Australian Aboriginal community focuses on adolescent sexual behavior, marriage, and the conflict between adult expectations and adolescent behavior in these domains.
Taking on what one former U.S. ambassador called “the last ghost of the Vietnam War,” this book examines the far-reaching impact of Agent Orange, the most infamous of the dioxin-contaminated herbicides used by American forces in Southeast Asia. Edwin A. Martini’s aim is not simply to reconstruct the history of the “chemical war” but to investigate the ongoing controversy over the short- and long-term effects of weaponized defoliants on the environment of Vietnam, on the civilian population, and on the troops who fought on both sides. Beginning in the early 1960s, when Agent Orange was first deployed in Vietnam, Martini follows the story across geographical and disciplinary boundaries, looking for answers to a host of still unresolved questions. What did chemical manufacturers and American policymakers know about the effects of dioxin on human beings, and when did they know it? How much do scientists and doctors know even today? Should the use of Agent Orange be considered a form of chemical warfare? What can, and should, be done for U.S. veterans, Vietnamese victims, and others around the world who believe they have medical problems caused by Agent Orange? Martini draws on military records, government reports, scientific research, visits to contaminated sites, and interviews to disentangle conflicting claims and evaluate often ambiguous evidence. He shows that the impact of Agent Orange has been global in its reach affecting individuals and communities in New Zealand, Australia, Korea, and Canada as well as Vietnam and the United States. Yet for all the answers it provides, this book also reveals how much uncertainty—scientific, medical, legal, and political—continues to surround the legacy of Agent Orange.
In the ten years since the first cases of AIDS were reported, the disease has spread around the world. Every country has had to come up with policies suited to its own conditions, economy, culture, and institutions. The differences among their approaches are striking. This volume, the first international comprehensive comparison of responses to AIDS, is a unique guide to the world's most urgent public health crisis.
Sixteen leading experts in public health, social science, government, and public policy from USA, Canada, Germany, Australia, Spain, Britain, France, the Netherlands, Denmark, Sweden, and Japan candidly recount and analyze the responses of their own nations and comment on the lessons that can be drawn from each country's experience. For each country, they look critically at the tragic statistics of AIDS incidence; the circumstances of AIDS's first appearance; public health traditions of mandatory screening, contact tracing, and quarantine; attitudes toward drug abuse, homosexuality, sex education; publicity about AIDS; legal and customary protections of civil rights, minority groups, medical confidentiality; access to health care and insurance; and the interplay of formal and informal interest groups in shaping policy. The spectrum of AIDS policy ranges from severe "contain-and-control" programs to much more liberal plans based on education, cooperation, and inclusion.
No matter what policy a nation has constructed to deal with AIDS, the coming decade will test how well that policy conforms to democratic ideals. By scrutinizing the responses to AIDS so far, this book aims to give countries around the world a chance to learn from each others' mistakes and triumphs. It will be essential reading for all students and professionals in public health and public policy.
Ancestral Connections unlocks the inner meaning of Australian Aboriginal bark painting. Drawing on more than ten years of fieldwork among the Yolngu—an Aboriginal people of Northeast Arnhem Land—and applying both anthropological and art historical methods, Howard Morphy explores systematically the graphic representation of traditional knowledge in Yolngu art. He also charts the role that art has played in Aboriginal society both present and past.
The rich symbolism of Yolngu art links the Yolngu directly with the "Dreaming," the time of world-creation that continues as the spiritual dimension of the present. Morphy shows how a complex dialectic of "inside" and "outside" interpretations of painting structures the system of knowledge in Yolngu society, and how European interest in this art has caused certain changes in the conditions of its production. The "inside" significance of the art, however, has not changed; it retains its dual ability to represent and to constitute relationships between things.
Ancestral Connections is a major contribution to the anthropology of art. A subtle commentary on the colonial encounter in northern Australia, the book demonstrates how the Yolngu have used their art—against all odds—as an instrument of cultural survival and as a component of the economic and political transformation of their society.
A Prayer Book owned by the Rothschilds, an Italian bronze casket by Antico, a lavishly illustrated Carnival chronicle from sixteenth-century Germany, an altarpiece by Pieter Brueghel the Younger - much of the artwork in this book, held by Australian collections, is essentially unknown beyond the continent. The authors of these essays showcase these extraordinary objects to their full potential,revealing a wide range of contemporary art and historical research. This collection of essays will surprise even specialists.
Archiving Sovereignty shows how courts use fiction in their treatment of sovereign violence. Law's complicity with imperial and neocolonial practices occurs when courts inscribe and repeat the fabulous tales that provide an alibi for archaic sovereign acts that persist in the present. The United Kingdom's depopulation of islands in the Indian Ocean to serve the United States' neoimperial interests, Australia's exile and abandonment of refugees on remote islands, the failure to acknowledge genocidal acts or colonial dispossession, and the memorial work of the South African Constitution after apartheid are all sustained by historical fictions. This history-work of law constitutes an archive where sovereign violence is mediated, dissimulated, and sustained. Stewart Motha extends the concept of the "archive," as site of origin and source of authority, to signifying what law does in preserving and disavowing the past at the same time.
Sovereignty is often cast as a limit-concept, constituent force, determining the boundary of law. Archiving Sovereignty reverses this to explain how judicial pronouncements inscribe and sustain extravagant claims to exceptionality and sovereign solitude. This wide-ranging, critical work distinguishes between myths that sustain neocolonial orders and fictions that generate new forms of political and ethical life.
The Arrernte people of Central Australia first encountered Europeans in the 1860s as groups of explorers, pastoralists, missionaries, and laborers invaded their land. During that time the Arrernte were the subject of intense curiosity, and the earliest accounts of their lives, beliefs, and traditions were a seminal influence on European notions of the primitive. The first study to address the Arrernte’s contemporary situation, Arrernte Present, Arrernte Past also documents the immense sociocultural changes they have experienced over the past hundred years.
Employing ethnographic and archival research, Diane Austin-Broos traces the history of the Arrernte as they have transitioned from a society of hunter-gatherers to members of the Hermannsburg Mission community to their present, marginalized position in the modern Australian economy. While she concludes that these wrenching structural shifts led to the violence that now marks Arrernte communities, she also brings to light the powerful acts of imagination that have sustained a continuing sense of Arrernte identity.
Concerned about aspects of her romantic relationships, Donna McDonald consulted with a psychologist who asked, “Your hearing loss must have had a big impact on you?” At age 45, with a successful career in social work policy, McDonald took umbrage at the question. Then, she realized that she never had addressed the personal barrier she had constructed between her deaf-self and her hearing persona. In The Art of Being Deaf, she describes her long, arduous pursuit of finding out exactly who she was.
Born in 1950s Australia, McDonald was placed in an oral deaf school when she was five. There, she was trained to communicate only in spoken English. Afterwards, she attended mainstream schools where she excelled with speechreading and hard work. Her determination led to achievements that proved her to be “the deaf girl that had made good.” Yet, despite her constant focus on fitting in the hearing world, McDonald soon realized that she missed her deaf schoolmates and desired to explore her closed-off feelings about being deaf.
When she reconnected with her friends, one urged her to write about her experiences to tell all about “the Forgotten Generation, the orally-raised deaf kids that no one wants to talk about.” In writing her memoir, McDonald did learn to reconcile her deaf-self with her “hearing-deaf” persona, and she realized that the art of being deaf is the art of life, the art of love.
Australia holds a unique place in the global scheme of fandom. Much of the media consumed by Australian audiences originates from either the United States or the United Kingdom, yet several Australian productions have also attracted international fans in their own right. This first-ever academic study of Australian fandom explores the national popular culture scene through themes of localization and globalization.
The essays within reveal how Australian audiences often seek authentic imports and eagerly embrace different cultures, examining both Hollywood’s influence on Australian fandom and Australian fan reactions to non-Western content. By shining a spotlight on Australian fandom, this book not only provides an important case study for fan studies scholars, it also helps add nuance to a field whose current literature is predominantly U.S. and U.K. focused.
Contributors: Kate Ames, Ahmet Atay, Jessica Carniel, Toija Cinque, Ian Dixon, Leigh Edmonds, Sharon Elkind, Jacqui Ewart, Lincoln Geraghty, Sarah Keith, Emerald L. King, Renee Middlemost
This book tells the story of the architects and buildings that have defined Australia’s architectural culture since the founding of the modern nation through Federation in 1901. That year marked the beginning of a search for better city forms and buildings to accommodate the changing realities of Australian life and to express an emerging, distinctive, and, eventually, confident Australian identity. While Sydney and Melbourne were the settings for many of the major buildings, all states and territories developed architectural traditions based on distinctive histories and climates. Harry Margalit explores the flowering of these many architectural variants, from the bid to create a model city in Canberra, through the stylistic battles that opened a space for modernism, to the idealism of postwar reconstruction, and beyond to the new millennium. Australia reveals a vibrant and influential culture of the built environment, at its best when it matches civic idealism with the sensuality of a country of stunning light and landscapes.
The first part of a planned three-volume work devoted to mapping the transnational history of Australian film studies, AustralianFilm Theory and Criticism, Volume 1 provides an overview of the period between 1975 and 1990, during which the discipline first became established in the academy.
Tracing critical positions, personnel, and institutions across this formative period, Noel King, Constantine Verevis, and Deane Williams examine a multitude of books and journal articles published in Australia and distributed internationally though such processes as publication in overseas journals, translation, and reprinting. At the same time, they offer important insights about the origins of Australian film theory and its relationship to such related disciplines as English, and cultural studies. Ultimately, Australian Film Theory and Criticism, Volume 1 delineates the historical implications—and reveals the future possibilities—of establishing new directions of inquiry for film studies in Australia and internationally.
A three-volume project tracing key critical positions, people, and institutions in Australian film, Australian Film Theory and Criticism interrogates not only the origins of Australian film theory but also its relationships to adjacent disciplines and institutions. The second volume in the series, this book gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theorists and their relationship to film industry practitioners and policy makers, this volume succeeds mightily in reasserting Australian film’s place on the international scholarly agenda.
Children and youth are front and center in the context of global mass migration and the social discord around questions of multicultural inclusion that it often ignites. Imprecise portrayals of their inclination to either embrace diversity or to incite racism are used to exemplify both the success and failures of the multicultural project. In the context of young people’s heightened politicization, Open Access volume Belonging and Becoming in a Multicultural World shifts the focus to a group of Sudanese and Karen refugee youth’s own insights, explanations and practices as they attempt to create a sense of identity and belonging in Australia. These young people engage race, racism and national identity in creative and unexpected ways as they are confronted with the social and moral implications of multiculturalism.
Deaf education in New South Wales has made tremendous progress since the end of World War II, yet issues remain for students from their early years of education through secondary high school. Naomi Malone traces the roots of these issues and argues that they persist due to the historical fragmentation within deaf education regarding oralism (teaching via spoken language) and manualism (teaching via sign language). She considers the early prevalence of oralism in schools for deaf students, the integration of deaf students into mainstream classrooms, the recognition of Australian Sign Language as a language, and the growing awareness of the diversity of deaf students. Malone’s historical assessments are augmented by interviews with former students and contextualized with explanations of concurrent political and social events. She posits that deaf people must be consulted about their educational experiences and that they must form a united social movement to better advocate for improved deaf education, regardless of communication approach.
The Cultivation of Whiteness is an award-winning history of scientific ideas about race and place in Australia from the time of the first European settlement through World War II. Chronicling the extensive use of biological theories and practices in the construction and “protection” of whiteness, Warwick Anderson describes how a displaced “Britishness” (or whiteness) was defined by scientists and doctors in relation to a harsh, strange environment and in opposition to other races. He also provides the first account of extensive scientific experimentation in the 1920s and 1930s on poor whites in tropical Australia and on Aboriginal people in the central deserts.
“[Anderson] writes with passion, wit, and panache, and the principal virtues of The Cultivation of Whiteness are the old-fashioned ones of thoroughness, accuracy, and impeccable documentation. . . . [His] sensitive study is a model of how contentious historical issues can be confronted.”—W. F. Bynum, Times Literary Supplement
“One of the virtues of The Cultivation of Whiteness is that it brings together aspects of Australian life and history that are now more often separated—race and environment, blood and soil, medicine and geography, tropical science and urban health, biological thought and national policy, Aboriginality and immigration, the body and the mind. The result is a rich and subtle history of ideas that is both intellectual and organic, and that vividly evokes past states of mind and their lingering, haunting power.”—Tom Griffiths, Sydney Morning Herald
The Cunning of Recognition is an exploration of liberal multiculturalism from the perspective of Australian indigenous social life. Elizabeth A. Povinelli argues that the multicultural legacy of colonialism perpetuates unequal systems of power, not by demanding that colonized subjects identify with their colonizers but by demanding that they identify with an impossible standard of authentic traditional culture. Povinelli draws on seventeen years of ethnographic research among northwest coast indigenous people and her own experience participating in land claims, as well as on public records, legal debates, and anthropological archives to examine how multicultural forms of recognition work to reinforce liberal regimes rather than to open them up to a true cultural democracy. The Cunning of Recognition argues that the inequity of liberal forms of multiculturalism arises not from its weak ethical commitment to difference but from its strongest vision of a new national cohesion. In the end, Australia is revealed as an exemplary site for studying the social effects of the liberal multicultural imaginary: much earlier than the United States and in response to very different geopolitical conditions, Australian nationalism renounced the ideal of a unitary European tradition and embraced cultural and social diversity. While addressing larger theoretical debates in critical anthropology, political theory, cultural studies, and liberal theory, The Cunning of Recognition demonstrates that the impact of the globalization of liberal forms of government can only be truly understood by examining its concrete—and not just philosophical—effects on the world.
The traditional audience/producer boundary has collapsed in indigenous and ethnic community broadcasting, and this is the first comprehensive study of this homegrown media sector. Based on firsthand research of radio and television audiences in Australia, the authors argue that community radio and television worldwide performs an essential service for indigenous and ethnic audiences, empowering them at various levels, fostering active citizenry, and enhancing democracy. Developing Dialogues offers international researchers a new perspective on Australian community broadcasting and presents evidence of global trends in the media industry.
This addition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand and offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, their film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to WolfCreek.
Building on and bringing up to date the material presented in the first installment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries’ cinema. Essays by leading critics and film scholars consider the significance of the outback and the beach in films, which are evoked as a liminal space in Long Weekend and a symbol of death in Heaven’s Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel, and Gillian Armstrong.
Accompanying the critical essays in this volume are more than one hundred and fifty new film reviews, complemented by film stills and significantly expanded references for further study. From The Piano to Crocodile Dundee, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of a consistently fascinating national cinema.
Traditionally, deaf education has been treated as the domain of special educators who strive to overcome the difficulties associated with hearing loss. Recently, the sociocultural view of deafness has prompted research and academic study of Deaf culture, sign language linguistics, and bilingual education. Linda Komesaroff exposes the power of the entrenched dominant groups and their influence on the politics of educational policy and practice in Disabling Pedagogy: Power, Politics, and Deaf Education.
Komesaroff suggests a reconstruction of deaf education based on educational and social theory. First, she establishes a deep and situated account of deaf education in Australia through interviews with teachers, Deaf leaders, parents, and other stakeholders. Komesaroff then documents a shift to bilingual education by one school community as part of her ethnographic study of language practices in deaf education. She also reports on the experiences of deaf students in teacher education. Her study provides an analytical account of legal cases and discrimination suits brought by deaf parents for lack of access to native sign language in the classroom. Komesaroff confronts the issue of cochlear implantation, locating it within the broader context of gene technology and bioethics, and advocates linguistic rights and self-determination for deaf people on the international level. Disabling Pedagogy concludes with a realistic assessment of the political challenge and the potential of the “Deaf Resurgence” movement to enfranchise deaf people in the politics of their own education.
This volume gathers the harvest of recent doctoral dissertations on South Asia, principally from North America and Western Europe, but exclusive of theses from universities in South Asia itself. The yield—1305 dissertations based on research carried out during the early and middle nineteen-sixties and brought to completion between 1966 and 1970—is even greater than one would have guessed, eloquent testimony to the expansion of South Asian studies in the West over the last decade.
Doctoral Dissertations on South Asia seeks to be a comprehensive compilation of recently completed theses dealing in whole or in part with the former civilizations and the contemporary affairs of Ceylon, India, Nepal and Pakistan. At the same time, this work provides striking testimony of the dynamic growth of Asian Studies outside the subcontinent and particularly in the United States, Great Britain, Germany and France, where most of the major centers of scholarship are presently found. It is an interdisciplinary work covering the natural sciences as well as the humanities and social sciences.
Why do people identify with political parties? How stable are those identifications? Stable party systems, with a limited number of parties and mostly stable voter identification with a party, are normally considered significant signals of a steady democracy. In Dynamic Partisanship, Ken Kollman and John E. Jackson study changing patterns of partisanship in the United States, the United Kingdom, Canada, and Australia over the last fifty years in order to disentangle possible reasons for shifting partisanship and party identification. The authors argue that changes in partisanship can be explained by adjustments in voters’ attitudes toward issues or parties; the success or failure of policies advocated by parties; or alterations in parties’ positions on key issues. They contend that, while all three factors contribute, it is the latter, a party changing positions on a chief concern, that most consistently leads voters to or from a particular party. Their approach provides a deeper knowledge of the critical moving parts in democratic politics.
This book offers rich insights into the news media’s role in the development of policy in Australia, and explores the complex and interactive relationship between news media and Australian Indigenous affairs.
Kerry McCallum and Lisa Waller critically examine how Indigenous health, bilingual education, and controversial legislation are portrayed through public media, and they look closely at how Indigenous people are both being excluded from policy and media discussion, as well as using the media to their advantage.
In Economies of Abandonment, Elizabeth A. Povinelli explores how late liberal imaginaries of tense, eventfulness, and ethical substance make the global distribution of life and death, hope and harm, and endurance and exhaustion not merely sensible but also just. She presents new ways of conceptualizing formations of power in late liberalism—the shape that liberal governmentality has taken as it has responded to a series of legitimacy crises in the wake of anticolonial and new social movements and, more recently, the “clash of civilizations” after September 11. Based on longstanding ethnographic work in Australia and the United States, as well as critical readings of legal, academic, and activist texts, Povinelli examines how alternative social worlds and projects generate new possibilities of life in the context of ordinary and extraordinary acts of neglect and surveillance. She focuses particularly on social projects that have not yet achieved a concrete existence but persist at the threshold of possible existence. By addressing the question of the endurance, let alone the survival, of alternative forms of life, Povinelli opens new ethical and political questions.
The Single Transferable Vote, or STV, is often seen in very positive terms by electoral reformers, yet relatively little is known about its actual workings beyond one or two specific settings. This book gathers leading experts on STV from around the world to discuss the examples they know best, and represents the first systematic cross-national study of STV. Furthermore, the contributors collectively build an understanding of electoral systems as institutions embedded within a wider social and political context, and begins to explain the gap between analytical models and the actual practice of elections in Australia, Ireland, and Malta. Rather than seeing electoral institutions in purely mechanical terms, the collection of essays in this volume shows that the effects of electoral system may be contingent rather than automatic. On the basis of solid empirical evidence, the volume argues that the same political system can, in fact, have quite different effects under different conditions.
Contributors to the volume are Shaun Bowler, David Farrell, Michael Gallagher, Bernard Grofman, Wolfgang Hirczy, Colin Hughes, J. Paul Johnston, Michael Laver, Malcom Mackerras, Michael Maley, Michael Marsh, Ian McAllister, and Ben Reilly.
Shaun Bowler is Professor of Political Science, University of California, Riverside. Bernard Grofman is Professor of Political Science, University of California, Irvine.
An indigenous reservation in the colony of Victoria, Australia, the Coranderrk Aboriginal Station was a major site of cross-cultural contact the mid-nineteenth century and early twentieth. Coranderrk was located just outside Melbourne, and from its opening in the 1860s the colonial government commissioned many photographs of its Aboriginal residents. The photographs taken at Coranderrk Station circulated across the western world; they were mounted in exhibition displays and classified among other ethnographic “data” within museum collections. The immense Coranderrk photographic archive is the subject of this detailed, richly illustrated examination of the role of visual imagery in the colonial project. Offering close readings of the photographs in the context of Australian history and nineteenth- and early-twentieth-century photographic practice, Jane Lydon reveals how western society came to understand Aboriginal people through these images. At the same time, she demonstrates that the photos were not solely a tool of colonial exploitation. The residents of Coranderrk had a sophisticated understanding of how they were portrayed, and they became adept at manipulating their representations.
Lydon shows how the photographic portrayals of the Aboriginal residents of Coranderrk changed over time, reflecting various ideas of the colonial mission—from humanitarianism to control to assimilation. In the early twentieth century, the images were used on stereotypical postcards circulated among the white population, showing what appeared to be compliant, transformed Aboriginal subjects. The station closed in 1924 and disappeared from public view until it was rediscovered by scholars years later. Aboriginal Australians purchased the station in 1998, and, as Lydon describes, today they are using the Coranderrk photographic archive in new ways, to identify family members and tell stories of their own.
A decade ago, Tim Low journeyed to the remote northernmost tip of Australia. Instead of the pristine rain forests he expected, he found jungles infested with Latin American carpet grass and feral cattle. That incident helped inspire Feral Future, a passionate account of the history and implications of invasive species in that island nation, with consequences for ecological communities around the globe.
Australia is far from alone in facing horrific ecological and economic damage from invading plants and animals, and in Low's capable hands, Australia's experiences serve as a wake-up call for all of us. He covers how invasive species like cane toads and pond apple got to Australia (often through misguided but intentional introductions) and what we can do to stop them. He also covers the many pests that Australia has exported to the world, including the paperbark tree (Melaleuca) that infests hundreds of thousands of acres in south Florida.
The Fixed Period
Anthony Trollope University of Michigan Press, 1990 Library of Congress PR5684.F5 1990 | Dewey Decimal 823.8
At a time when concern over the ethics of euthanasia and the implications of a rapidly aging population are frequent topics of discussion, Trollope’s only science fiction novel strikes a very modern chord. The Fixed Period, begun in 1880 when Trollope was 65, is set in the then far-distant year of 1980. The story is narrated by the president of the fictitious Republic of Britannula, an ex-British colony on an imaginary island near New Zealand. The original young settlers, led by their president, adopt a plan called the Fixed Period. Under this plan, the island would be relieved of the burden of an aging population by calling for compulsory euthanasia for citizens reaching the age of 67. Opposition to the plan grows as the time approaches for “depositing” the first citizen in the euthanasia park, and the elderly citizens successfully persuade the British government to send a gunboat armed with a powerful new weapon to reannex the country.
Trollope’s satiric portrayal of the statisticians who calculate the savings to be realized by putting the old people away before they become an expensive catastrophic burden, and the ironic presentation of the narrator’s justification of euthanasia by appeal to Christian practice and doctrine, will delight contemporary readers. Trollope’s strong dislike of government bureaucracy is evident throughout, as is his awareness of the dangers to the world of an imagined weapon of destruction not unlike (in its effect) the atomic bomb.
In making accessible the complete text of this work with corrections from the original manuscript, Super has performed an invaluable service for Trollope scholars and enthusiasts.
Marsupials are nearly synonymous with Australia. Although one of these enigmatic pouched mammals—the opossum—inhabits the United States and another 80 or so thrive in South America, some 220 species are confined to the Australasian region. In Australia, marsupials are the most diverse and dominant indigenous species, from the wallaby and the wombat to the kangaroo and koala.
The extraordinary story of these fascinating animals, A Fragile Balance provides the most up-to-date information on marsupials without losing sight of the unique set of circumstances that led them to prevalence Down Under. Covering all marsupial species in Australia, the book uses an evolutionary framework to interpret the marsupial’s biological traits. Each species account includes a basic biological description, a range map, and a measure of conservation status. The accounts are bounded by general chapters on biology, natural history, cultural history, and conservation. A Fragile Balance is the first book to emphasize interactions between and among marsupials, as well as between humans and marsupials.
Combining the expertise of renowned biologist Christopher Dickman with the artistic talents of illustrator Rosemary Woodford Ganf, A Fragile Balance will be a much celebrated reference for mammalogists worldwide, as well as for readers interested in Australian natural and cultural history.
Alike in many aspects of their histories, Australia and the United States diverge in striking ways when it comes to their working classes, labor relations, and politics. Greg Patmore and Shelton Stromquist curate innovative essays that use transnational and comparative analysis to explore the two nations' differences. The contributors examine five major areas: World War I's impact on labor and socialist movements; the history of coerced labor; patterns of ethnic and class identification; forms of working-class collective action; and the struggles related to trade union democracy and independent working-class politics. Throughout, many essays highlight how hard-won transnational ties allowed Australians and Americans to influence each other's trade union and political cultures. Contributors: Robin Archer, Nikola Balnave, James R. Barrett, Bradley Bowden, Verity Burgmann, Robert Cherny, Peter Clayworth, Tom Goyens, Dianne Hall, Benjamin Huf, Jennie Jeppesen, Marjorie A. Jerrard, Jeffrey A. Johnson, Diane Kirkby, Elizabeth Malcolm, Patrick O'Leary, Greg Patmore, Scott Stephenson, Peta Stevenson-Clarke, Shelton Stromquist, and Nathan Wise
Cinema has long played a major role in the formation of community among marginalized groups, and this book details that process for gay men in Sydney, Australia from the 1950s to the present. Scott McKinnon builds the book from a variety of sources, including film reviews, media reports, personal memoirs, oral histories, and a striking range of films, all deployed to answer the question of understanding cinema-going as a moment of connection to community and identity—how the experience of seeing these films and being part of an audience helped to build a community among the gay men of Sydney in the period.
In this immensely practical book, Timothy Beatley sets out to answer a simple question: what can Americans learn from Australians about “greening” city life? Green Urbanism Down Under reports on the current state of “sustainability practice” in Australia and the many lessons that U.S. residents can learn from
the best Australian programs and initiatives.
Australia is similar to the United States in many ways, especially in its “energy footprint.” For example, Australia’s per capita greenhouse gas emissions are second only to those of the United States. A similar percentage of its residents live in cities (85 percent in Australia vs. 80 percent in the United States). And it suffers from parallel problems of air and water pollution, a national dependence on automobiles, and high fossil fuel consumption. Still, after traveling throughout Australia, Beatley finds that there are myriad creative responses to these problems—and that they offer instructive examples for the United States.
Green Urbanism Down Under is a very readable collection of solutions.
Although many of these innovative solutions are little-known outside Australia, they all present practical possibilities for U.S. cities. Beatley describes “green transport” projects, “city farms,” renewable energy plans, green living programs, and much more. He considers a host of public policy initiatives and scrutinizes regional and state planning efforts for answers. In closing, he shares his impressions about how Australian results might be applied to U.S. problems.
This is a unique book: hopeful, constructive, and filled with ideas that have been proven to work. It is a “must read” for anyone who cares about the future of American cities.
"Certain to be the standard reference for all subsequent scholarship."—John Noble Wilford, New York Times Book Review, on the History of Cartography series
"The maps in this book provide an evocative picture of how indigenous peoples view and represent their worlds. They illuminate not only questions of material culture but also the cognitive systems and social motivations that underpin them" (from the introduction).
Although they are often rendered in forms unfamiliar to Western eyes, maps have existed in most cultures. In this latest book of the acclaimed History of Cartography, contributors from a broad variety of disciplines collaborate to describe and address the significance of traditional cartographies. Whether painted on rock walls in South Africa, chanted in a Melanesian ritual, or fashioned from palm fronds and shells in the Marshall Islands, all indigenous maps share a crucial role in representing and codifying the spatial knowledge of their various cultures. Some also serve as repositories of a group's sacred or historical traditions, while others are exquisite art objects.
The indigenous maps discussed in this book offer a rich resource for disciplines such as anthropology, archaeology, art history, ethnology, geography, history, psychology, and sociology. Copious illustrations and carefully researched bibliographies enhance the scholarly value of this definitive reference.
Are immigrants squeezing Americans out of the work force? Or is competition wth foreign products imported by the United States an even greater danger to those employed in some industries? How do wages and unions fare in foreign-owned firms? And are the media's claims about the number of illegal immigrants misleading?
Prompted by the growing internationalization of the U.S. labor market since the 1970s, contributors to Immigration, Trade, and the Labor Market provide an innovative and comprehensive analysis of the labor market impact of the international movements of people, goods, and capital. Their provocative findings are brought into perspective by studies of two other major immigrant-recipient countries, Canada and Australia. The differing experiences of each nation stress the degree to which labor market institutions and economic policies can condition the effect of immigration and trade on economic outcomes
Contributors trace the flow of immigrants by comparing the labor market and migration behavior of individual immigrants, explore the effects of immigration on wages and employment by comparing the composition of the work force in local labor markets, and analyze the impact of trade on labor markets in different industries. A unique data set was developed especially for this study—ranging from an effort to link exports/imports with wages and employment in manufacturing industries, to a survey of illegal Mexican immigrants in the San Diego area—which will prove enormously valuable for future research.
Scholars have long recognized that ethnographic method is bound up with the construction of theory in ways that are difficult to teach. The reason, Allaine Cerwonka and Liisa H. Malkki argue, is that ethnographic theorization is essentially improvisatory in nature, conducted in real time and in necessarily unpredictable social situations. In a unique account of, and critical reflection on, the process of theoretical improvisation in ethnographic research, they demonstrate how both objects of analysis, and our ways of knowing and explaining them, are created and discovered in the give and take of real life, in all its unpredictability and immediacy.
Improvising Theory centers on the year-long correspondence between Cerwonka, then a graduate student in political science conducting research in Australia, and her anthropologist mentor, Malkki. Through regular e-mail exchanges, Malkki attempted to teach Cerwonka, then new to the discipline, the basic tools and subtle intuition needed for anthropological fieldwork. The result is a strikingly original dissection of the processual ethics and politics of method in ethnography.
Is a "woman-friendly" state possible? Can women achieve full social citizenship? At a time when backlash against people of color, women, and the poor is accelerating, this account of the experiences of Australian feminists is illuminating: Australian feminists succeeded in making women's issues like child care and domestic violence part of the main stream political agenda. Inside Agitators is the first full-length study of the Australian femocrats published in the United States.
Hester Eisenstein (herself a former femocrat) chronicles the efforts of a cohort of women, feminist bureaucrats, who changed the gender landscape--from the initial invitation to enter government by Labor in 1973 to the rise of neo-liberalism and the contemporary attack on the public sector. Connecting the femocrats to specifically Australian features of political culture and political economy, this book analyzes the implicit political theory of the femocrats. Eisenstein addresses the issues of strategies for social change, class, race and racism, sexuality and sexual politics, "gendered" experience, and accountability to the women's movement.
This important study explores the possibilities and limits of the contemporary attempt by the women's movement to constitute women as a "gender interest," and to use state power as an instrument for social change.
In the century between the Napoleonic Wars and the Irish Civil War, more than seven million Irish men and women left their homeland to begin new lives abroad. While the majority settled in the United States, Irish emigrants dispersed across the globe, many of them finding their way to another “New World,” Australia. Ireland’s New Worlds is the first book to compare Irish immigrants in the United States and Australia. In a profound challenge to the national histories that frame most accounts of the Irish diaspora, Malcolm Campbell highlights the ways that economic, social, and cultural conditions shaped distinct experiences for Irish immigrants in each country, and sometimes in different parts of the same country. From differences in the level of hostility that Irish immigrants faced to the contrasting economies of the United States and Australia, Campbell finds that there was much more to the experiences of Irish immigrants than their essential “Irishness.” America’s Irish, for example, were primarily drawn into the population of unskilled laborers congregating in cities, while Australia’s Irish, like their fellow colonialists, were more likely to engage in farming. Campbell shows how local conditions intersected with immigrants’ Irish backgrounds and traditions to create surprisingly varied experiences in Ireland’s new worlds.
Outstanding Book, selected by the American Association of School Librarians, and Best Books for Special Interests, selected by the Public Library Association
“Well conceived and thoroughly researched . . . . This clearly written, thought-provoking work fulfills the considerable ambitions of comparative migration studies.”—Choice
Though separated by thousands of miles, the United States and Australia have much in common. Geographically both countries are expansive—the United States is the fourth largest in land mass and Australia the sixth—and both possess a vast amount of natural biodiversity. At the same time, both nations are on a crash course toward environmental destruction. Highly developed super consumers with enormous energy footprints and high rates of greenhouse-gas emissions, they are two of the biggest drivers of climate change per capita. As renowned ecologists Corey J. A. Bradshaw and Paul R. Ehrlich make clear in Killing the Koala and Poisoning the Prairie, both of these countries must confront the urgent question of how to stem this devastation and turn back from the brink.
In this book, Bradshaw and Ehrlich provide a spirited exploration of the ways in which the United States and Australia can learn from their shared problems and combine their most successful solutions in order to find and develop new resources, lower energy consumption and waste, and grapple with the dynamic effects of climate change. Peppering the book with humor, irreverence, and extensive scientific knowledge, the authors examine how residents of both countries have irrevocably altered their natural environments, detailing the most pressing ecological issues of our time, including the continuing resource depletion caused by overpopulation. They then turn their discussion to the politics behind the failures of environmental policies in both nations and offer a blueprint for what must be dramatically changed to prevent worsening the environmental crisis.
Although focused on two nations, Killing the Koala and Poisoning the Prairie clearly has global implications—the problems facing the United States and Australia are not theirs alone, and the solutions to come will benefit by being crafted in coalition. This book provides a vital opportunity to learn from both countries’ leading environmental thinkers and to heed their call for a way forward together.
How does an Aboriginal community see itself, its work, and its place on the land? Elizabeth Povinelli goes to the Belyuen community of northern Australia to show how it draws from deep connections between labor, language, and the landscape. Her findings challenge Western notions of "productive labor" and longstanding ideas about the role of culture in subsistence economies.
In Labor's Lot, Povinelli shows how everyday activities shape Aboriginal identity and provide cultural meaning. She focuses on the Belyuen women's interactions with the countryside and on Belyuen conflicts with the Australian government over control of local land. Her analysis raises serious questions about the validity of Western theories about labor and culture and their impact on Aboriginal society.
Povinelli's focus on women's activities provides an important counterpoint to recent works centering on male roles in hunter-gatherer societies. Her unique "cultural economy" approach overcomes the dichotomy between the two standard approaches to these studies. Labor's Lot will engage anyone interested in indigenous peoples or in the relationship between culture and economy in contemporary social practice.
The challenge of opening Africa and Australia to British imperial influence fell to a coterie of proto-professional explorers who sought knowledge, adventure, and fame but often experienced confusion, fear, and failure. The Last Blank Spaces follows the arc of these explorations, from idea to practice, intention to outcome, myth to reality.
Managing Their Own Affairs explores how Deaf organizations and institutions were forged in Australia during the early 20th century. During this period, deaf people challenged the authority of the dominant welfare organizations, or Deaf Societies, which were largely controlled by hearing people and run as charitable institutions. Breda Carty comprehensively documents the growth of the Australian Deaf community and Australian Deaf organizations for the first time. She focuses on both the political developments of the early 20th century and on the nature of the relationships between deaf and hearing people.
During this time, deaf Australians aspired to manage their own affairs. They enjoyed some success by establishing “breakaways” from the Deaf Societies, and they also established an independent national organization, which was contested and ultimately suppressed by the Deaf Societies. These developments were influenced by wider social movements in Australian society, such as the mobilization of minority groups in their push for autonomy and equal rights. Although most of the breakaway Deaf organizations did not survive beyond the 1930s, they significantly affected the power structures and relationships between deaf and hearing people in Australia. The Australian Deaf community’s attempts to organize independently during these years have been largely erased from collective memory, making Carty’s examination a particularly important and necessary addition to the historical literature.
Harnessing concepts and theories from sociology, anthropology, and political science, this interdisciplinary study compares the vastly different experiences of two Croatian immigrant cohorts who have settled in the city of Perth in Western Australia. The populations explored represent an earlier group of working-class migrants arriving from communist Yugoslavia from the 1950s to 1970s and a later group of urban professionals arriving in the 1980s and 1990s as 'independent' or skills-based migrants. This latter group integrated into professional ranks but also used their Australian experience as a stepping stone in becoming part of a highly mobile global professional middle class.
Employing a refined theoretical analysis, this rich ethnography challenges the domination of the ethnic perspective in migration studies and the idea of ethnic community itself. It emphasizes the importance of class, focusing on the intersection of class, ethnicity, and gender in the process of migration, migrant incorporation and transnationalism. In theorizing the connection of the two migrant cohorts with their native Croatia the study introduces concepts of "ethnic" and "cosmopolitan" transnationalism as two distinctive experiences mediated by class.
Social workers produced thousands of case files about the poor during the interwar years. Analyzing almost two thousand such case files and traveling from Boston, Minneapolis, and Portland to London and Melbourne, Miss Cutler and the Case of the Resurrected Horse is a pioneering comparative study that examines how these stories of poverty were narrated and reshaped by ethnic diversity, economic crisis, and war.
Probing the similarities and differences in the ways Americans, Australians, and Britons understood and responded to poverty, Mark Peel draws a picture of social work that is based in the sometimes fraught encounters between the poor and their interpreters. He uses dramatization to bring these encounters to life—joining Miss Cutler and that resurrected horse are Miss Lindstrom and the fried potatoes and Mr. O’Neil and the seductive client—and to give these people a voice. Adding new dimensions to the study of charity and social work, this book is essential to understanding and tackling poverty in the twenty-first century.
The latest entry in the Sociolinguistics in Deaf Communities series continues to mine the rich resources found in signing communities throughout the world. Divided into four parts, this collection features 16 internationally renowned linguistics experts whose absorbing studies reflect an astonishing range of linguistic diversity.
The sole essay in Part One: Multilingualism describes historic and contemporary uses of North American Indian Sign Language. Part Two: Language Contact examines language-contact phenomena between Auslan/English interpreters and Deaf people in Australia, and the features of bimodal bilingualism in hearing, Italian, native signers. Part Three: Variation reports the results of a study on location variation in Australian Sign Language.
Part Four: Discourse Analysis begins with an analysis of how deaf parents and their hearing toddlers establish and maintain sight triangles when conducting signed conversations. The ensuing chapter explores the use of evaluation within an informal narrative in Langue des Signes Québécoise. The final chapter explicates how a signer depersonalizes the concept of “self” in an American Sign Language narrative through the use of signs for “he” and “I.”
Doris Herrmann was born deaf in 1933 in Basel, Switzerland, and from the age of three, she possessed a mystical attraction to kangaroos. She recalls seeing them at that age for the first time at the Basel Zoo, and spending every spare moment visiting them from then on. Eventually, her fascination grew into passionate study of their behavior. Her dedication caught the attention of the zookeepers who provided her greater access to these extraordinary animals. Despite her challenges with communication, Herrmann wrote a scientific paper about the kangaroo’s pouch hygiene when raising a joey. Soon, experts from around the world came to visit this precocious deaf girl who knew about kangaroos.
Herrmann appreciated the opportunities opening up to her, but her real dream was to travel to Australia to study kangaroos in the wild. For years she worked and yearned, until Dr. Karl H. Winkelsträter a renowned authority on kangaroos, suggested an independent study in Australia at a place called Pebbly Beach. In 1969, at the age of 35, Herrmann finally traveled to the native land of kangaroos. During the next four decades, she would make many more trips to observe and write about kangaroos.
My Life with Kangaroos explores every facet of Herrmann’s connection to these engaging marsupials. Her single-minded devotion not only made her a leading self-made scholar on kangaroos, it transformed her own personality and her relationships with others. As she forged bonds with kangaroos named Dora, Jacqueline, Manuela, and many others, she engendered great affection and respect in the people around her, truly a remarkable story of success.
In this volume, which has been hailed as a major breakthrough in understanding the meaning of the elaborate kinship systems currently existing in Australian Aboriginal societies, C. G. von Brandenstein argues that such systems refer to an archaic theory of "world order" common to all these societies. This controversial conclusion is based on native testimony and on a sophisticated linguistic analysis of a vast quantity of data collected by the author and others.
Though the author has restricted the results of his research to Aboriginal Australia, his methodological approach is generalizable. Hence this work will be of importance to specialists in many areas.
In a world increasingly marked by migration and dislocation, the question of displacement, and of establishing a sense of belonging, has become ever more common and ever more urgent. But what of those who stay in place? How do people who remain in their place of origin or ancestral homeland rearticulate a sense of connection, of belonging, when ownership of the territory they occupy is contested? Focusing on Australia, Allaine Cerwonka examines the physical and narrative spatial practices by which people reclaim territory in the wake of postcolonial claims to land by indigenous people and new immigration of “foreigners.” As a multicultural, postcolonial nation whose claims to land until recently were premised on the notion of the continent as “empty” (terra nullius), Australia offers an especially rich lens for understanding the reterritorialization of the nation-state in an era of globalization. To this end, Native to the Nation provides a multisited ethnography of two communities in Melbourne, the Fitzroy Police Station and the East Melbourne Garden Club, allowing us to see how bodies are managed and nations physically constructed in everyday confrontations and cultivations. Allaine Cerwonka is assistant professor of women’s studies and political science at Georgia State University.
Irish Australian outlaw Ned Kelly led one of the most spectacular outbreaks the tradition has ever experienced, culminating in a siege at Glenrowan on June 28, 1880. Donned in homemade metal armor and a helmet, he was captured and sentenced to hang at the Melbourne Gaol in November. Immortalized in a series of onscreen productions, he has since become one of the most resilient screen presences in the history of Australian cinema. The Ned Kelly Films recounts the history of this presence, covering the nine feature films, three miniseries, and two TV movies that have been made about this controversial character.
Providing a comprehensive overview of these productions and their reception, Stephen Gaunson illuminates a central irony: From dime novels to comics to the branding of the site where he was captured, most cultural representations of Kelly are decidedly lowbrow. But only the films have been condemned for not offering a more serious interpretation of this figure and his historical context. Parsing the assumption that films about Kelly should do more than broadcast the sentiments of his fans, Gaunson explores why historical films have a reputation as a form of “bad” culture. Asking what value we can place on such “bad” historical cinema, he offers new insights about the textual characteristics of cinematic material and the conditions of film distribution, circulation, and reception.
Born in Melbourne, Australia, in 1974, Paul Jacobs lost his mother when he was three months old. When he was five, he lost most of his hearing. These two defining events formed the core of his being. He spent the first two decades of his life “coming to terms with being neither Deaf nor hearing — a neither/nor, an in-between — and a person with a social identity that had yet to be invented.” His memoir, Neither—Nor: A Young Australian’s Experience with Deafness, recounts this journey.
Jacobs excelled in sports and the classroom, but he never lost awareness of how he was seen as different, often in cruel or patronizing ways. His father, a child psychologist, headed a long list of supportive people in his life, including his Uncle Brian, his itinerant teacher of the deaf Mrs. Carey, a gifted art teacher Mrs. Klein, who demanded and received from him first-rate work, a notetaker Rita, and Bella, his first girlfriend. Jacobs eventually attended university, where he graduated with honors. He also entered the Deaf world when he starred on the Deaf Australian World Cup cricket team. However, he never learned sign language, and frequently noted the lack of an adult role model for “neither—nors” such as himself.
Still emotionally adrift in 1998, Jacobs toured Europe, then volunteered to tutor deaf residents at Court Grange College in Devon, England. There, he discovered a darker reality for some deaf individuals — hearing loss complicated by schizophrenia, Bonnevie-Ullrich Syndrome, and other conditions. After returning to Australia, Jacobs recognized what he had gleaned from his long journey: “Power comes from within, not without. Sure, deafness makes one prone to be stigmatized. Yet having a disability can act as a stimulus for greater personal growth, richer experiences, and more genuine relationships.”
A detailed study of the origins and demise of schooner-based pearling in Australia
For most of its history, Australian pearling was a shore-based activity. But from the mid-1880s until the World War I era, the industry was dominated by highly mobile, heavily capitalized, schooner-based fleets of pearling luggers, known as floating stations, that exploited Australia’s northern continental shelf and the nearby waters of the Netherlands Indies. Octopus Crowd: Maritime History and the Business of Australian Pearling in Its Schooner Age is the first book-length study of schooner-based pearling and explores the floating station system and the men who developed and employed it.
Steve Mullins focuses on the Clark Combination, a syndicate led by James Clark, Australia’s most influential pearler. The combination honed the floating station system to the point where it was accused of exhausting pearling grounds, elbowing out small-time operators, strangling the economies of pearling ports, and bringing the industry to the brink of disaster. Combination partners were vilified as monopolists—they were referred to as an “octopus crowd”—and their schooners were stigmatized as hell ships and floating sweatshops.
Schooner-based floating stations crossed maritime frontiers with impunity, testing colonial and national territorial jurisdictions. The Clark Combination passed through four fisheries management regimes, triggering significant change and causing governments to alter laws and extend maritime boundaries. It drew labor from ports across the Asia-Pacific, and its product competed in a volatile world market. Octopus Crowd takes all of these factors into account to explain Australian pearling during its schooner age. It argues that the demise of the floating station system was not caused by resource depletion, as was often predicted, but by ideology and Australia’s shifting sociopolitical landscape
"Stumping," or making political speeches in favor of a candidate, cause, or campaign has been around since before the 1800s, when speechmaking was frequently portrayed as delivered from the base of a tree. The practice, which has been strongly associated with the American frontier, British agitators, and colonial Australia, remains an effective component of contemporary democratic politics.
In his engaging book On the Stump, Sean Scalmer provides the first comprehensive, transnational history of the "stump speech." He traces the development and transformation of campaign oratory, as well as how national elections and public life and culture have been shaped by debate over the past century.
Scalmer presents an eloquent study of how "stumping" careers were made, sustained, remembered, and exploited, to capture the complex rhythms of political change over the years. On the Stump examines the distinctive dramatic and performative styles of celebrity orators including Davy Crockett, Henry Clay, and William Gladstone. Ultimately, Scalmer recovers the history of the stump speech and its historical significance in order to better understand how political change is forged.
In One and Five Ideas eminent critic, historian, and former member of the Art & Language collective Terry Smith explores the artistic, philosophical, political, and geographical dimensions of Conceptual Art and conceptualism. These four essays and a conversation with Mary Kelly—published between 1974 and 2012—contain Smith's most essential work on Conceptual Art and his argument that conceptualism was key to the historical transition from modern to contemporary art. Nothing less than a distinctive theory of Conceptual and contemporary art, One and Five Ideas showcases the critical voice of one of the major art theorists of our time.
Painting Culture tells the complex story of how, over the past three decades, the acrylic "dot" paintings of central Australia were transformed into objects of international high art, eagerly sought by upscale galleries and collectors. Since the early 1970s, Fred R. Myers has studied—often as a participant-observer—the Pintupi, one of several Aboriginal groups who paint the famous acrylic works. Describing their paintings and the complicated cultural issues they raise, Myers looks at how the paintings represent Aboriginal people and their culture and how their heritage is translated into exchangeable values. He tracks the way these paintings become high art as they move outward from indigenous communities through and among other social institutions—the world of dealers, museums, and critics. At the same time, he shows how this change in the status of the acrylic paintings is directly related to the initiative of the painters themselves and their hopes for greater levels of recognition.
Painting Culture describes in detail the actual practice of painting, insisting that such a focus is necessary to engage directly with the role of the art in the lives of contemporary Aboriginals. The book includes a unique local art history, a study of the complete corpus of two painters over a two-year period. It also explores the awkward local issues around the valuation and sale of the acrylic paintings, traces the shifting approaches of the Australian government and key organizations such as the Aboriginal Arts Board to the promotion of the work, and describes the early and subsequent phases of the works’ inclusion in major Australian and international exhibitions. Myers provides an account of some of the events related to these exhibits, most notably the Asia Society’s 1988 "Dreamings" show in New York, which was so pivotal in bringing the work to North American notice. He also traces the approaches and concerns of dealers, ranging from semi-tourist outlets in Alice Springs to more prestigious venues in Sydney and Melbourne.
With its innovative approach to the transnational circulation of culture, this book will appeal to art historians, as well as those in cultural anthropology, cultural studies, museum studies, and performance studies.
Peter Weir has been directing Hollywood films since his successful US debut, Witness, in 1985. But does this make him a Hollywood director? Or should he still be considered an Australian filmmaker as many scholars argue?
For the first time, Weir’s entire three-decade creative journey from Australia to Hollywood is considered in light of the recent theories on transnational cinema and through a close examination of four key films: Picnic at Hanging Rock, The Year of Living Dangerously, Witness, and The Truman Show The films’ analyses integrate original interviews with Weir and his closest collaborators, including Russell Boyd. The book concludes that Weir is both an Australian and a Hollywood filmmaker—and would be better seen as a transnational filmmaker whose success in the United States reflects the fact that he was already a “Hollywood” director by the time he relocated.
Winner of the 1998 Charles Levine Award for best book on administration and policy
Dunn focuses on two levers of power in modern democracies, the elected party politician and the professional state bureaucrat, using Australia as his example. Dunn uses interviews with Cabinet ministers, members of their staffs, and department heads of two governments in Australia to see how ministers seek to provide political direction to the bureaucracy. He examines the extent to which they succeed and how their direction is both influenced by and acted on by the departments.
Dunn's analysis provides a rare look at high-level relationships between politicians and executive departments in one democratic government and offers insights into issues of accountability and responsibility in democratic governments. His findings, based on his in-depth look at a government that blends many features of both U.S. and British governments, reveal the fundamentals that are necessary to make this key relationship work well and are thus pertinent to public administration in all democracies.
During the nineteenth century, British and American settlers acquired a vast amount of land from indigenous people throughout the Pacific, but in no two places did they acquire it the same way. Stuart Banner tells the story of colonial settlement in Australia, New Zealand, Fiji, Tonga, Hawaii, California, Oregon, Washington, British Columbia, and Alaska. Today, indigenous people own much more land in some of these places than in others. And certain indigenous peoples benefit from treaty rights, while others do not. These variations are traceable to choices made more than a century ago--choices about whether indigenous people were the owners of their land and how that land was to be transferred to whites.
Banner argues that these differences were not due to any deliberate land policy created in London or Washington. Rather, the decisions were made locally by settlers and colonial officials and were based on factors peculiar to each colony, such as whether the local indigenous people were agriculturalists and what level of political organization they had attained. These differences loom very large now, perhaps even larger than they did in the nineteenth century, because they continue to influence the course of litigation and political struggle between indigenous people and whites over claims to land and other resources.
Possessing the Pacific is an original and broadly conceived study of how colonial struggles over land still shape the relations between whites and indigenous people throughout much of the world.
Prisoners of the Empire
Sarah Kovner Harvard University Press, 2020 Library of Congress D805.J3K68 2020 | Dewey Decimal 940.547252
A pathbreaking account of World War II POW camps, challenging the longstanding belief that the Japanese Empire systematically mistreated Allied prisoners.
In only five months, from the attack on Pearl Harbor in December 1941 to the fall of Corregidor in May 1942, the Japanese Empire took prisoner more than 140,000 Allied servicemen and 130,000 civilians from a dozen different countries. From Manchuria to Java, Burma to New Guinea, the Japanese army hastily set up over seven hundred camps to imprison these unfortunates. In the chaos, 40 percent of American POWs did not survive. More Australians died in captivity than were killed in combat.
Sarah Kovner offers the first portrait of detention in the Pacific theater that explains why so many suffered. She follows Allied servicemen in Singapore and the Philippines transported to Japan on “hellships” and singled out for hard labor, but also describes the experience of guards and camp commanders, who were completely unprepared for the task. Much of the worst treatment resulted from a lack of planning, poor training, and bureaucratic incoherence rather than an established policy of debasing and tormenting prisoners. The struggle of POWs tended to be greatest where Tokyo exercised the least control, and many were killed by Allied bombs and torpedoes rather than deliberate mistreatment.
By going beyond the horrific accounts of captivity to actually explain why inmates were neglected and abused, Prisoners of the Empire contributes to ongoing debates over POW treatment across myriad war zones, even to the present day.
In a bold argument, Marilyn Lake shows that race and reform were mutually supportive as Progressivism became the political logic of settler colonialism at the turn of the 20th century. She points to exchanges between American and Australasian reformers who shared racial sensibilities, along with a commitment to forging an ideal social order.
The Pursuit of Justice is the first book to examine three separate instances of soldiers risking their lives during wartime to protest injustices being perpetrated by military authorities: within the United States Army during the American Civil War, the Australian Imperial Force during World War I, and the British Army during World War II. Nathan Wise explores the three events in detail and reveals how-despite the vast differences in military forces, wars, regions of the world, and eras-the soldiers involved all shared a common sense of justice and responded in remarkably similar ways.
Reclaiming Indigenous Governance examines the efforts of Indigenous peoples in four important countries to reclaim their right to self-govern. Showcasing Native nations, this timely book presents diverse perspectives of both practitioners and researchers involved in Indigenous governance in Canada, Australia, New Zealand, and the United States (the CANZUS states).
Indigenous governance is dynamic, an ongoing relationship between Indigenous peoples and settler-states. The relationship may be vigorously contested, but it is often fragile—one that ebbs and flows, where hard-won gains can be swiftly lost by the policy reversals of central governments. The legacy of colonial relationships continues to limit advances in self-government.
Yet Indigenous peoples in the CANZUS countries are no strangers to setbacks, and their growing movement provides ample evidence of resilience, resourcefulness, and determination to take back control of their own destiny. Demonstrating the struggles and achievements of Indigenous peoples, the chapter authors draw on the wisdom of Indigenous leaders and others involved in rebuilding institutions for governance, strategic issues, and managing lands and resources.
This volume brings together the experiences, reflections, and insights of practitioners confronting the challenges of governing, as well as researchers seeking to learn what Indigenous governing involves in these contexts. Three things emerge: the enormity of the Indigenous governance task, the creative agency of Indigenous peoples determined to pursue their own objectives, and the diverse paths they choose to reach their goal.
Like many coral specialists fifteen years ago, J.E.N. Veron thought Australia’s Great Barrier Reef was impervious to climate change. “Owned by a prosperous country and accorded the protection it deserves, it would surely not go the way of the Amazon rain forest or the parklands of Africa, but would endure forever. That is what I thought once, but I think it no longer.” This book is Veron’s Silent Spring for the world’s coral reefs.
Veron presents the geological history of the reef, the biology of coral reef ecosystems, and a primer on what we know about climate change. He concludes that the Great Barrier Reef and, indeed, most coral reefs will be dead from mass bleaching and irreversible acidification within the coming century unless greenhouse gas emissions are curbed. If we don’t have the political will to confront the plight of the world’s reefs, he argues, current processes already in motion will become unstoppable, bringing on a mass extinction the world has not seen for 65 million years.
Our species has cracked its own genetic code and sent representatives of its kind to the moon—we can certainly save the world’s reefs if we want to. But to achieve this goal, we must devote scientific expertise and political muscle to the development of green technologies that will dramatically reduce greenhouse emissions and reverse acidification of the oceans.
During the 1980s and early 1990s, Australia and New Zealand extensively deregulated their economies to create two of the most open markets in the industrialized world. Drawing on interviews with more than 180 leading policymakers in Australia and New Zealand—including former prime ministers, ministers of finance, treasurers, and public servants—Shaun Goldfinch analyzes the factors that made the deregulation process different in each country.
Describing specific policies—including liberalization of financial and capital markets, lowering of trade barriers, the floating of the exchange rate, and privatization—he compares the "crash-through" approach that characterized reform in New Zealand with the "bargained consensus" that underpinned change in Australia. In Australia, influences on policy were relatively diffuse and implementations open and decentralized. New Zealand’s more centralized government structure resulted in a concentration of influence and less deliberation. He contrasts rapid and gradual change, arguing that the latter may yield better policy results and prevent political instability.
Shedding new light on the economic policymaking process, including the role of economic ideas, institutions, and policy elites, this book will appeal to both students and professionals in interested in public policy, comparative politics, and economics.
In Remote Avant-Garde Jennifer Loureide Biddle models new and emergent desert Aboriginal aesthetics as an art of survival. Since 2007, Australian government policy has targeted "remote" Australian Aboriginal communities as at crisis level of delinquency and dysfunction. Biddle asks how emergent art responds to national emergency, from the creation of locally hunted grass sculptures to biliterary acrylic witness paintings to stop-motion animation. Following directly from the unprecedented success of the Western Desert art movement, contemporary Aboriginal artists harness traditions of experimentation to revivify at-risk vernacular languages, maintain cultural heritage, and ensure place-based practice of community initiative. Biddle shows how these new art forms demand serious and sustained attention to the dense complexities of sentient perception and the radical inseparability of art from life. Taking shape on frontier boundaries and in zones of intercultural imperative, Remote Avant-Garde presents Aboriginal art "under occupation" in Australia today.
Sex and Gender Section Award for Distinguished Contribution to the Study of Sex and Gender, American Sociological Association, 1995
This volume of essays sharply questions current knowledge and ideas about sexuality, social theory, and public policy research on sexuality. The contributors, internationally recognized scholars and activists from Australia, examine the dominant research models from the United States and Western Europe and propose a new perspective, one sensitive to the social construction of sexuality and its research and to variation in sexual practices across cultures.
Addressing the debates over sexual conduct from contraception to AIDS prevention, Rethinking Sex provides a systematic examination of the social dimensions of sexuality. Social theory, public policy analysis, and historical and survey research are applied to issues ranging from AIDS and gay identity to perceptions of women's sexuality and relations between the state and private sexual behavior.
"Sexuality is a major theme in our culture, from the surf video to the opera stage to the papal encyclical. It is, accordingly, one of the major themes of the human sciences, and figures as weighty as Darwin and Freud have made major contributions to it. Social research has, over the last hundred years, produced crucially important evidence for the understanding of sexuality. But social theory has been slow to grapple with the issue, to give it the sophisticated attention that has been devoted to questions of production or of communication.
"We are convinced that an adequate social theory of sexuality is essential for progress on 'applied' issues, such as the design of research on the social transmission of human immunodefiency virus (HIV). This chapter attempts a mapping exercise, sorting out the major intellectual frameworks that have governed Western thinking about sexuality. We discuss first the religious and scientific nativism that dominated the field into the twentieth century, the problems this approach ran into, and the rise of social construction approaches to sexuality. We discuss the impasse that social constructionism has reached. In the final part of the chapter we sketch the outline of an approach which can move past these difficulties."
--From Chapter 3, "'The Unclean Motion of the Generative Parts': Frameworks in Western Thought on Sexuality"
In Rustic Cubism, Bruce Adams tells the fascinating story of Moly-Sabata, an art colony founded in the Rhône Valley during the height of French modernism by Cubist pioneer Albert Gleizes. Following his social and spiritual agenda of earthly labor and a Celtic-medievalist view of Christianity, Gleizes' disciples worked to fuse Cubism with a revival of ancient agrarian, artisanal traditions. The most important and committed member of this experimental commune was ceramicist Anne Dangar (1885-1951).
In part a gripping biography of this Australian expatriate, Rustic Cubism chronicles Dangar's personal battles and the tumult of the World War II era during her tempestuous tenure at Moly-Sabata. Dangar dedicated herself to the colony's aims by working in the region's village potteries, combining their vernacular elements with Gleizes' design methods to arrive at a type of rustic Cubism. Her work there would ultimately be rewarded; her pieces can today be found in the Musée des Arts Décoratifs in Paris, the Musée d'Art Moderne de la Ville de Paris, the Museo Internazionale delle Ceramiche in Faenza, the National Gallery of Australia, Canberra, and many other museums.
Rustic Cubism places Dangar at the heart of Moly-Sabata's alternative art movement—one that, in its nostalgic present, attempted to construct a culture based on the distant past. Generously illustrated with photographs of the art and social milieu of the period, this captivating and original narrative makes a considerable contribution to our understanding of French modernism and early twentieth-century cultural politics as well as of the life of a most talented and intriguing female artist.
When the Reverend Henry Carmichael opened the Sydney Mechanics’ School of Arts in 1833, he introduced a bold directive: for Australia to advance on the scale of nations, it needed to develop a science of its own. Prominent scientists in the colonies of New South Wales and Victoria answered this call by participating in popular exhibitions far and near, from London’s Crystal Place in 1851 to Sydney, Melbourne, Adelaide, and Brisbane during the final decades of the nineteenth century. A Science of Our Own explores the influential work of local botanists, chemists, and geologists—William B. Clarke, Joseph Bosisto, Robert Brough Smyth, and Ferdinand Mueller—who contributed to shaping a distinctive public science in Australia during the nineteenth century. It extends beyond the political underpinnings of the development of public science to consider the rich social and cultural context at its core. For the Australian colonies, as Peter H. Hoffenberg argues, these exhibitions not only offered a path to progress by promoting both the knowledge and authority of local scientists and public policies; they also ultimately redefined the relationship between science and society by representing and appealing to the growing popularity of science at home and abroad.
In 1963 R. M. W. (Bob) Dixon set off for Australia, where he was to record, chart, and preserve several of the complex and nearly extinct Aboriginal languages. Beginning with his introduction to these languages while a graduate student at the University of Edinburgh and his difficulties in getting to the Australian bush, Dixon's fourteen-year tale is one of frustration and enlightenment, of setbacks and discoveries.
As he made his way through northern Australia, Dixon was dependent on rumors of Aboriginal speakers, the unreliable advice of white Australians, and the faulty memories of many of the remaining speakers of the languages. Suggestions of informants led him on a circuitous trail through the bush, to speakers such as the singer Willie Kelly in Ravenshoe, who wanted his recordings sent to the south, "where white people would pay big money to hear a genuine Aborigine sing" and Chloe Grant in Murray Upper, who told tales in four dialects of digging wild yams, of the blue-tongue lizard Banggara, and of the arrival of Captain Cook. Dixon tells of obtaining the trust of possible informants, of learning the customs and terrain of the country, and of growing understanding of the culture and tradition of his subjects. And he explains his surprise at his most unexpected discovery: that the rich oral tradition of the "primitive" Aborigines could yield a history of a people, as told by that people, that dates to almost ten millenia before.
Sightlines: Race, Gender, and Nation in Contemporary Australian Theatre asserts the centrality of theater to the ongoing negotiations of the Australian context. By exploring ways in which ideas about race, gender, and nation are expressed in concrete theatrical contexts, the performative qualities of theatrical representation are revealed as compelling, important sites of critique.
Helen Gilbert discusses an exciting variety of plays, drawing examples from marginalized groups as well as from the theatrical mainstream. While fully engaged with the discourses of contemporary critical thought, Sightlines remains focused on the material stuff of the theater, grounding its discussion in the visual elements of costume, movement, and scenography. And although focused specifically on performance, the author's insistent interest in historical and political contexts also speaks to the broader concerns of cultural studies.
The book's recurrent concern with representations of Aboriginality, particularly in the works of nonindigenous playwrights, draws attention to racial politics as a perennial motif in postcolonial nations. Its illumination of the relationships between patriarchy and imperialism is supported by an extensive discussion of plays by and about women. This nomadic approach marks Sightlines as a groundbreaking study of recent Australian theater, a provocative application of postcolonial theory to the embodied qualities of theatrical representation.
"An impressive and ground-breaking study that provides a coherent postcolonial approach to Australian drama." --Bill Ashcroft, University of New South Wales
"Elegantly written, and always beautifully lucid in its argument. . . . this is a very original work, particularly in its marriage of performance theory and postcolonial analysis." --Deidre Coleman, University of Sydney
Helen Gilbert is Lecturer in Drama and Theatre Studies, University of Queensland, and co-author, with Joanne Tompkins, of Post-Colonial Drama: Theory, Practice, Politics.
In the world of crime fiction, Arthur W. Upfield stands among the giants. His detective-inspector Napoleon Bonaparte, is one of the most memorable of all crime fighters. Upfield was an independent, fiercely self-assertive ex-Britisher, who loved Australia, especially the Outback. In many ways Upfield became Outback Australia—the “Spirit of Australia.”
Library of Congress subject headings for this publication:
Upfield, Arthur William, -- 1888-1964 -- Criticism and interpretation.
Detective and mystery stories, Australian -- History and criticism.
Bonaparte, Napoleon, Inspector (Fictitious character)
National characteristics, Australian, in literature.
Australia -- In literature.
Police in literature.
Crime in literature.