front cover of Hooligans in Khrushchev's Russia
Hooligans in Khrushchev's Russia
Defining, Policing, and Producing Deviance during the Thaw
Brian LaPierre
University of Wisconsin Press, 2012
Swearing, drunkenness, promiscuity, playing loud music, brawling—in the Soviet Union these were not merely bad behavior, they were all forms of the crime of "hooliganism." Defined as "rudely violating public order and expressing clear disrespect for society," hooliganism was one of the most common and confusing crimes in the world's first socialist state. Under its shifting, ambiguous, and elastic terms, millions of Soviet citizens were arrested and incarcerated for periods ranging from three days to five years and for everything from swearing at a wife to stabbing a complete stranger.

Hooligans in Khrushchev's Russia offers the first comprehensive study of how Soviet police, prosecutors, judges, and ordinary citizens during the Khrushchev era (1953–64) understood, fought against, or embraced this catch-all category of criminality. Using a wide range of newly opened archival sources, it portrays the Khrushchev period—usually considered as a time of liberalizing reform and reduced repression—as an era of renewed harassment against a wide range of state-defined undesirables and as a time when policing and persecution were expanded to encompass the mundane aspects of everyday life. In an atmosphere of Cold War competition, foreign cultural penetration, and transatlantic anxiety over "rebels without a cause," hooliganism emerged as a vital tool that post-Stalinist elites used to civilize their uncultured working class, confirm their embattled cultural ideals, and create the right-thinking and right-acting socialist society of their dreams.

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The Interval of Freedom
Soviet Literature During the Thaw, 1954-1957
George Gibian
University of Minnesota Press, 1960

The Interval of Freedom was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

When Boris Pasternak's Doctor Zhivago was published in Europe and America in 1957 and 1958, the Western world was astonished and elated. But Doctor Zhivago is not the only significant literary work to come out of Soviet Russia recently. During four extraordinary years, 1954 to 1957, from Stalin's death to the aftermath of the Hungarian revolt, Soviet Russian authors were able to express their minds with unusual freedom. In this volume Professor Gibian examines various revelations made in Soviet literature during this interval of comparative freedom.

Nearly a score of contemporary Soviet writers are considered in detail. The authors and their works are grouped according to three major subjects to which Soviet writers have devoted much attention: science, love and sex, and the literary villain or "negative" character. Works of the following writers are discussed in depth: Alexander Bek, Leonid Leonov, Daniel Granin, Venyamin Kaverin, Vladimir Dudintsev, Semen Kirsanov, S. Aleshin, Viktor Nekrasov, Nikolai Pogodin, Galina Nikolaeva, Alexander Korneichuk, Alexander Shtein, Alexander Volodin, Nikolai Gorbunov, Nikolai Zhdanov, and Alexander Yahin. An entire chapter is devoted to Doctor Zhivago. In an introductory chapter, the author provides a survey of literary developments during the interval of freedom. In a final chapter he draws conclusions about the nature of the thinking of Soviet literary intelligentsia, comparing it with Western literary thought. The book is illuminating from social and political as well as literary viewpoints.

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