front cover of Almost a Revolution
Almost a Revolution
The Story of a Chinese Student's Journey from Boyhood to Leadership in Tiananmen Square
Shen Tong
University of Michigan Press, 1998
In his groundbreaking memoir about China's democracy movement and the massacre at Tiananmen Square in June 1989, student leader Shen Tong offers us a rare look at a bold and daring new generation of Chinese citizens who tried to protest the restraints imposed by their country's government. An organizer of the "dialogue delegation," whose goal was to negotiate with the government, Shen provides an insider's record of the day-to-day decisions that led up to June 4th. Written with the help of journalist Marianne Yen, the result is both a powerful documentary and a sensitive account of growing up in contemporary China.
Now nearly ten years later as our fascination with post-Deng China continues to develop, Shen's story and the updated material he provides are weighted with increasing significance. Coupled with much of the recent analysis, Shen's firsthand account vividly contextualizes the Chinese government's opposition to democracy and offers meaningful insight into a country that promises to occupy an increasingly prominent position in the world.
"A cause for celebration . . . an important contribution to China's newly discovered historical memory." --New York Times Book Review
Shen Tong is a doctoral student in political sociology at Boston University and the founder of the Democracy for China Fund, which aims to support and publicize dissent networks in China. Marianne Yen is a former New York correspondent for the Washington Post.
[more]

front cover of Negative Exposures
Negative Exposures
Knowing What Not to Know in Contemporary China
Margaret Hillenbrand
Duke University Press, 2020
When nations decide to disown their troubled pasts, how does this strategic disavowal harden into social fact? In Negative Exposures, Margaret Hillenbrand investigates the erasure of key aspects of such momentous events as the Nanjing Massacre, the Cultural Revolution, and the Tiananmen Square protests from the Chinese historical consciousness, not due to amnesia or censorship but through the operations of public secrecy. Knowing what not to know, she argues, has many stakeholders, willing and otherwise, who keep quiet to protect themselves or their families out of shame, pragmatism, or the palliative effects of silence. Hillenbrand shows how secrecy works as a powerful structuring force in Chinese society, one hiding in plain sight, and identifies aesthetic artifacts that serve as modes of reckoning against this phenomenon. She analyses the proliferation of photo-forms—remediations of well-known photographs of troubling historical events rendered in such media as paint, celluloid, fabric, digital imagery, and tattoos—as imaginative spaces in which the shadows of secrecy are provocatively outlined.
[more]

front cover of The Power of Tiananmen
The Power of Tiananmen
State-Society Relations and the 1989 Beijing Student Movement
Dingxin Zhao
University of Chicago Press, 2001
In the spring of 1989 over 100,000 students in Beijing initiated the largest student revolt in human history. Television screens across the world filled with searing images from Tiananmen Square of protesters thronging the streets, massive hunger strikes, tanks set ablaze, and survivors tending to the dead and wounded after a swift and brutal government crackdown.

Dingxin Zhao's award-winning The Power of Tiananmen is the definitive treatment of these historic events. Along with grassroots tales and interviews with the young men and women who launched the demonstrations, Zhao carries out a penetrating analysis of the many parallel changes in China's state-society relations during the 1980s. Such changes prepared an alienated academy, gave rise to ecology-based student mobilization, restricted government policy choices, and shaped student emotions and public opinion, all of which, Zhao argues, account for the tragic events in Tiananmen.
[more]

front cover of Tiananmen Fictions outside the Square
Tiananmen Fictions outside the Square
The Chinese Literary Diaspora and the Politics of Global Culture
Belinda Kong
Temple University Press, 2012

An exciting analysis of the myriad literary effects of Tiananmen, Belinda Kong's Tiananmen Fictions Outside the Square is the first full-length study of fictions related to the 1989 movement and massacre. More than any other episode in recent world history, Tiananmen has brought a distinctly politicized Chinese literary diaspora into stark relief.

Kong redefines Tiananmen's meaning from an event that ended in local political failure to one that succeeded in producing a vital dimension of contemporary transnational writing today. She spotlights key writers-Gao Xingjian, Ha Jin, Annie Wang, and Ma Jian-who have written and published about the massacre from abroad. Their outsider/distanced perspectives inform their work, and reveal how diaspora writers continually reimagine Tiananmen's relevance to the post-1989 world at large.

Compelling us to think about how Chinese culture, identity, and politics are being defined in the diaspora, Tiananmen Fictions Outside the Square candidly addresses issues of political exile, historical trauma, global capital, and state biopower.
 

[more]


Send via email Share on Facebook Share on Twitter