front cover of Fashioning Diaspora
Fashioning Diaspora
Beauty, Femininity, and South Asian American Culture
Vanita Reddy
Temple University Press, 2015
In her insightful study, Fashioning Diaspora, Vanita Reddy carefully maps how transnational itineraries of Indian beauty and fashion shape South Asian American cultural identities and racialized belonging from the 1990s to the late-2000s. She observes how diasporic subjects engage with and respond to various encounters with Indian beauty and fashion.
 
One of the first books to consider beauty and fashion as a point of entry into an examination of South Asian diasporic public cultures, Fashioning Diaspora examines a range of literature, visual art, and live performance. Through careful analyses of novels by Bharati Mukherjee and Jhumpa Lahiri, young adult literature, performance art by Shailja Patel, as well as objects of popular culture including an Indian American fashion doll, and beauty and adornment practices, Reddy challenges fashion and beauty as a set of dematerialized, overly commodified cultural practices. She argues instead that beauty and fashion structure South Asian Americans’ uneven access to social mobility, capital, and citizenship, and demonstrates their varying capacities to produce social attachments across national, class, racial, gender, and generational divides.  
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front cover of Film Architecture and the Transnational Imagination
Film Architecture and the Transnational Imagination
Set Design in 1930s European Cinema
Tim Bergfelder, Sue Harris, and Sarah Street
Amsterdam University Press, 2007
European cinema between World Wars I and II was renowned for its remarkable attention to detail and visual effects in set design. Visionary designers such as Vincent Korda and Alfred Junge extended their influence across national film industries in Paris, London, and Berlin, transforming the studio system into one of permeable artistic communities. For the first time, Film Architecture and the Transnational Imagination provides a comparative study of European film set design in the late 1920s and 1930s.  Based on a wealth of drawings, film stills, and archival documents from the period, this volume illuminates the emerging significance of transnational artistic collaboration in light of developments in Britain, France, and Germany.  A comprehensive analysis of the practices, styles, and function of interwar cinematic production design, Film Architecture and the Transnational Imagination offers new insight into the period’s remarkable achievements and influence on subsequent generations.
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front cover of From Cuenca to Queens
From Cuenca to Queens
An Anthropological Story of Transnational Migration
By Ann Miles
University of Texas Press, 2004

Transnational migration is a controversial and much-discussed issue in both the popular media and the social sciences, but at its heart migration is about individual people making the difficult choice to leave their families and communities in hopes of achieving greater economic prosperity. Vicente Quitasaca is one of these people. In 1995 he left his home in the Ecuadorian city of Cuenca to live and work in New York City. This anthropological story of Vicente's migration and its effects on his life and the lives of his parents and siblings adds a crucial human dimension to statistics about immigration and the macro impact of transnational migration on the global economy.

Anthropologist Ann Miles has known the Quitasacas since 1989. Her long acquaintance with the family allows her to delve deeply into the factors that eventually impelled the oldest son to make the difficult and dangerous journey to the United States as an undocumented migrant. Focusing on each family member in turn, Miles explores their varying perceptions of social inequality and racism in Ecuador and their reactions to Vicente's migration. As family members speak about Vicente's new, hard-to-imagine life in America, they reveal how transnational migration becomes a symbol of failure, hope, resignation, and promise for poor people in struggling economies. Miles frames this fascinating family biography with an analysis of the historical and structural conditions that encourage transnational migration, so that the Quitasacas' story becomes a vivid firsthand illustration of this growing global phenomenon.

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front cover of From Temporary Migrants to Permanent Attractions
From Temporary Migrants to Permanent Attractions
Tourism, Cultural Heritage, and Afro-Antillean Identities in Panama
Carla Guerrón Montero
University of Alabama Press, 2020
A new reading of Panama’s nation-building process, interpreted through a lens of transnational tourism

Based on long-term ethnographic and archival research, From Temporary Migrants to Permanent Attractions: Tourism, Cultural Heritage, and Afro-Antillean Identities in Panama considers the intersection of tourism, multiculturalism, and nation building. Carla Guerrón Montero analyzes the ways in which tourism becomes a vehicle for the development of specific kinds of institutional multiculturalism and nation-building projects in a country that prides itself on being multiethnic and racially democratic.

The narrative centers on Panamanian Afro-Antilleans who arrived in Panama in the nineteenth century from the Greater and Leeward Antilles as a labor force for infrastructural projects and settled in Panama City, Colón, and the Bocas del Toro Archipelago. The volume discusses how Afro-Antilleans, particularly in Bocas del Toro, have struggled since their arrival to become part of Panama’s narrative of nationhood and traces their evolution from plantation workers for the United Fruit Company to tourism workers. Guerrón Montero notes that in the current climate of official tolerance, they have seized the moment to improve their status within Panamanian society, while also continuing to identify with their Caribbean heritage in ways that conflict with their national identity.
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front cover of Frontera Madre(hood)
Frontera Madre(hood)
Brown Mothers Challenging Oppression and Transborder Violence at the U.S.-Mexico Border
Edited by Cynthia Bejarano and Maria Cristina Morales
University of Arizona Press, 2024
The topic of mothers and mothering transcends all spaces, from popular culture to intellectual thought and critique. This collection of essays bridges both methodological and theoretical frameworks to explore forms of mothering that challenge hegemonic understandings of parenting and traditional notions of Latinx womxnhood. It articulates the collective experiences of Latinx, Black, and Indigenous mothering from both sides of the U.S.-Mexico border.

Thirty contributors discuss their lived experiences, research, or community work challenging multiple layers of oppression, including militarization of the border, border security propaganda, feminicides, drug war and colonial violence, grieving and loss of a child, challenges and forms of resistance by Indigenous mothers, working mothers in maquiladoras, queer mothering, academia and motherhood, and institutional barriers by government systems to access affordable health care and environmental justice. Also central to this collection are questions on how migration and detention restructure forms of mothering. Overall, this collection encapsulates how mothering is shaped by the geopolitics of border zones, which also transcends biological, sociological, or cultural and gendered tropes regarding ideas of motherhood, who can mother, and what mothering personifies.

Contributors
Elva M. Arredondo
Cynthia Bejarano
Bertha A. Bermúdez Tapia
Margaret Brown Vega
Macrina Cárdenas Montaño
Claudia Yolanda Casillas
Luz Estela (Lucha) Castro
Marisa Elena Duarte
Taide Elena
Sylvia Fernández Quintanilla
Paula Flores Bonilla
Judith Flores Carmona
Sandra Gutiérrez
Ma. Eugenia Hernández Sánchez
Irene Lara
Leticia López Manzano
Mariana Martinez
Maria Cristina Morales
Paola Isabel Nava Gonzales
Olga Odgers-Ortiz
Priscilla Pérez
Silvia Quintanilla Moreno
Cirila Quintero Ramírez
Felicia Rangel-Samponaro
Coda Rayo-Garza
Shamma Rayo-Gutierrez
Marisol Rodríguez Sosa
Brenda Rubio
Ariana Saludares
Victoria M. Telles
Michelle Téllez
Marisa S. Torres
Edith Treviño Espinosa
Mariela Vásquez Tobon
Hilda Villegas
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