Philip Agee’s story is the stuff of a John le Carré novel—perilous and thrilling adventures around the globe. He joined the CIA as a young idealist, becoming an operations officer in hopes of seeing the world and safeguarding his country. He was the consummate intelligence insider, thoroughly entrenched in the shadow world. But in 1975, he became the first such person to publicly betray the CIA—a pariah whose like was not seen again until Edward Snowden. For almost forty years in exile, he was a thorn in the side of his country.
 
The first biography of this contentious, legendary man, Jonathan Stevenson’s A Drop of Treason is a thorough portrait of Agee and his place in the history of American foreign policy and the intelligence community during the Cold War and beyond. Unlike mere whistleblowers, Agee exposed American spies by publicly blowing their covers. And he didn’t stop there—his was a lifelong political struggle that firmly allied him with the social movements of the global left and against the American project itself from the early 1970s on. Stevenson examines Agee’s decision to turn, how he sustained it, and how his actions intersected with world events.
 
Having made profound betrayals and questionable decisions, Agee lived a rollicking, existentially fraught life filled with risk. He traveled the world, enlisted Gabriel García Márquez in his cause, married a ballerina, and fought for what he believed was right. Raised a conservative Jesuit in Tampa, he died a socialist expat in Havana. In A Drop of Treason, Stevenson reveals what made Agee tick—and what made him run.

In Migdalia Cruz’s Macbeth, the Witches run the world. The Macbeths live out a dark cautionary tale of love, greed, and power, falling from glory into calamity as the Witches spin their fate. Translating Shakespeare’s language for a modern audience, Nuyorican playwright Migdalia Cruz rewrites Macbeth with all the passion of the Bronx.  

This translation of Macbeth was presented in 2018 as part of the Play On! Shakespeare project, an ambitious undertaking from the Oregon Shakespeare Festival that commissioned new translations of 39 Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

My Father’s War is simultaneously a history of the Nazi occupation of Norway in World War II and a son’s sincere attempt to understand the silences, motivations, and experiences of an estranged father. In this carefully researched book, combining family memoir and historical retelling, Bjørn Westlie uncovers his father’s actions as a volunteer soldier for the Waffen-SS, the military wing of the infamous Schutzstaffel (SS), in the invasion of the Soviet Union. Balancing his role as both son and critical investigator, Westlie unflinchingly interrogates his father’s fascist convictions, which speak to the appeal Hitler’s ideology held for a small, disgraced segment of Norway’s mid-century population. A story of collaboration, tragedy, and treason, My Father’s War reveals the little-known history of Norway's frontkjempere (front fighters), the atrocities the Waffen-SS committed against Ukrainian Jews, and the complex legacies of ethnonationalism in Norway. 

With an insightful introduction from translator Dean Krouk, My Father’s War is a contemporary classic of war literature. Committed to genuine understanding without falling into undue sympathizing, this sober and reflective book presents an eye-opening, moving, intense, and necessary account of the allure of fascism in a world at war—and its personal costs.

"Treason" is a word with many connotations, a word applied to a host of varied offenses throughout the history of humanity. These essays by Floyd Seyward Lear analyze the development of the political theory of treason from its beginning in Roman Law to its transformation in the Germanic custom of the early Middle Ages.

The author has presented treason as a political idea, possessing historical continuity, though varying from age to age as it follows the evolution of political authority itself. These studies trace the shifting emphasis in crimes against the state from acts directed against a central absolutist authority to acts involving the personal relationship of a pledged troth and individual fealty. This is a shift from the concept of majesty in Roman law to the concept of fidelity in Germanic law with the corollary shift from allegiance as an act of deference to allegiance as a token of mutual fidelity.

These ideas are examined chronologically across an interval extending from archaic Roman law to incipiently feudal forms, from which modern theories of treason, allegiance, and sovereignty derive. Contemporary concepts in these political areas can hardly be understood apart from their historical origins. Broadly considered, this work is intended as a contribution to intellectual history.

Further, this collection represents the synthesis of material widely scattered in the primary sources and relevant secondary works. The two concluding bibliographical essays are intended as a general survey of the literature relevant to these studies in Roman and Germanic public law. Descriptive and interpretive works which deal with treason and its allied aspects of political and legal theory are not numerous in the English language.