In Earline’s Pink Party Elizabeth Findley Shores sifts through her family’s scattered artifacts to understand her grandmother’s life in relation to the troubled racial history of Tuscaloosa, Alabama.

A compelling, genre-bending page-turner, Earline’s Pink Party: The Social Rituals and Domestic Relics of a Southern Woman analyzes the life of a small-city matron in the Deep South. A combination of biography, material culture analysis, social history, and memoir, this volume offers a new way of thinking about white racism through Shores’s conclusion that Earline’s earliest childhood experiences determined her worldview.
 
Set against a fully drawn background of geography and culture and studded with detailed investigations of social rituals (such as women’s parties) and objects (such as books, handwritten recipes, and fabric scraps), Earline’s Pink Party tells the story of an ordinary woman, the grandmother Shores never knew. Looking for more than the details and drama of bourgeois Southern life, however, the author digs into generations of family history to understand how Earline viewed the racial terror that surrounded her during the Jim Crow years in this fairly typical southern town.
 
Shores seeks to narrow a gap in the scholarship of the American South, which has tended to marginalize and stereotype well-to-do white women who lived after Emancipation. Exploring her grandmother’s home and its contents within the context of Tuscaloosa society and historical events, Shores evaluates the belief that women like Earline consciously engaged in performative rituals in order to sustain the “fantastical” view of the white nobility and the contented black underclass. With its engaging narrative, illustrations, and structure, this fascinating book should interest scholars of memory, class identity, and regional history, as well as sophisticated lay readers who enjoy Southern history, foodways, genealogy, and material culture.

Opening the Doors is a wide-ranging account of the University of Alabama’s 1956 and 1963 desegregation attempts, as well as the little-known story of Tuscaloosa, Alabama’s, own civil rights movement.

Whereas E. Culpepper Clark’s The Schoolhouse Door remains the standard history of the University of Alabama’s desegregation, in Opening the Doors B. J. Hollars focuses on Tuscaloosa’s purposeful divide between “town” and “gown,” providing a new contextual framework for this landmark period in civil rights history. 

The image of George Wallace’s stand in the schoolhouse door has long burned in American consciousness; however, just as interesting are the circumstances that led him there in the first place, a process that proved successful due to the concerted efforts of dedicated student leaders, a progressive university president, a steadfast administration, and secret negotiations between the U.S. Justice Department, the White House, and Alabama’s stubborn governor.

In the months directly following Governor Wallace’s infamous stand, Tuscaloosa became home to a leader of a very different kind: twenty-eight-year-old African American reverend T. Y. Rogers, an up-and-comer in the civil rights movement, as well as the protégé of Martin Luther King Jr. After taking a post at Tuscaloosa’s First African Baptist Church, Rogers began laying the groundwork for the city’s own civil rights movement. In the summer of 1964, the struggle for equality in Tuscaloosa resulted in the integration of the city’s public facilities, a march on the county courthouse, a bloody battle between police and protesters, confrontations with the Grand Wizard of the Ku Klux Klan, a bus boycott, and the near-accidental-lynching of movie star Jack Palance. 

Relying heavily on new firsthand accounts and personal interviews, newspapers, previously classified documents, and archival research, Hollars’s in-depth reporting reveals the courage and conviction of a town, its university, and the people who call it home.

Winner of Alabama Historical Association's 2020 Clinton Jackson Coley Book Award!

A lavishly illustrated history of this distinctive city’s origins as a settlement on the banks of the Black Warrior River to its development into a thriving nexus of higher education, sports, and culture

In both its subject and its approach, Tuscaloosa: 200 Years in the Making is an account unlike any other of a city unlike any other—storied, inimitable, and thriving. G. Ward Hubbs has written a lively and enlightening bicentennial history of Tuscaloosa that is by turns enthralling, dramatic, disturbing, and uplifting. Far from a traditional chronicle listing one event after another, the narrative focuses instead on six key turning points that dramatically altered the fabric of the city over the past two centuries.
 
The selection of this frontier village as the state capital gave rise to a building boom, some extraordinary architecture, and the founding of The University of Alabama. The state’s secession in 1861 brought on a devastating war and the burning of the university by Union cavalry; decades of social adjustments followed, ultimately leading to legalized racial segregation. Meanwhile, town boosters set out to lure various industries, but with varying success.
 
The decision to adopt new inventions, ranging from electricity to telephones to automobiles, revolutionized the daily lives of Tuscaloosans in only a few short decades. Beginning with radio, and followed by the Second World War and television, the formerly isolated townspeople discovered an entirely different world that would culminate in Mercedes-Benz building its first overseas production plant nearby. At the same time, the world would watch as Tuscaloosa became the center of some pivotal moments in the civil rights movement—and great moments in college football as well.
 
An impressive amount of research is collected in this accessibly written history of the city and its evolution. Tuscaloosa is a versatile history that will be of interest to a general readership, for scholars to use as a starting point for further research, and for city and county school students to better understand their home locale.