Staging Visitation frames tourism and travel as complex social performances that shape identities, communities, and global imaginaries. This volume proposes “visitation” as a framework that emphasizes the participatory and relational dimensions of travel. While tourism is often pejoratively framed as a commodified or exploitative leisure activity for those with means, its reality is far more nuanced. Tourism stages heritage, provokes encounters across cultural divides, and prompts both visitors and hosts to negotiate values and identities—all while sustaining economies (and the power relations they produce) at global and local scales.  

From museums and theme parks to festivals and influencer culture, the essays in this volume trace how transitory encounters—embodied, affective, and historically layered—build travel destinations into theatricalized places. These essays bring theatre and performance studies into conversation with cultural geography, sociology, anthropology, and media studies to demonstrate how tourism functions as both a stage and a repertoire for modern life. 

Staging Visitation argues that travel is not only about movement across space, but also about the performance of culture itself—its preservation, reinvention, and transformation.

Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference 

Reframing the past to illuminate the future of performance.

Theatre History Studies is a peer-reviewed journal devoted to excellence in theatre historiography. Volume 38, edited by Lisa Jackson-Schebetta, features three distinct sections: foundational studies in theatre history, a special section on hemispheric historiographies, and award-winning essays from the Mid-America Theatre Conference. Contributors examine topics ranging from Shakespeare and racial antagonism to systemic dramaturgy, labor unions in regional theatre, and digital diasporic activism. The volume also includes visual histories and decolonial methodologies that challenge Eurocentric narratives and foreground Latinx, feminist, and socialist performance traditions. With 272 pages and 18 black-and-white figures, this edition is a rich resource for scholars seeking to expand the scope and methods of theatre history.