front cover of About Abortion
About Abortion
Terminating Pregnancy in Twenty-First-Century America
Carol Sanger
Harvard University Press, 2017

One of the most private decisions a woman can make, abortion is also one of the most contentious topics in American civic life. Protested at rallies and politicized in party platforms, terminating pregnancy is often characterized as a selfish decision by women who put their own interests above those of the fetus. This background of stigma and hostility has stifled women’s willingness to talk about abortion, which in turn distorts public and political discussion. To pry open the silence surrounding this public issue, Sanger distinguishes between abortion privacy, a form of nondisclosure based on a woman’s desire to control personal information, and abortion secrecy, a woman’s defense against the many harms of disclosure.

Laws regulating abortion patients and providers treat abortion not as an acceptable medical decision—let alone a right—but as something disreputable, immoral, and chosen by mistake. Exploiting the emotional power of fetal imagery, laws require women to undergo ultrasound, a practice welcomed in wanted pregnancies but commandeered for use against women with unwanted pregnancies. Sanger takes these prejudicial views of women’s abortion decisions into the twenty-first century by uncovering new connections between abortion law and American culture and politics.

New medical technologies, women’s increasing willingness to talk online and off, and the prospect of tighter judicial reins on state legislatures are shaking up the practice of abortion. As talk becomes more transparent and acceptable, women’s decisions about whether or not to become mothers will be treated more like those of other adults making significant personal choices.

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Attachments to War
Biomedical Logics and Violence in Twenty-First-Century America
Jennifer Terry
Duke University Press, 2017
In Attachments to War Jennifer Terry traces how biomedical logics entangle Americans in a perpetual state of war. Focusing on the Afghanistan and Iraq wars between 2002 and 2014, Terry identifies the presence of a biomedicine-war nexus in which new forms of wounding provoke the continual development of complex treatment, rehabilitation, and prosthetic technologies. At the same time, the U.S. military rationalizes violence and military occupation as necessary conditions for advancing medical knowledge and saving lives. Terry examines the treatment of war-generated polytrauma, postinjury bionic prosthetics design, and the development of defenses against infectious pathogens, showing how the interdependence between war and biomedicine is interwoven with neoliberal ideals of freedom, democracy, and prosperity. She also outlines the ways in which military-sponsored biomedicine relies on racialized logics that devalue the lives of Afghan and Iraqi citizens and U.S. veterans of color. Uncovering the mechanisms that attach all Americans to war and highlighting their embeddedness and institutionalization in everyday life via the government, media, biotechnology, finance, and higher education, Terry helps lay the foundation for a more meaningful opposition to war.
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The Diversity Paradox
Immigration and the Color Line in Twenty-First Century America
Jennifer Lee
Russell Sage Foundation, 2010
African Americans grappled with Jim Crow segregation until it was legally overturned in the 1960s. In subsequent decades, the country witnessed a new wave of immigration from Asia and Latin America—forever changing the face of American society and making it more racially diverse than ever before. In The Diversity Paradox, authors Jennifer Lee and Frank Bean take these two poles of American collective identity—the legacy of slavery and immigration—and ask if today's immigrants are destined to become racialized minorities akin to African Americans or if their incorporation into U.S. society will more closely resemble that of their European predecessors. They also tackle the vexing question of whether America's new racial diversity is helping to erode the tenacious black/white color line. The Diversity Paradox uses population-based analyses and in-depth interviews to examine patterns of intermarriage and multiracial identification among Asians, Latinos, and African Americans. Lee and Bean analyze where the color line—and the economic and social advantage it demarcates—is drawn today and on what side these new arrivals fall. They show that Asians and Latinos with mixed ancestry are not constrained by strict racial categories. Racial status often shifts according to situation. Individuals can choose to identify along ethnic lines or as white, and their decisions are rarely questioned by outsiders or institutions. These groups also intermarry at higher rates, which is viewed as part of the process of becoming "American" and a form of upward social mobility. African Americans, in contrast, intermarry at significantly lower rates than Asians and Latinos. Further, multiracial blacks often choose not to identify as such and are typically perceived as being black only—underscoring the stigma attached to being African American and the entrenchment of the "one-drop" rule. Asians and Latinos are successfully disengaging their national origins from the concept of race—like European immigrants before them—and these patterns are most evident in racially diverse parts of the country. For the first time in 2000, the U.S. Census enabled multiracial Americans to identify themselves as belonging to more than one race. Eight years later, multiracial Barack Obama was elected as the 44th President of the United States. For many, these events give credibility to the claim that the death knell has been sounded for institutionalized racial exclusion. The Diversity Paradox is an extensive and eloquent examination of how contemporary immigration and the country's new diversity are redefining the boundaries of race. The book also lays bare the powerful reality that as the old black/white color line fades a new one may well be emerging—with many African Americans still on the other side.
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The Poetry of Capital
Voices from Twenty-First-Century America
Edited by Benjamin S. Grossberg and Clare Rossini
University of Wisconsin Press, 2021
What do we talk about when we talk about money? As the forty-four poets in this brilliant new anthology show, the answer is everything. From the impact of global economic crises to local tag sales, from the subversive effects of dark money on politics to the freedom granted by a summer job, from sweatshops where our clothes are produced to the malls where they are sold, this volume gets to the heart of Americans’ relationships to capital as only poetry can.

Editors Benjamin S. Grossberg and Clare Rossini selected poems to reflect broad themes of labor, history and economic forces, social equity, and the environment. In addition, they asked each poet to provide a brief prose comment to introduce their work. Some give broad statements on the nature of wealth in America today; others are intimate, offering insight into how life experiences inform their writing; still others reflect on the art of poetry itself and its unique power to speak to economic pressures of the moment.

Contributors include Mary Jo Bang, Xochiquetzal Candelaria, Alan Chazaro, Mark Doty, Denise Duhamel, Tony Hoagland, Yusef Komunyakaa, Dorianne Laux, Kimiko Hahn, Sharon Olds, George Perreault, Robert Pinsky, Minnie Bruce Pratt, Afaa Michael Weaver, David Wojahn, and others.
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Prestige Television
Cultural and Artistic Value in Twenty-First-Century America
Seth Friedman
Rutgers University Press, 2023
Prestige Television explores how a growing array of 21st century US programming is produced and received in ways that elevate select series above the competition in a saturated market. Contributing authors demonstrate that these shows are positioned and understood as comprising an increasingly recognizable genre characterized by familiar markers of distinction. In contrast to most accounts of elite categorizations of contemporary US television programming that center on HBO and its primary streaming rivals, these essays examine how efforts to imbue series with prestigious or elevated status now permeate the rest of the medium, including network as well as basic and undervalued premium cable channels. Case study chapters focusing on diverse series, ranging from widely recognized examples such as The Americans (2013-2018) and The Knick (2014-15) to contested examples like Queen of the South (2016-2021) and How I Met Your Mother (2005-2014), highlight how contributing authors extend conceptions of the genre beyond expected parameters.
 
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front cover of Prisms of the People
Prisms of the People
Power & Organizing in Twenty-First-Century America
Hahrie Han, Elizabeth McKenna, and Michelle Oyakawa
University of Chicago Press, 2021
Grassroots organizing and collective action have always been fundamental to American democracy but have been burgeoning since the 2016 election, as people struggle to make their voices heard in this moment of societal upheaval. Unfortunately much of that action has not had the kind of impact participants might want, especially among movements representing the poor and marginalized who often have the most at stake when it comes to rights and equality. Yet, some instances of collective action have succeeded. What’s the difference between a movement that wins victories for its constituents, and one that fails? What are the factors that make collective action powerful?

Prisms of the People addresses those questions and more. Using data from six movement organizations—including a coalition that organized a 104-day protest in Phoenix in 2010 and another that helped restore voting rights to the formerly incarcerated in Virginia—Hahrie Han, Elizabeth McKenna, and Michelle Oyakawa show that the power of successful movements most often is rooted in their ability to act as  “prisms of the people,” turning participation into political power just as prisms transform white light into rainbows. Understanding the organizational design choices that shape the people, their leaders, and their strategies can help us understand how grassroots groups achieve their goals.

Linking strong scholarship to a deep understanding of the needs and outlook of activists, Prisms of the People is the perfect book for our moment—for understanding what’s happening and propelling it forward.
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front cover of Saving the Security State
Saving the Security State
Exceptional Citizens in Twenty-First-Century America
Inderpal Grewal
Duke University Press, 2017
In Saving the Security State Inderpal Grewal traces the changing relations between the US state and its citizens in an era she calls advanced neoliberalism. Marked by the decline of US geopolitical power, endless war, and increasing surveillance, advanced neoliberalism militarizes everyday life while producing the “exceptional citizens”—primarily white Christian men who reinforce the security state as they claim responsibility for protecting the country from racialized others. Under advanced neoliberalism, Grewal shows, others in the United States strive to become exceptional by participating in humanitarian projects that compensate for the security state's inability to provide for the welfare of its citizens. In her analyses of microfinance programs in the global South, security moms, the murders at a Sikh temple in Wisconsin, and the post-9/11 crackdown on Muslim charities, Grewal exposes the fissures and contradictions at the heart of the US neoliberal empire and the centrality of race, gender, and religion to the securitized state.
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front cover of Sensational Devotion
Sensational Devotion
Evangelical Performance in Twenty-First-Century America
Jill Stevenson
University of Michigan Press, 2015
The various media genres involving evangelical performance may seem tangential but are in fact significant and influential cultural products employing sophisticated tactics to reach large audiences of firm believers, extreme skeptics, and those in between. Sensational Devotion  examines contemporary Passion plays, biblical theme parks, Holy Land recreations, creationist museums, and megachurches in order to understand how they serve their evangelical believer-users while also shaping larger cultural and national dialogues. The book examines how performative media support specific theologies and core beliefs by creating sensual, live experiences for those who use them. Because they often appear in accessible, familiar forms (such as theme parks) and employ pop culture motifs, a wide range of people—including those hostile toward Christianity or religion generally—are often willing to “try out” these genres, even if only for curiosity’s sake. This familiarity not only helps these genres achieve their goals, but it also enables them to contribute to public dialogue about the role of religious faith in America. The book demonstrates the unique ways in which these genres, which certainly reflect religious belief, also simultaneously make religious belief.

Jill Stevenson explores evangelical performance across a range of media and sites, including film, television, theater, tourist attractions, museums, and places of worship. Using historical research coupled with firsthand experiences at the evangelical venues, Stevenson not only critically examines these spaces and events within their specific religious, cultural, and national contexts, but also places them within a longer devotional tradition in order to suggest how they cultivate religious belief by generating vivid, sensual, affectively oriented, and individualized experiences.

Stevenson shows how the genres analyzed function through a distinctive dramaturgy that assumes certain interpretations of representation, realism, enactment, spectatorship, and presence, in order to achieve particular aesthetic, ideological, and experiential effects. The performances don’t simply represent theological concepts and depict biblical stories, but confront users with vivid, sensual, and rhythmic experiences designed to foster embodied beliefs that will respond to specific devotional needs and desires. Employing cognitive theory and theories of affect, the author demonstrates how these performative forms effectively foster the personal and experiential aspects of American evangelicalism, thereby reinforcing core theological tenets by means of the believer-user’s body.

Sensational Devotion contributes to existing scholarship on American evangelicalism and evangelical Christian media, especially work that examines performance. The analysis builds upon existing work on performance and cognition, as well as theories of affect. The author also draws connections between contemporary Protestant forms and medieval affective culture, thereby contributing to scholarship on medieval culture and medievalism. Finally, this book responds to the growing public interest in evangelical Christianity and evangelical media generally.
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