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Making Endless War
The Vietnam and Arab-Israeli Conflicts in the History of International Law
Brian Cuddy and Victor Kattan, Editors
University of Michigan Press, 2023

Making Endless War is built on the premise that any attempt to understand how the content and function of the laws of war changed in the second half of the twentieth century should consider two major armed conflicts, fought on opposite edges of Asia, and the legal pathways that link them together across time and space. The Vietnam and Arab-Israeli conflicts have been particularly significant in the shaping and attempted remaking of international law from 1945 right through to the present day. This carefully curated collection of essays by lawyers, historians, philosophers, sociologists, and political geographers of war explores the significance of these two conflicts, including their impact on the politics and culture of the world’s most powerful nation, the United States of America. The volume foregrounds attempts to develop legal rationales for the continued waging of war after 1945 by moving beyond explaining the end of war as a legal institution, and toward understanding the attempted institutionalization of endless war.

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Mansfield and Vietnam
A Study in Rhetorical Adaptation
Gregory A. Olson
Michigan State University Press, 1995

Mansfield and Vietnam: A Study in Rhetorical Adaptation is the first major work to examine the role played by Senate Majority Leader Mike Mansfield, Democrat from Montana, in the formulation and execution of U.S. Vietnam policy. Drawing upon material from the Mansfield Papers, personal interviews, public speeches, and recently declassified documents, Olson traces Mansfield's journey from ardent supporter of Diem in the late 1950s to quiet critic of LBJ in the mid-1960s, and finally, to outspoken opponent of the Vietnam War in the late 1960s and early 1970s.  
     Olson focuses his attention on Mansfield's speaking ability and his use of the written word, analyzing the ways in which they proved crucial in shaping the policies of the Eisenhower, Kennedy, Johnson, Nixon, and Ford presidential administrations. He also examines the way personal and political situations converged to force Mansfield into the center of the stormy Vietnam controversy, and eventually into a position of leadership in the campaign to end America's military presence in Southeast Asia. To date, little has been done to evaluate the roles played by key congressional figures in the Vietnam War debate; thus, Mansfield and Vietnam is bound to become a significant contribution, not only to rhetorical studies, but also to twentieth-century diplomatic history and to the study of congressional-presidential relations.

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Millenarianism and Peasant Politics in Vietnam
Hue-Tam Ho Tai
Harvard University Press, 1983

Millenarianism—the belief in the coming of an ideal society—provided nineteenth century Vietnamese peasants with a total, holistic solution to the hardships of their frontier environment. It gave religious meaning to their sufferings and promised them salvation and rebirth in a world made perfect through cataclysmic change. Transcending the conventional tendency to view millenarian movements merely as forms of protest, the author weaves together the temporal, spatial, and mythic patterns of Vietnamese millenarianism to recreate the moral and religious universe of its followers.

Hue-Tam Ho Tai traces the impact of millenarianism on Vietnamese society as its believers strove for salvation through both piety and violence. She shows how the dream of a perfect world helped the twentieth century Hoa Hao sect build a huge peasant following and how its apocalyptic vision of change eventually drove the sect into conflict with Communist revolutionaries.

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The Mourner's Song
War and Remembrance from the Iliad to Vietnam
James Tatum
University of Chicago Press, 2002
No matter when or where they are fought, all wars have one thing in common: a relentless progression to monuments and memorials for the dead. Likewise all art made from war begins and ends in mourning and remembrance. In The Mourner's Song, James Tatum offers incisive discussions of physical and literary memorials constructed in the wake of war, from the Vietnam Veterans Memorial to the writings of Stephen Crane, Edmund Wilson, Tim O'Brien, and Robert Lowell.

Tatum's touchstone throughout is the Iliad, not just one of the earliest war poems, but also one of the most powerful examples of the way poetry can be a tribute to and consolation for what is lost in war. Reading the Iliad alongside later works inspired by war, Tatum reveals how the forms and processes of art convert mourning to memorial. He examines the role of remembrance and the distance from war it requires; the significance of landscape in memorialization; the artifacts of war that fire the imagination; the intimate relationship between war and love and its effects on the ferocity with which soldiers wage battle; and finally, the idea of memorialization itself. Because all survivors suffer the losses of war, Tatum's is a story of both victims and victors, commanders and soldiers, women and men. Photographs of war memorials in Vietnam, France, and the United States beautifully augment his testimonials.

Eloquent and deeply moving, The Mourner's Song will speak to anyone interested in the literature of war and the relevance of the classics to our most pressing contemporary needs.
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The Myth of the Addicted Army
Vietnam and the Modern War on Drugs
Jeremy Kuzmarov
University of Massachusetts Press, 2009
The image of the drug-addicted American soldier—disheveled, glassy-eyed, his uniform adorned with slogans of antiwar dissent—has long been associated with the Vietnam War. More specifically, it has persisted as an explanation for the U.S. defeat, the symbol of a demoralized army incapable of carrying out its military mission.

Yet as Jeremy Kuzmarov documents in this deeply researched book, popular assumptions about drug use in Vietnam are based more on myth than fact. Not only was alcohol the intoxicant of choice for most GIs, but the prevalence of other drugs varied enormously. Although marijuana use among troops increased over the course of the war, for the most part it remained confined to rear areas, and the use of highly addictive drugs like heroin was never as widespread as many imagined.

Like other cultural myths that emerged from the war, the concept of an addicted army was first advanced by war hawks seeking a scapegoat for the failure of U.S. policies in Vietnam, in this case one that could be linked to "permissive" liberal social policies and the excesses of the counterculture. But conservatives were not alone. Ironically, Kuzmarov shows, elements of the antiwar movement also promoted the myth, largely because of a presumed alliance between Asian drug traffickers and the Central Intelligence Agency. While this claim was not without foundation, as new archival evidence confirms, the left exaggerated the scope of addiction for its own political purposes.

Exploiting bipartisan concern over the perceived "drug crisis," the Nixon administration in the early 1970s launched a bold new program of federal antidrug measures, especially in the international realm. Initially, the "War on Drugs" helped divert attention away from the failed quest for "peace with honor" in Southeast Asia. But once institutionalized, it continued to influence political discourse as well as U.S. drug policy in the decades that followed.
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