Commonly viewed as a revolutionary and propagandist Herman Gorter (1864–1927) is often overlooked despite his lasting contribution to Dutch poetry. This selection of thirty-one poems, translated by Paul Vincent, focuses on Gorter’s experimental love and nature lyrics in Poems of 1890, and the Introduction sets the poems in the context of his earlier seminal work 'Mei' (May) as well as his often neglected Socialist verse. The lyrical expansiveness, consistent use of rhyme and vivid imagery of the Dutch landscape that characterises 'Mei' evolves into more fragmentary verse in Poems of 1890, and the joyful celebratory tone of Gorter’s poetry increasingly co-exists with a sense of isolation and introspection. This can be viewed in the context of a rapidly changing political scene in Europe in the prelude to the First World War and the Russian Revolution. This is a valuable collection that revisits Gorter’s literary and political legacy, and introduces English-speaking readers to a selection of his most accessible and lyrical poems

 In Manhood, experienced urologist and sexologist Mels van Driel offers an unprecedented history of the penis—with answers to everything you wanted to know, and even some questions you’d never thought to ask. Investigating the penis and its functions, van Driel’s work ranges from impotence to the speed of ejaculation, and from inguinal hernia to infertility. Psychological factors that have an impact on sexual experience, as well as contemporary phenomena, such as cyber sex, are examined along the way with good humor and much insight.

 

The Bruges-born poet-priest Guido Gezelle(1830–1899) is generally considered one of the masters of 19th-century European lyric poetry. At the end of his life and in the first two decades of the 20th century, Gezellewas hailed by the avant-garde as the founder of modern Flemish poetry. His unique voice was belatedly recognised in the Netherlands and often compared with his English contemporary Gerard Manley Hopkins (1844–1889). In this bilingual anthology, award-winning translator Paul Vincent selects a representative picture of Gezelle’soutput, from devotional through narrative, to celebratory and expressionistic. Gezelle’sfavourite themes are childhood, the Flemish landscape, friendship, nature, religion and the Flemish vernacular, and his apparently simple poems conceal a sophisticated prosody and a dialogue with spiritual and literary tradition. However, an important barrier to wider international recognition of his lyric genius up to now has been the absence of translations that do justice to the vigour and musicality of Gezelle’sWest Flemish idiom. Two of the translations included go some way to redressing the balance: ‘TheWatter-Scriever’ by Scotland’s national poet Edwin Morgan and ‘A Little Leaf . . .’ by Francis Jones. Both translators make brilliant use of their own vernaculars (Glaswegian and North Yorkshire respectively) to bring Gezelleto life for the non-Dutch-speaking reader.

Mels van Driel boldly breaks this silence in order to help the world overcome its diffidence toward solo sex in With the Hand. Consulting everyone from doctors and sexologists to feminists and chauvinists, van Driel explains what masturbation actually is and describes the latest discoveries and developments on the subject. He also looks to theologians, historians, and philosophers to understand perceptions of masturbation across cultures and religions throughout history. Covering a great number of topics, including age, location, and frequency, as well as the effects of circumcision and the ability to have multiple orgasms, With the Hand also explores masturbation in art, literature, poetry, and music.

 

Addressing the physical, mythical, and mythological, this often humorous and always informative book clears up the confusion surrounding this universal, and universally unmentionable, topic.