BiblioVault - Books about Voices

Many Gods and Many Voices

The Role of the Prophet in English and American Modernism

Louis L. Martz

University of Missouri Press, 1998

In Many Gods and Many Voices distinguished scholar Louis L. Martz addresses works by Ezra Pound, T. S. Eliot, William Carlos Williams, H. D., and D. H. Lawrence, with brief treatment of the relation of Pound's Cantos to Joyce's Ulysses. In a graceful, lucid style, Martz argues that a prophetic tradition is represented in the Cantos, The Waste Land, Paterson, and H. D.'s Trilogy and Helen in Egypt, along with Lawrence's Plumed Serpent and the second version of Lady Chatterley's Lover. Pound's often- cited view that an epic is a poem that "includes history" does not define epic alone, for the books of biblical prophecy also contain history: the history of Israel's misdeeds and continuous redemption.

On the other hand, Martz suggests that the term prophecy should not be limited to works that foretell the future, arguing that the biblical prophet is concerned primarily with the present. The prophet is a reformer, a denouncer of evil, as well as a seer of possible redemption. He hears "voices" and transmits the message of those voices to his people, in the hope of moving them away from wickedness and toward the ways of truth. According to Martz, such was the mission that inspired Walt Whitman and that Whitman passed on to Pound, Eliot, Williams, and Lawrence. (H. D. found her own sources of inspiration in Greek and Egyptian lore.)

Martz's premise is that biblical prophecy, with its mingling of poetry and prose, its abrupt shifts from violent denunciation to exalted poetry, provides a precedent for the texture of these modernist works that will help readers to appreciate the mingling of "voices" and the complex mixture of elements. Examining their interrelationships and their common themes, Many Gods and Many Voices offers fresh insights into these modern writers.

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Marikana

Voices from South Africa’s Mining Massacre

Peter Alexander

Ohio University Press, 2013

The Marikana Massacre of August 16, 2012, was the single most lethal use of force by South African security forces against civilians since the end of apartheid. Those killed were mineworkers in support of a pay raise. Through a series of interviews conducted with workers who survived the attack, this account documents and examines the controversial shootings in great detail, beginning with a valuable history of the events leading up to the killing of workers, and including eyewitness accounts of the violence and interviews with family members of those who perished.

While the official Farlam Commission investigation of the massacre is still ongoing, many South Africans do not hold much confidence in the government’s ability to examine its own complicity in these events. Marikana, on the other hand, examines the various roles played by the African National Congress, the mine company, and the National Union of Mineworkers in creating the conditions that led to the massacre. While the commission’s investigations take place in a courtroom setting tilted toward those in power, Marikana documents testimony from the mineworkers in the days before official statements were even gathered, offering an unusually immediate and unfiltered look at the reality from the perspective of those most directly affected. Enhanced by vivid maps that make clear the setting and situation of the events, Marikana is an invaluable work of history, journalism, sociology, and activism.

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More than a Farmer's Wife

Voices of American Farm Women, 1910-1960

Amy Mattson Lauters

University of Missouri Press, 2009

Farm women have often been seen by their city sisters as victims of patriarchy, overwork, and poverty, aptly depicted by the “Migrant Mother” image from the Great Depression. Amy Mattson Lauters now goes directly to the women themselves to get the other side of the story of American farm life: that many women survived and even thrived on farms through the adversity of the Great Depression and beyond.

More than a Farmer’s Wife spans fifty years of farm life to reveal that many women saw farming as an opportunity to be full partners with their husbands and considered themselves businesswomen central to the success of their farms. Lauters shows that the farm woman was fundamental to the farming industry—the backbone of the family business and the manager of the farm home—as she explores the role of media in the farm woman’s everyday life and discusses the construction of the American farm woman in those publications.

Lauters combed a half-century of farming, women’s, and mainstream magazines, ranging from The Farmer’s Wife to the Saturday Evening Post and including the journalism of writers such as Laura Ingalls Wilder and Rose Wilder Lane. She also conducted interviews with more than 180 women who were raised on or lived on farms to probe how they felt about their lives and determine how closely their perceptions matched the images found in the media.

The period covered here was one of enormous instability and change for American farming: rural and farm families declined by a third as the population shifted from primarily rural to urban/suburban. Lauters examines such changes as increasing industrialization and the rise of consumer culture and also tells how farm women responded to such events as economic depression, world war, and suffrage. And she explores the deepening divide between city and farm women, so that by the end of this period, urban and rural women had virtually no common ground for understanding each other.

“It was a hard, but simple life,” one farm woman wrote, “and I feel we had more of a family life than anyone else has today.” That sentiment speaks volumes, and this book uncovers the deep divide between urban and rural cultures that emerged during this period, one that continues to be felt today.

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My Shadow Is My Skin

Voices from the Iranian Diaspora

Edited by Katherine Whitney and Leila Emery

University of Texas Press, 2020

The Iranian revolution of 1979 launched a vast, global diaspora, with many Iranians establishing new lives in the United States. In the four decades since, the diaspora has expanded to include not only those who emigrated immediately after the revolution but also their American-born children, more recent immigrants, and people who married into Iranian families, all of whom carry their own stories of trauma, triumph, adversity, and belonging that reflect varied and nuanced perspectives on what it means to be Iranian or Iranian American. The essays in My Shadow Is My Skin are these stories.

This collection brings together thirty-two authors, both established and emerging, whose writing captures the diversity of Iranian diasporic experiences. Reflecting on the Iranian American experience over the past forty years and shedding new light on themes of identity, duality, and alienation in twenty-first-century America, the authors present personal narratives of immigration, sexuality, marginalization, marriage, and religion that offer an antidote to the news media’s often superficial portrayals of Iran and the people who have a connection to it. My Shadow Is My Skin illuminates a community that rarely gets to tell its own story.

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