front cover of Contemporary Censorship and Performance, Volume 38
Contemporary Censorship and Performance, Volume 38
Miriam Felton-Dansky and Tom Sellar, eds.
Duke University Press
This special issue of Theater explores the political, cultural, and economic factors that have led to controversies surrounding live performance around the world. Recent global political shifts have resulted in renewed interest in questions of censorship and free expression and have demonstrated that theater has become a cultural third rail, igniting controversy and provoking attempts at suppression. Contributors explore manifestations of theater censorship—from New York to Birmingham (England) to Beirut to Tashkent (Uzbekistan)—and address both direct, state-sponsored suppression as well as the disparate cultural pressures that hamper theatrical expression, such as financial pressures and political, ethnic, and religious sensitivities.

The collection includes an essay that explores the function of live performance in recent freedom-of-expression debates, such as those featuring Janet Jackson and Don Imus, and persistent national anxieties about performers’ bodies. The issue also features an international censorship forum that brings together reports of incidents from Burma, Singapore, Germany, Italy, and the United States. A special report from Zimbabwe provides an in-depth look at the repression of oppositional theater by one of Africa’s most dictatorial regimes while another article looks at REwind: A Cantata for Voice, Tape and Testimony, a new musical composition that takes once-silenced voices recorded for South Africa’s Truth and Reconciliation Commission and transforms them into a hymn for a postapartheid nation. The issue also includes the first publication of an inventive new play that is a satirical as well as chilling look at suppression and dissent in post-9/11 America.

Contributors: Howard Barker, Reverend Billy, Catherine Cole, Mike Daisey, Dean Damjanovski, Miriam Felton-Dansky, Jacob Gallagher-Ross, John Houchin, Rabih Mroué, Freddie Rokem, Tom Sellar, Fadi Toufiq, Praise Zenenga

[more]

front cover of Crime and Justice, Volume 38
Crime and Justice, Volume 38
A Review of Research
Edited by Michael Tonry
University of Chicago Press Journals, 2009

Since 1979, Crime and Justice has presented an annual review of the latest international research, providing expertise to enhance the work of sociologists, psychologists, criminal lawyers, justice scholars, and political scientists. The series explores a full range of issues concerning crime, its causes, and its cure. Volume 38 covers a range of criminal justice issues, from the effects of parental imprisonment on children to economists and crime.

[more]

logo for Georgetown University Press
Journal of the Society of Christian Ethics
Fall/Winter 2018, Volume 38, No. 2
Scott Paeth
Georgetown University Press

front cover of Osiris, Volume 38
Osiris, Volume 38
Beyond Craft and Code: Human and Algorithmic Cultures, Past and Present
Edited by James Evans and Adrian Johns
University of Chicago Press Journals, 2023

Perceptively explores the shifting intersections between algorithmic systems and human practices in the modern era.

How have algorithmic systems and human practices developed in tandem since 1800? This volume of Osiris deftly addresses the question, dispelling along the way the traditional notion of algorithmic “code” and human “craft” as natural opposites. Instead, algorithms and humans have always acted in concert, depending on each other to advance new knowledge and produce social consequences. By shining light on alternative computational imaginaries, Beyond Craft and Code opens fresh space in which to understand algorithmic diversity, its governance, and even its conservation.

The volume contains essays by experts in fields extending from early modern arithmetic to contemporary robotics. Traversing a range of cases and arguments that connect politics, historical epistemology, aesthetics, and artificial intelligence, the contributors collectively propose a novel vocabulary of concepts with which to think about how the history of science can contribute to understanding today’s world. Ultimately, Beyond Craft and Code reconfigures the historiography of science and technology to suggest a new way to approach the questions posed by an algorithmic culture—not only improving our understanding of algorithmic pasts and futures but also unlocking our ability to better govern our present.

[more]


Send via email Share on Facebook Share on Twitter