front cover of Landscape of Modernity
Landscape of Modernity
Essays on New York City, 1900-1940
David Ward
Russell Sage Foundation, 1992
New York City stands as the first expression of the modern city, a mosaic of disparate neighborhoods born in 1898 with the amalgamation of the five boroughs and shaped by the passions of developers and regulators, architects and engineers, politicians and reformers, immigrant entrepreneurs and corporate builders. Through their labor, their ideals, and their often fierce battles, the physical and social dimensions—the landscape—of the modern city were forged. The original essays in The Landscape of Modernity tell the compelling story of the growth of New York City from 1900 to 1940, from the beginnings of its skyscraper skyline to the expanding reaches of suburbanization. At the beginning of the century, New York City was already one of the world's leading corporate and commercial centers. The Zoning Ordinance of 1916, initially proposed by Fifth Avenue merchants as a means of halting the uptown spread of the garment industry, became the nation's first comprehensive zoning law and the proving ground for a new occupation—the urban planner. During the 1920s, frenzied development created a vertical metamorphosis in Manhattan's booming business district, culminating in its most spectacularly modern icon, the Empire State Building. The city also spread laterally, with the controversial development of subway systems and the creation of the powerful Port of New York Authority, whose new bridges and tunnels decentralized the population and industry of New York. New York's older ethnic enclaves were irrevocably altered by this new urban landscape: the Lower East Side's Jewish community was nearly dismantled by the flight of the garment industry and the attractiveness of new suburbs, while Little Italy fought government forces eager to homogenize commercial use of the streets by eliminating the traditional pushcart peddlers. Illustrated with striking photographs and maps, The Landscape of Modernity links important scenes of growth and development to the larger political, economic, social, and cultural processes of the early twentieth century.
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Timira
A Novel
Wu Ming Wu Ming 2
Rutgers University Press, 2027

Isabella Marincola lived between two cultures. The child of an Italian military officer father and a Somali mother, she was never fully part of either culture. In Somalia, she was seen as a child of the ruling colonizers, while in Italy her darker skin made her an object of both fascination and contempt. Even as she worked as an actress and model in postwar Italy, she was valued for her exotically beautiful body, not her keen mind or her captivating voice.

Titled after Isabella’s Somali name, Timira is a unique combination of novel, archival sources, and oral history. It finally gives her a chance to articulate her experiences of being a Black Italian woman in different epochs of Italian history, from Fascism to the 1990s, in all of which italianità was assumed to be exclusively white. 

Cowritten by her son Antar Mohamed Marincola and a founding member of the Wu Ming writers’ collective, it is based on a series of writings and interviews Isabella gave towards the end of her long, eventful life. A compelling novel rooted in truth, Timira reflects on Italy’s colonial legacy and ingrained racism, while telling the story of a courageous woman and her struggles to assert herself in a nation unprepared to accommodate its Black citizens. 

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front cover of The University of Michigan in China
The University of Michigan in China
David Ward and Eugene Chen
Michigan Publishing Services, 2017
The friendship between the University of Michigan and China spans more than a century and a half. Through years of peace and years of war; through political turmoil and the shifting winds of public opinion; since the first years of U-M’s Ann Arbor campus and the last years of China’s Qing Dynasty, the University and China have been partners.

This book tells the story of twenty remarkable individuals, the country they transformed, and the University that helped them do it. There are many “firsts” in this book—first Chinese students at U-M, first female college president of China—and there are many “fathers” of disciplines: Wu Dayou, father of physics in China; Zheng Zuoxin, father of Chinese ornithology; Zeng Chengkui, father of marine botany.

While much has been written about these leaders and scholars in both English and Chinese, nowhere else is their collective story told or their shared bond with the University of Michigan celebrated.
 
The University of Michigan in China celebrates this nearly 200-year-old legacy.
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