Drawing on a broad range of American and French archives, Derek Vaillant joins textual and aural materials with original data analytics and maps to illuminate U.S.-French broadcasting's political and cultural development. Vaillant focuses on the period from 1931 until France dismantled its state media system in 1974. His analysis examines mobile actors, circulating programs, and shifting institutions that shaped international radio's use in times of war and peace. He explores the extraordinary achievements, the miscommunications and failures, and the limits of cooperation between America and France as they shaped a new media environment. Throughout, Vaillant explains how radio's power as an instantaneous mass communications tool produced, legitimized, and circulated various notions of states, cultures, ideologies, and peoples as superior or inferior.
A first comparative history of its subject, Across the Waves provocatively examines how different strategic agendas, aesthetic aims and technical systems shaped U.S.-French broadcasting and the cultural politics linking the United States and France.
The history of Philadelphia’s Boathouse Row is both wide and deep.Dotty Brown, an avid rower and former editor at the Philadelphia Inquirer, immersed herself in boathouse archives to provide a comprehensive history of rowing in Philadelphia. She takes readers behind the scenes to recount the era when rowing was the spectator sport of its time—and the subject of Thomas Eakins’ early artwork—through the heyday of the famed Kelly dynasty, and the fight for women to get the right to row. (Yes, it really was a fight, and it took generations to win.)
With more than 160 photographs, a third of them in full color, Boathouse Row chronicles the “waves of change” as various groups of different races, classes, and genders fought for access to water and the sport. Chapters also discuss the architectural one-upmanship that defined Boathouse Row after Frank Furness designed the stunning and eclectic Undine Barge Club, and the regattas that continue to take place today on the Schuylkill River, including the forgotten forces that propelled high school rowing.
Beautifully written and illustrated, Boathouse Row will be a keepsake for rowers and spectators alike.
In 1969, Jon Beckwith and his colleagues succeeded in isolating a gene from the chromosome of a living organism. Announcing this startling achievement at a press conference, Beckwith took the opportunity to issue a public warning about the dangers of genetic engineering. Jon Beckwith's book, the story of a scientific life on the front line, traces one remarkable man's dual commitment to scientific research and social responsibility over the course of a career spanning most of the postwar history of genetics and molecular biology.
A thoroughly engrossing memoir that recounts Beckwith's halting steps toward scientific triumphs--among them, the discovery of the genetic element that turns genes on--as well as his emergence as a world-class political activist, Making Genes, Making Waves is also a compelling history of the major controversies in genetics over the last thirty years. Presenting the science in easily understandable terms, Beckwith describes the dramatic changes that transformed biology between the late 1950s and our day, the growth of the radical science movement in the 1970s, and the personalities involved throughout. He brings to light the differing styles of scientists as well as the different ways in which science is presented within the scientific community and to the public at large. Ranging from the travails of Robert Oppenheimer and the atomic bomb to the Human Genome Project and recent "Science Wars," Beckwith's book provides a sweeping view of science and its social context in the latter half of the twentieth century.
Sophisticated and innovative, On the Waves of Empire reveals how maritime labor and shipping capital stitched together, tore apart, and re-stitched the seams of empire.
In this book, Robin Hackett examines portrayals of race, class, and sexuality in modernist texts by white women to argue for the existence of a literary device that she calls “Sapphic primitivism.” The works vary widely in their form and content and include Olive Schreiner’s proto-modernist exploration of New Womanhood, The Story of an African Farm; Virginia Woolf’s high modernist “play-poem,” The Waves; Sylvia Townsend Warner’s historical novel, Summer Will Show; and Willa Cather’s Southern pastoral, Sapphira and the Slave Girl. In each, blackness and working-class culture are figured to represent sexual autonomy, including lesbianism, for white women. Sapphic primitivism exposes the ways several classes of identification were intertwined with the development of homosexual identities at the turn of the century. Sapphic primitivism is not, however, a means of disguising lesbian content. Rather, it is an aesthetic displacement device that simultaneously exposes lesbianism and exploits modern, primitivist modes of self-representation. Hackett’s revelations of the mutual interests of those who study early twentieth-century constructions of race and sexuality and twenty-first-century feminists doing anti-racist and queer work are a major contribution to literary studies and identity theory.
Luis-Brown traces unfolding narratives of decolonization across a broad range of texts. He explores how Martí and Du Bois, known as the founders of Cuban and black nationalisms, came to develop anticolonial discourses that cut across racial and national divides. He illuminates how cross-fertilizations among the Harlem Renaissance, Mexican indigenismo, and Cuban negrismo in the 1920s contributed to broader efforts to keep pace with transformations unleashed by ongoing conflicts over imperialism, and he considers how those transformations were explored in novels by McKay of Jamaica, Jesús Masdeu of Cuba, and Miguel Ángel Menéndez of Mexico. Focusing on ethnography’s uneven contributions to decolonization, he investigates how Manuel Gamio, a Mexican anthropologist, and Zora Neale Hurston each adapted metropolitan social science for use by writers from the racialized periphery.
The Pacific Coast of the Americas linked Pre-Columbian complex societies from Mexico to Peru, facilitating exploration, communication, and transportation in a way that terrestrial routes could not match. Yet West Mexico, the Isthmo-Colombian Area, and Ecuador, with their great stretches of coastline, were marginalized by the definition of the Mesoamerican and Andean culture areas in the 1940s. Waves of Influence seeks to renew the inquiry into Pacific coastal contacts and bring fresh attention to connections among regions often seen as isolated from one another.
This volume reassesses the evidence for Pre-Columbian maritime contacts along the Pacific Coast, from western Mexico to northwestern South America. The authors draw upon recent models of globalization, technological style, and ritual commensality alongside methods such as computer simulation, iconographic analysis, skeletal studies, and operational chains. No single model can characterize the coastal network over 4,000 km of coastline and over 4,000 years of interaction, and authors present individual case studies to demonstrate how each region participated in its own distinct networks. Essays address the difficulty of maritime movement, the transfer of crops, technology, and knowledge, the identification of different modalities of contact, and the detection of important nodes and social actors within the coastal network.
Radio sparked the massive upsurge of organized labor during the Great Depression. The powerful new medium became an important weapon in the ideological war between labor and business. Corporations used radio to sing the praises of individualism and consumerism, while unions emphasized equal rights, industrial democracy, and social justice.
Elizabeth Fones-Wolf analyzes the battle to utilize, and control, the airwaves in radio's early era. Working chronologically, she explores the advent of local labor radio stations such as WCFL and WEVD, labor's campaigns against corporate censorship, and union experiments with early FM broadcasting. Using union archives and broadcast industry records, Fones-Wolf demonstrates radio's key role in organized labor's efforts to fight business's domination of political discourse throughout the 1930s, 1940s, and 1950s. She concludes with a look at how labor's virtual disappearance from today's media helps explain why unions have become so marginalized, and offers important historical lessons for revitalizing organized labor.
One of the first longitudinal studies of collective resistance in the developing world, Waves of Protest examines large-scale contentious action in El Salvador during critical eras in the country’s history.
Providing a compelling analysis of the massive waves of protests from the early twentieth century to the present in El Salvador, Paul D. Almeida fully chronicles one of the largest and most successful campaigns against globalization and privatization in the Americas. Drawing on original protest data from newspapers and other archival sources, Almeida makes an impassioned argument that regime liberalization organizes civil society and, conversely, acts of state-sponsored repression radicalize society. He correlates the ebb and flow of protest waves to the changes in regime liberalization and subsequent de-democratization and back to liberalization.
Almeida shows how institutional access and competitive elections create opportunity for civic organizations that become radicalized when authoritarianism increases, resulting at times in violent protest campaigns that escalate to revolutionary levels. In doing so, he brings negative political conditions and threats to the forefront as central forces driving social movement activity and popular contention in the developing world.
Paul D. Almeida is assistant professor of sociology at Texas A&M University. He is coeditor with Hank Johnston of Latin American Social Movements: Globalization, Democratization, and Transnational Networks.
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