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Black Europe and the African Diaspora
Edited by Darlene Clark Hine, Trica Danielle Keaton, and Stephen Small
University of Illinois Press, 2009

The presence of Blacks in a number of European societies has drawn increasing interest from scholars, policymakers, and the general public. This interdisciplinary and multi-disciplinary collection penetrates the multifaceted Black presence in Europe, and, in so doing, complicates the notions of race, belonging, desire, and identities assumed and presumed in revealing portraits of Black experiences in a European context. In focusing on contemporary intellectual currents and themes, the contributors theorize and re-imagine a range of historical and contemporary issues related to the broader questions of blackness, diaspora, hegemony, transnationalism, and "Black Europe" itself as lived and perceived realities. 

Contributors are Allison Blakely, Jacqueline Nassy Brown, Tina Campt, Fred Constant, Alessandra Di Maio, Philomena Essed, Terri Francis, Barnor Hesse, Darlene Clark Hine, Dienke Hondius, Eileen Julien, Trica Danielle Keaton, Kwame Nimako, Tiffany Ruby Patterson, T. Denean Sharpley-Whiting, Stephen Small, Tyler Stovall, Alexander G. Weheliye, Gloria Wekker, and Michelle M. Wright.

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The Gloria Wekker Reader
Gloria Wekker. Chandra Frank, Nancy Jouwe, and Mikki Stelder, editors. Foreword by Angela Y. Davis
Duke University Press, 2026
The Gloria Wekker Reader compiles articles, essays, interviews, poems, and letters by the Afro-Surinamese Dutch theorist and activist, Gloria Wekker. Wekker is a preeminent scholar in feminist Black diaspora studies, especially known for her developments in epistemology and methodology, conceptualizations of sexuality, and mapping of the connections between race, gender, and empire. These writings demonstrate Wekker’s theoretical and political prowess, illuminating how her scholarship was foundational in shifting the fields of anthropology, feminist and queer studies, and Black diasporic studies. Featuring a foreword by Angela Y. Davis, engaging with The Gloria Wekker Reader is an invitation for interdisciplinary and intergenerational dialogue to inspire political action.
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Kaleidoscopic Visions
The Black, Migrant, and Refugee Women’s Movement in The Netherlands
Nancy Jouwe
Amsterdam University Press, 2025
First published in March 2001, this work was the first and only book of its kind in the Dutch intellectual landscape, and it rapidly became a classic for multigenerational audiences with an interest in intersectional theory and praxis. By zooming in on the issues that Black, migrant, and refugee (BMR) women placed on the feminist and multicultural agenda of the late twentieth century, the writers in this volume highlight the exclusionary practices BMR women encountered within Dutch institutions (the police, education, and the arts) based on their gender, race, class, and sexuality. Kaleidoscopic Visions also explores the world of BMR women’s organizations and processes of identity formation.

This new edition makes this Dutch feminist classic available in English for the first time. It includes an updated reflection on the contemporary relevance of intersectionality in light of important developments since 2001, such as the rise of Islamophobia and the persistence of neoliberalism.
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White Innocence
Paradoxes of Colonialism and Race
Gloria Wekker
Duke University Press, 2016
In White Innocence Gloria Wekker explores a central paradox of Dutch culture: the passionate denial of racial discrimination and colonial violence coexisting alongside aggressive racism and xenophobia. Accessing a cultural archive built over 400 years of Dutch colonial rule, Wekker fundamentally challenges Dutch racial exceptionalism by undermining the dominant narrative of the Netherlands as a "gentle" and "ethical" nation. Wekker analyzes the Dutch media's portrayal of black women and men, the failure to grasp race in the Dutch academy, contemporary conservative politics (including gay politicians espousing anti-immigrant rhetoric), and the controversy surrounding the folkloric character Black Pete, showing how the denial of racism and the expression of innocence safeguards white privilege. Wekker uncovers the postcolonial legacy of race and its role in shaping the white Dutch self, presenting the contested, persistent legacy of racism in the country.
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