Stories that entwine the mundane with the mystical, written by a cult favorite Slovakian writer.

An unhappily married woman is impregnated by her elderly neighbor who lives in a building across the street and with whom she has never had any physical contact. Just as his attention creates life within her, his own life waxes and wanes with her gaze and attention.

A man finds himself trapped in a pub on a sweltering afternoon after refusing to buy a beer with his cigarettes. Guarded by a vigilante bartender and his beer-obsessed patrons, his every attempt at escape is foiled until their life-giving elixir, the beer, runs out.

This collection introduces English-language readers to the work of Dušan Mitana, a cult figure in contemporary Central European literature. In Mitana’s stories, appearing in English for the first time, the rational and the irrational are indistinguishable. His tales infect a banal, quotidian realism with mystical and supernatural distortions. Tinged with Hitchcockian paranoia and full of unexpected turns, the seventeen stories collected here offer a glimpse into Mitana’s trademark absurdist style.

The Catholic University of America Press is pleased to continue to present new volumes in our Catholic Women Writers series, which will shed new light on prose work of Catholic women writers from the 19th and 20th centuries. Josephine Ward is one of Catholicism’s greatest literary treasures and a foremost contributor to English literary history – except that she has all but completely fallen from the historical record. She spent her life in close companionship with the most active minds working in the late 19th century to restore to the Catholic Church in England the intellectual, sacramental and theological integrity it had once enjoyed before three hundred years of persecution. All seven of her novels are out of print, despite their once high acclaim in the fin de siècle literary world. First published in 1899, One Poor Scruple follows the recusant Riversdale family who have survived the long penal years by observing a quiet aristocratic life of sport and agriculture, never stepping into the public sphere from which Catholics in Britain had been barred for so long. But at the start of the twentieth century, a new generation has emerged. The novel’s younger characters are now legally able to go to Oxford and Cambridge and to enter the public life of letters. Emboldened by the confident work of John Henry Newman, this younger generation of Catholics are nonetheless cautioned not to trust the Protestant establishment. One Poor Scruple is a coming-of-age story in which the new generation of more worldly Catholics search for love, friendship and intellectual emancipation in the decadent social world of Edwardian London. Decades before Evelyn Waugh examined in Brideshead Revisited the human struggle to distinguish between true and false beauty, Ward’s novel examined the challenge of discerning between conflicting desires and of living a life that is as truthful and good as it is beautiful.

Stories of characters who face tragedies alongside their canine companions.
 
Noley Reid’s fourth book, Origami Dogs, is a testament to her mastery of the form. Here, dogs rove the grounds of their companions’ emotions. The creatures in this short story collection often act subtly, serving as witnesses without language, exacerbating tension and providing relief to the human characters. Sometimes they are central to the stories’ plots, such as in the lead story, “Origami Dogs,” which focuses on Iris Garr, a dog breeder’s teenage daughter, as she begins noticing odd birth defects in new litters and realizes she must confront her mother, whom she loves yet cannot help but resent. In some stories, teens struggle toward womanhood or wrestle with sexuality and queerness, confronting parents who are unable to provide the care or support they need. In other stories, Reid’s characters are adults striving to be better spouses, parents, or both, and are often grappling with life-changing events—like a new disability or the loss of a child. Despite the gravitas of these tragedies, with Reid’s touch, they feel alive, present, and painfully close. Reid brings us to her characters in the fierce damp aftermath of calamity and asks us to dwell with them until new possibilities arrive.

At these tipping points, the characters of Origami Dogs stand ready with their dogs (or memories of them), to take the next step. By turns tender, moving, and devastating, this story collection is a celebration of the bond of devotion possible between humans and dogs, and it presents an intimate rendering of the lives we share.
 

Robert Finn's translation of Turkish author Nazli Eray's Orphée makes available to the English-language reader a rewriting of the myth from the perspective of Eurydice, the wife of Orpheus. Eray's surrealistic version takes place in a hot resort town in contemporary Turkey. The setting of an archaeological dig gives a connection to the past and literally to the underworld. Found in the dig is a statue of the Roman emperor Hadrian, who proceeds to offer an unusual perspective on modern life and values through mysterious letters carried by a messenger pigeon. Eray also comments on modernity, as the city of Ankara emerges as a character in the novel's fantasy. Set in junta-ruled Turkey of the 1980s, the novel takes its place as a crucial slice of Turkish literary history.

Resonating with haunting references to the film Last Tango in Paris, the novel evolves as a mystery story with a humorous bent. Thus Eray illuminates her insatiable curiosity about other cultures, particularly those of the West. Finally, the style of the translation is simple and clear, with crisp dialogue. Sibel Erol, professor of Turkish literature at New York University, has written an introduction that places this fantastic plot in a literary context, as well as in understandable terms that relate to the reality of today's Turkey.

From reviews of the Spanish edition:

"...among the best works that Mexican fiction has produced."

—Héctor Gally, Sábado

"With homely features, but with a body so shapely and exciting that it sets men (priests included) aflame throughout the novel, with an incandescent voluptuousness and delightful amorality (surely explosive in the conservative Mexican society of her time and place) ...Otilia Rauda could be the protagonist of a Greek tragedy or of a soap opera made of improbable happenings and as many turns of fate as there are chapters used to tell the story of her life."

—Jorge Ruffinelli, Punto y Aparte

Winner of Mexico's prestigious Xavier Villaurrutia prize in 1986, Otilia Rauda is here translated into English for the first time as Otilia's Body. Widely considered Sergio Galindo's best work, the novel dramatizes a sexually liberated woman's obsession with an outlaw lover, played against the backdrop of Mexican history from 1910 to 1940. A fine example of "intimist" fiction, Otilia's Body is noteworthy for its penetratingly described characters who transcend time and place to become universally recognizable.