The story of the Arab Revolt and the Hashemite princes who led it during the First World War is inextricably linked in modern eyes to the legend of Lawrence of Arabia as portrayed in David Lean's 1962 film. But behind this romantic image lies a harsher reality of wartime expediency, double-dealing and dynastic ambition, which shaped the modern Middle East and laid the foundations of many of the conflicts that rack the region to this day. Arab nationalists claim that British instigation for the Arab Revolt against the Ottoman Empire was a commitment to independence for the Arab people, but in this book Robert McNamara shows how the British cultivated the Hashemite Sherifs of Mecca more as an alternative focus during the First World War for Muslim loyalty from the Ottoman Sultan, who as Caliph had declared a jihad against the Allies when the Turks joined the Central Powers, than a leader of an independent and united Arabia. At the same time, the Sykes-Picot Agreement divided up the Middle East between British and French spheres of influence. The sense of betrayal that this caused has coloured Arab nationalists' views of the West ever since. The main countries of the Middle East —Jordan, Syria and Iraq—are all the creations of the post-First World War settlement worked out at the Paris Peace Conference. The story of the Hashemite dynasty at the Paris Peace Conference is the story of the birth of the modern history of a region that is now more than ever at the centre of world affairs.

Heath Robinson (1872–1944) is Britain’s “Gadget King”—master of the art of creating madcap contraptions that made use of ropes, weights, and pulleys to perform relatively simple tasks, from wart removal to peeling potatoes. Although he trained as a painter and also worked as a book illustrator, Robinson developed his forte with drawings of gadgets that parodied the absurdities of modern life. A true cartoonist, Robinson had a way of getting at the heart of the matter while simultaneously satirizing it mercilessly. He became a household name in Britain, and his popularity continues today with plans to build a museum in London to share with a new generation the story of his life and work.

With Heath Robinson’s Great War, the cartoonist lampoons the German army and the hardships of war. What better antidote to the threat of popular German propaganda than drawings of the “Huns” disabling the British army not with mustard gas but laughing gas? In high demand among British civilians, Robinson’s WWI panels also provided respite to thousands of troops—many of whom sent the cartoonist letters suggesting future subjects or simply expressing their appreciation. 

A side-splittingly funny collection from the man whose “absurd, beautiful drawings” H. G. Wells claimed “give me a peculiar pleasure of the mind like nothing else in the world,” this book make a perfect gift for anyone looking to have a laugh at our complicated and increasingly mechanical modern life.

Hero of the Angry Sky draws on the unpublished diaries, correspondence, informal memoir, and other personal documents of the U.S. Navy’s only flying “ace” of World War I to tell his unique story. David S. Ingalls was a prolific writer, and virtually all of his World War I aviation career is covered, from the teenager’s early, informal training in Palm Beach, Florida, to his exhilarating and terrifying missions over the Western Front. This edited collection of Ingalls’s writing details the career of the U.S. Navy’s most successful combat flyer from that conflict.

While Ingalls’s wartime experiences are compelling at a personal level, they also illuminate the larger, but still relatively unexplored, realm of early U.S. naval aviation. Ingalls’s engaging correspondence offers a rare personal view of the evolution of naval aviation during the war, both at home and abroad. There are no published biographies of navy combat flyers from this period, and just a handful of diaries and letters in print, the last appearing more than twenty years ago. Ingalls’s extensive letters and diaries add significantly to historians’ store of available material.

In 1905, British Foreign Secretary Edward Grey agreed to speak secretly with his French counterparts about sending a British expeditionary force to France in the event of a German attack. Neither Parliament nor the rest of the Cabinet was informed. The Hidden Perspective takes readers back to these tense years leading up to World War I and re-creates the stormy Cabinet meetings in the fall of 1911 when the details of the military conversations were finally revealed.

Using contemporary historical documents, David Owen, himself a former foreign secretary, shows how the foreign office’s underlying belief in Britain’s moral obligation to send troops to the Continent influenced political decision-making and helped create the impression that war was inevitable. Had Britain’s diplomatic and naval strategy been handled more skillfully during these years, Owen contends, the carnage of World War I might have been prevented altogether.

Following the 9/11 attacks and the anthrax letters that appeared in their wake, the threat posed by the widespread accessibility of chemical and biological weapons has continually been used to stir public fear and opinion by politicians and the media alike. In Chemical and Biological Weapons, Edward M. Spiers cuts through the scare tactics and hype to provide a thorough and even-handed examination of the weapons themselves—the various types and effects—and their evolution from World War I to the present.

            Spiers describes the similarities and differences between the two types of weapons and how technological advancements have led to tactical innovations in their use over time. As well, he gives equal attention to the international response to the proliferation of chemical and biological weapons, analyzing global efforts aimed at restraining their use, such as deterrence and disarmament, and the effectiveness of these approaches in the twentieth century. Using Iraq as a case study, Spiers also investigates its deployment of chemical weapons in the Iran-Iraq War and the attempts by the international community to disarm Iraq through the United Nations Special Commission and the United States-led war in 2003.

A timely and balanced historical survey, Chemical and Biological Weapons will be of interest to readers studying the proliferation and use of chemical and biological warfare and the reactions of the international community throughout the last several decades.

The injuries suffered by soldiers during WWI were as varied as they were brutal. How could the human body suffer and often absorb such disparate traumas? Why might the same wound lead one soldier to die but allow another to recover?
 
In The Human Body in the Age of Catastrophe, Stefanos Geroulanos and Todd Meyers uncover a fascinating story of how medical scientists came to conceptualize the body as an integrated yet brittle whole. Responding to the harrowing experience of the Great War, the medical community sought conceptual frameworks to understand bodily shock, brain injury, and the vast differences in patient responses they occasioned. Geroulanos and Meyers carefully trace how this emerging constellation of ideas became essential for thinking about integration, individuality, fragility, and collapse far beyond medicine: in fields as diverse as anthropology, political economy, psychoanalysis, and cybernetics.
 
Moving effortlessly between the history of medicine and intellectual history, The Human Body in the Age of Catastrophe is an intriguing look into the conceptual underpinnings of the world the Great War ushered in. 
 

Fountain Pens—The Super-Pen for Our Super-Men
Ladies! Learn to Drive! Your Country Needs Women Drivers!
Do you drink German water?
 
When Britain declared war on Germany in 1914, industrious companies wasted no time in seizing the commercial opportunities presented by the conflict. Without TV or radio, newspapers provided one of the few ways in which the British public could get reliable news of the war. To cater to their rising readerships, advertising emerged as the new science of sales, growing increasingly sophisticated throughout the war years in both visual presentation and psychological appeal.
           
The Huns Have Got my Gramophone! collects some of the most compelling and cleverly worded original advertisements created between 1914 and 1918. Many of the advertisements are aimed at women, from fearless guard dogs promising protection while husbands are away to soaps and skin creams for “beauty on duty.” Others use the power of patriotism to push new products for men, including “officers’ waterproof trench coats,” and one young officer writing in the Times attests to the coats’ superior weather resistance by boldly asserting that he’d leave his sword behind before he left his Burberry. Together, the advertisements collected in the book reveal how advertisers sought to create new markets for products that took into account social change throughout the course of the conflict.
           
Featuring a range of products, from clothing, cigarettes, and invalid carriages to motorcycles and portable Decca phonographs—the “ideal gramophone for active service”—the book offers a new and unexpected source of historical information and an intimate glimpse of a nation at war.