A SCHOLARLY BOOK REPOSITORY16 start with W start with W
"This account will be welcome to a large circle of readers. . . . The arduous nature of these campaigns deserves to be far more widely known, and this is just the book for the purpose--short, clear, and easy to read."--Journal of the African Society
The largest battles of World War I were fought in Europe, and it is there where most critical studies focus. The fate of the far-flung colonies of Germany, however, are what gave the war its global scope, with campaigns reaching from China to New Guinea and East to West Africa. While there are detailed accounts of most of these campaigns, The War in Africa and the Far East, 1914-17 is unique in providing a concise history of the entire series of military events in Africa and Asia, giving the reader a better idea of the relationship and chronology of these wide-ranging events. While Germany was stripped of all its overseas colonies, the change in power had unintended consequences, most importantly the rise of Japan in the Pacific, where former German colonies now stood at the territorial boundary between Japan and the United States.
Waged by Allied troops from Britain, Kenya, Zambia, Portugal, Japan, India, Netherlands, and other countries and led by such personalities as General Jan Christian Smuts, the theater of operations crossed modern-day Tanzania, Rwanda, Burundi, Togo, Cameroon, Namibia, New Guinea, Qingdau, the Bismarck Archipelago, and other Pacific Island chains. Originally published in 1918 using official dispatches and other sources, and presented here for the first time in paperback, completely retypeset and with the original maps and additional photographs, The War in Africa and the Far East is a compact overview of an important aspect of the First World War.
This generously illustrated book tells the story of Owen’s life and work, from his birth in 1893 to his tragic death just one week before the signing of the armistice that would end the war. The shocking realism of poems such as “Strange Meeting” and the angry disillusionment of “Anthem for Doomed Youth” reveal Owen’s transformation from a romantic youth steeped in the poetry of Keats to a mature soldier awakened to the horrors of the Western Front.
Drawing on numerous manuscripts, artifacts, and family photographs, this book gives a comprehensive view of the relationship between the poet’s lived experience and his writing that will appeal equally to both those well-versed in Owen’s work and those seeking a well-researched, accessible introduction.
With so much at stake and so much already lost, why did World War I end with a whimper-an arrangement between two weary opponents to suspend hostilities? After more than four years of desperate fighting, with victories sometimes measured in feet and inches, why did the Allies reject the option of advancing into Germany in 1918 and taking Berlin? Most histories of the Great War focus on the avoidability of its beginning. This book brings a laser-like focus to its ominous end-the Allies' incomplete victory, and the tragic ramifications for world peace just two decades later.
In the most comprehensive account to date of the conflict's endgame, David Stevenson approaches the events of 1918 from a truly international perspective, examining the positions and perspectives of combatants on both sides, as well as the impact of the Russian Revolution. Stevenson pays close attention to America's effort in its first twentieth-century war, including its naval and military contribution, army recruitment, industrial mobilization, and home-front politics. Alongside military and political developments, he adds new information about the crucial role of economics and logistics.
The Allies' eventual success, Stevenson shows, was due to new organizational methods of managing men and materiel and to increased combat effectiveness resulting partly from technological innovation. These factors, combined with Germany's disastrous military offensive in spring 1918, ensured an Allied victory-but not a conclusive German defeat.
“The story of the marines in France is told with authority and interest.”—Booklist
“It is one of the books about the American war effort which is well worth keeping as well as reading.”—Outlook
“A well-written and complete account.”—Library Bulletin
In an area of woods smaller than New York City’s Central Park, the United States Marines made a desperate and dramatic stand against the might of the Imperial Germany Army’s final offensive in June 1918. Had the Germans broken through the lines as planned, there would have been no Allied forces between them and Paris. World War I had stagnated for nearly four years, and this last German push was a desperate, but powerful gamble to finally bring the war to a close. As at Guadalcanal during World War II, the enemy had not anticipated the ferocity and doggedness of the United States Marines. Leading this small expeditionary force was Brigadier General Albertus Wright Catlin. For most of the month of June the marines fought the Germans at close range, using their rifles effectively and engaging in hand-to-hand combat. Toward the end of the battle, Catlin was shot in the chest by a sniper and removed from the field. While recuperating, he began “With the Help of God and a Few Marines”, his account of the marines’ experience in France, including what became known as the Battle of Belleau Wood. First published in 1919, and considered among the finest American memoirs from World War I, it is notable for its description of what it means to be a United States Marine—an account as relevant today as it was nearly a century ago—and its straightforward depiction of life and death on the Western Front in the last months of the war.
In the final months of World War I, President Woodrow Wilson and many US allies decided to intervene in Siberia in order to protect Allied wartime and business interests, among them the Trans-Siberian Railroad, from the turmoil surrounding the Russian Revolution. American troops would remain until April 1920 with some of our allies keeping troops in Siberia even longer.
Few American citizens have any idea that the United States ever deployed soldiers to Siberia and that those soldiers eventually played a role in the Russian revolution while protecting the Trans-Siberian Railroad. Wolfhounds and Polar Bears relies on the detailed reports of the American Expeditionary Force (AEF) as well as on personal stories to bring this rarely discussed expedition to life.
Initial chapters recount the period in World War I when conditions in Russia pointed to the need for intervention as well as the varied reasons for that decision. A description of the military forces and the geographic difficulties faced by those forces operating in Siberia provide the baseline necessary to understand the AEF’s actions in Siberia. A short discussion of the Russian Railway Service Corps explains their essential and sometimes overlooked role in this story, and subsequent chapters provide a description of actual operations by the AEF.
Wolfhounds and Polar Bears: The American Expeditionary Force in Siberia, 1918–1920 may well be the most detailed study of the military aspects of the American intervention in Siberia ever undertaken, offering a multitude of details not available in any other book-length history.
Following the conference in The Hague, Addams and Balch traveled around Europe as members of delegations visiting various governmental leaders to demand an end to the war. In this book they describe the activities of these delegations, painting a vivid portrait of the emerging women's peace movement.
With the continuing growth of the peace movement, the essays in Women at the Hague remain as timely as they were when first published in 1915. Addams, Balch, and Hamilton write compellingly about the organizing methods and collaborative spirit of the women's peace movement, conveying a strong awareness of the responsibility of women to protect the global community from the devastating effects of war.
Some players used the steel mill and shipyard leagues to avoid wartime military duty, irking Major League owners, who saw their rosters dwindling. Bethlehem Steel President Charles Schwab (no relation to the financier) saw the league as a means to stave off employee and union organizing. Most fans loudly criticized the ballplayers, but nevertheless showed up to watch the action on the diamond.
Ecenbarger traces the 1918 Steel League’s season and compares the fates of the players who defected to industry or continued to play stateside with the travails of the Major Leaguers, such as Christy Mathewson, Ty Cobb, and Grover Cleveland Alexander, who served during the war.
Work, Fight, or Play Ball reveals the home field advantage brought on by the war, which allowed companies to profit from Major League players.
An abridgement of the author’s History of the World War, 1914–1918, and first published in 1936, World War I in Outline is a compact but comprehensive history of the “war to end all wars.” Divided into five parts representing each year of the war, Liddell Hart discusses the war on land, at sea, and in the air while skillfully incorporating the political events occurring at the same time. From his own experiences in the war and through studying the conflict in detail, the author developed and expressed his most important observation about military principles: direct attacks against an enemy firmly in position should not be attempted. He also put forth the notion that battles are more often decided by the commander’s actions and not the armies themselves. A lively and engrossing read, World War I in Outline is an ideal overview in time for the centennial of one of the major wars in history.
“This memoir illuminates key aspects of the war experience: the enthusiasm for fighting, tensions with officers, tedium with regard to noncombatant work, the variety of trench experiences, the sharp learning curve that the army underwent on the ground, and the confusing nature of combat for ground troops. As the centennial of the war approaches this well-annotated memoir that connects Patterson’s individual experiences to the larger U.S. experience of the war will appeal to general readers and specialists alike.” —Jennifer D. Keene, author of World War I: The American Soldier Experience
A journalist once called Under Secretary of War Robert P. Patterson “the toughest man in Washington” for his fervid efforts in managing U.S. mobilization in World War II. The World War I Memoirs of Robert P. Patterson: A Captain in the Great War recounts Patterson’s own formative military experiences in the First World War.
Written in the years following the conflict, this is a remarkable rendering of what it was like to be an infantry line officer during the so-called Great War. Patterson started his military career as a twenty-seven-year-old, barely-trained captain in the American Expeditionary Forces (A.E.F.). He was part of the 306th Infantry Regiment of New York’s famous 77th “Statue of Liberty” Division from July to November 1918. In this detailed account, Patterson describes in understated yet vivid prose just how raw and unprepared American soldiers were for the titanic battles on the Western Front. Patterson downplays his near-death experience in a fierce firefight that earned him and several of his men from Company F the Distinguished Service Cross. His depiction of the brutal Meuse-Argonne battle is haunting—the drenching cold rains, the omnipresent barbed wire, deep fog-filled ravines, the sweet stench of mustard gas, chattering German machine-guns, crashing artillery shells, and even a rare hot meal to be savored.
Dealing with more than just combat, Patterson writes of the friendships and camaraderie among the officers and soldiers of different ethnic and class backgrounds who made up the “melting pot division” of the 77th. He betrays little of the postwar disillusionment that afflicted some members of the “Lost Generation.”Editor J. Garry Clifford’s introduction places Patterson and his actions in historical context and illuminates how Patterson applied lessons learned from the GreatWar to his later service as assistant secretary, under secretary, and secretary of war from 1940 to 1947.
For some women writers and photographers during the two world wars—Edith Wharton, Mildred Aldrich, Martha Gellhorn, Lee Miller, H.D., and Gertrude Stein—the construction of the female subject as an observer of combat became a vital concern. Their explorations of vision took place against the backdrop of a larger shift in Western culture's understanding of what "seeing" meant in common practice and philosophical discourse alike. The role of visuality in their lives was massively transformed not only by the rigid gender roles of war but by the introduction of new combat practices and technologies such as aerial surveillance, trench warfare, and civilian bombardment.
In The World Wars Through the Female Gaze, Jean Gallagher maps one portion of the historicized, gendered territory of what Nancy K. Miller calls the "gaze in representation." Expanding the notion of the gaze in critical discourse, Gallagher situates a number of visual acts within specific historic contexts to reconstruct the wartime female subject. She looks at both the female observer's physical act of seeing—and the refusal to see—for example, a battlefield, a wounded soldier, a torture victim, a national flag, a fashion model, a bombed city, or a wartime hallucination.
The book begins with two instances of wartime propaganda written by American women in France in 1915. Both Edith Wharton's Fighting France and Mildred Aldrich's A Hilltop on the Marne offer a complex and often contradictory sense of a woman writer's struggles with authority, resistance, and killing. In the process, Gallagher teases out the role of specular vision and the impossibility of "directly" seeing the war.
Gallagher then turns to literary and visual texts produced by two female journalists between 1940 and 1945. Martha Gellhorn's 1940 novel A Stricken Field exhibits a range of gendered seeing positions within and in opposition to the visual ideologies of fascism during the Nazi occupation of Czechoslovakia. Lee Miller's war correspondence and photography for Vogue show how Miller constructed herself and her predominantly female American audience as antifascist observers of war by working with and against some of the conventions of surrealist fashion photography.
Gallagher concludes by focusing on the experimental autobiographical prose of H.D. and Gertrude Stein to explore the functions of vision on two World War II "homefronts"—London during the Blitz and Vichy France.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press