front cover of Ballyhoo!
Ballyhoo!
The Roughhousers, Con Artists, and Wildmen Who Invented Professional Wrestling
Jon Langmead
University of Missouri Press, 2024
Ballyhoo! The Roughhousers, Con Artists, and Wildmen Who Invented Professional Wrestling is a history of professional wrestling’s formative period in the U.S., from roughly 1874 to 1941, and the contested interplay of wrestlers and promoters who built the “sport” as we know it. During this period, the major conventions that would define wrestling to the present day were perfected and codified, as wrestling morphed from a rough sport practiced on farms and at town gatherings to melodramatic mass entertainment that reliably drew large crowds in cities across the nation.

The narrative uses the life and career of Jack Curley—a boxing promoter whose fortune took a turn for the better when he began promoting wrestling matches—as a compass as it charts the development of wrestling. By the late 1910s, Curley’s shows were selling out Madison Square Garden monthly. Ballyhoo chronicles his competition with the other promoters, as well as the lives of colorful athletes like “Strangler” Ed Lewis, Frank Gotch, the “Masked Marvel,” Jim Londos, “Gorgeous George” Wagner, “Farmer” Martin Burns, and “Dynamite” Gus Sonnenberg.
 
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Fighting for Recognition
Identity, Masculinity, and the Act of Violence in Professional Wrestling
R. Tyson Smith
Duke University Press, 2014
In Fighting for Recognition, R. Tyson Smith enters the world of independent professional wrestling, a community-based entertainment staged in community centers, high school gyms, and other modest venues. Like the big-name, televised pro wrestlers who originally inspired them, indie wrestlers engage in choreographed fights in character. Smith details the experiences, meanings, and motivations of the young men who wrestle as "Lethal" or "Southern Bad Boy," despite receiving little to no pay and risking the possibility of serious and sometimes permanent injury. Exploring intertwined issues of gender, class, violence, and the body, he sheds new light on the changing sources of identity in a postindustrial society that increasingly features low wages, insecure employment, and fragmented social support. Smith uncovers the tensions between strength and vulnerability, pain and solidarity, and homophobia and homoeroticism that play out both backstage and in the ring as the wrestlers seek recognition from fellow performers and devoted fans.
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Job Man
My Life in Professional Wrestling
Chris Multerer
Wisconsin Historical Society Press, 2019
Milwaukee-native Chris Multerer wrestled for more than a decade, starting in 1978, on professional circuits around the United States. As a “job man,” Multerer made the superstars of wrestling, such as Mad Dog Vachon and Hulk Hogan, shine. In cities around the country, thousands of screaming fans cheered when their favorite wrestlers pinned and punished Multerer in a variety of painful ways. 

In Job Man, Multerer, along with his friend Larry Widen, shows what life was like for wrestlers outside the spotlight. Long nights on the road, thoughtful takes on some the biggest personalities in the business, and, perhaps most of all, a love for the sport, are as much a part of Multerer’s revealing and remarkable story as his time in the ring.
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front cover of Thrashing Seasons
Thrashing Seasons
Sporting Culture in Manitoba and the Genesis of Prairie Wrestling
C. Nathan Hatton
University of Manitoba Press, 2016


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