front cover of The Affliction
The Affliction
A Novel in Stories
C. Dale Young
Four Way Books, 2018
A novel told in short stories, The Affliction is an astounding fiction debut by an award-winning poet full of memorable characters across America and the Caribbean. Young beautifully weaves together the elaborate stories of many while holding together a clear focus: people are not always as they seem.
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front cover of The Day Underneath the Day
The Day Underneath the Day
C. Dale Young
Northwestern University Press, 2001
Winner of 2002 Norma Farber First Book Award Finalist

Gifted with a vivid and exact skill, C. Dale Young's writing resembles an intricate anatomy lesson. His powers of observation probe the small energies of the natural world. Again and again the ordinary details of life transform themselves under the delicate pressure of his words--the movement of birds' wings, the color and texture of tropical flowers, the study of the ocean waves, the "scalpel of light" cutting through the beginning of the day. The language of Young's poems evokes an ultimate sense of place through a gorgeous marriage of tone and diction that echoes James Merrill and Amy Clampitt. As he meticulously maps out human passions and emotions, he explores both the surfaces and depths of everything that he surveys. His confident and polished verse unfolds intricate layers of landscape, seeking the order that lies beneath the unruly patterns of our lives.
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front cover of The Halo
The Halo
C. Dale Young
Four Way Books, 2016
The Halo is quasi-autobiography about a man who has wings and wants desperately to simply be human. Tracking from adolescence through adulthood, it explores an accident that temporarily paralyzes him and exposes him to human weakness all the way to his transformation into something more powerful than even he realizes. It explores a personal evolution from being prey to becoming the hunter. Praise for C. Dale Young “Young's poems are so fierce and serrated.” —Jeff Gordinier, New York Times Book Review “Young is a doctor as well as a poet, and [his work] demonstrates a skilled physician's combination of empathy and formal precision.” —David Orr, NPR “Sometimes the ability to convey information compactly and quickly has moral grace. [Young's] writing can put garrulous narration or evasive speechifying to shame.” —Robert Pinsky, The Washington Post “[W]e cannot rely on art to tell us the whole truth or even depend upon those who are supposed to protect us. And yet, [C. Dale Young] is compelled to make visible the darkness around us. Whether or not that itself is an act of tenderness, Young refuses to say for certain. And that is what makes his poetry a crucible where readers must confront their own beliefs—about poetry, society, and themselves.” —Christopher Hennessy, Ploughshares
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front cover of Prometeo
Prometeo
C. Dale Young
Four Way Books, 2021
An unflinching reckoning with the traumas of one’s life and those inherited through a history of exacted injustices

“Some men find nothing, and others / find omens everywhere,” writes C. Dale Young in Prometeo, a collection whose speaker is a proverbial “child of fire.” In poems that thrive off of their distinct voice, the speaker confronts generational and lived trauma and their relationship to his multi-ethnicity. We are presented with the idea of the past’s burial in the body and its constellatory manifestations—both in the speaker and those around him—in disease and pain, but also in strength and a capacity for intimacy with others and nature. Grounded in precise language, Young’s examination of the past and its injuries turns into a celebration of the self. In stark, exuberant relief, the speaker proclaims “…I was splendidly blended, genetically engineered / for survival.” Resilient, Young’s poems find beauty in landscape, science, and meditation.
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front cover of Torn
Torn
C. Dale Young
Four Way Books, 2011
In Torn, C. Dale Young continues his earnest investigations into the human, depicted as both spiritual being and a process, as “the soul and its attendant concerns” and as a device that “requires charge, small / electrical impulses / racing through our bodies.” What Young tells and shows us, what his poems let us hear, does not aim to reassure or soothe. These are poems written from “white and yellow scraps / covered with words and words and more words— // I may never find the right words to describe this.”
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