Eskimo Essays introduces the reader to important aspects of the ideology and practice of the Yup’ik Eskimos of western Alaska, past and present. The essays point the way toward a fuller recognition of how Yup’ik Eskimos differ from the popular Western image of the Eskimo that was born largely without reference to Yup’ik reality. By describing the reality  of Yup’ik life, Eskimo Essays extends our understanding of Esimos in general and Yup’ik Eskimos in particular.

Ann Fienup-Riordan argues that Western observers have simultaneously naturalized Eskimos as paragons of simplicity and virtue and Western imperialism. This process has often ignored Eskimo concepts of society, history, and personhood. An original assumption of similarity to Western society has profoundly affected the current Euro-American view of Eskimo history and action. Non-natives have taken an idealized Western individual, dressed that person up in polar garb, and then assumed they understood the garment’s maker. The result is a presentation of Eskimo society that often tells us more about the meaning we seek in our own. Moreover, modern Eskimos have risen to the challenge and to some extent become what we have made them.

Bridging the gap between informed scholarships and popular concepts, Fienup-Riordan  provides a compelling and fresh presentation of Yup’ik life—cosmology, the missionary experience, attitudes toward conservation, Eskimo art, the legal system, warfare, and ceremonies.

People are often able to identify change agents. They can estimate possible economic and social transitions, and they are often in an economic or social position to make calculated—sometimes risky—choices. Exploring this dynamic, A Tale of Three Villages is an investigation of culture change among the Yup’ik Eskimo people of the southwestern Alaskan coast from just prior to the time of Russian and Euro-North American contact to the mid-twentieth century.

Liam Frink focuses on three indigenous-colonial events along the southwestern Alaskan coast: the late precolonial end of warfare and raiding, the commodification of subsistence that followed, and, finally, the engagement with institutional religion. Frink’s innovative interdisciplinary methodology respectfully and creatively investigates the spatial and material past, using archaeological, ethnoecological, and archival sources.

The author’s narrative journey tracks the histories of three villages ancestrally linked to Chevak, a contemporary Alaskan Native community: Qavinaq, a prehistoric village at the precipice of colonial interactions and devastated by regional warfare; Kashunak, where people lived during the infancy and growth of the commercial market and colonial religion; and Old Chevak, a briefly occupied “stepping-stone” village inhabited just prior to modern Chevak. The archaeological spatial data from the sites are blended with ethnohistoric documents, local oral histories, eyewitness accounts of people who lived at two of the villages, and Frink’s nearly two decades of participant-observation in the region.

Frink provides a model for work that examines interfaces among indigenous women and men, old and young, demonstrating that it is as important as understanding their interactions with colonizers. He demonstrates that in order to understand colonial history, we must actively incorporate indigenous people as actors, not merely as reactors.