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A Bird in the House is a series of eight interconnected short stories narrated by Vanessa MacLeod as she matures from a child at age ten into a young woman at age twenty. Wise for her years, Vanessa reveals much about the adult world in which she lives.

"Vanessa rebels against the dominance of age; she watches [her grandfather] imitate her aunt Edna; and her rage at times is such that she would gladly kick him. It takes great skill to keep this story within the expanding horizon of this young girl and yet make it so revealing of the adult world."—Atlantic

"A Bird in the House achieves the breadth of scope which we usually associate with the novel (and thereby is as psychologically valid as a good novel), and at the same time uses the techniques of the short story form to reveal the different aspects of the young Vanessa." —Kent Thompson, The Fiddlehead

"I am haunted by the women in Laurence's novels as if they really were alive—and not as women I've known, but as women I've been."—Joan Larkin, Ms. Magazine

"Not since . . . To Kill a Mockingbird has there been a novel like this. It should not be missed by anyone who has a child or was a child."—Pittsburgh Post-Gazette

One of Canada's most accomplished writers, Margaret Laurence (1926-87) was the recipient of many awards including Canada's prestigious Governor General's Literary Award on two separate occasions, once for The Diviners.

Editors Ilya Kaminsky and Katherine Towler have gathered conversations with nineteen of America’s leading poets, reflecting upon their diverse experiences with spirituality and the craft of writing. Bringing together poets who are Christian, Buddhist, Jewish, Muslim, Pagan, Native American, Wiccan, agnostic, and otherwise, this book offers frank and thoughtful consideration of themes too often polarized and politicized in our society. Participants include Li-Young Lee, Jane Hirshfield, Carolyn Forché, Gerald Stern, Christian Wiman, Joy Harjo, and Gregory Orr, and others, all wrestling with difficult questions of human existence and the sources of art.

"A fairly comprehensive monograph, highly suitable for classroom use, that offers a wide range of information fit into traditional anthropological categories. . . . an interesting study of cultural integrity and pattern in a setting of what appears to be complex sociopolitical chaos." —American Anthropologist

"Whether or not one accepts Susan Lobo's optimistic analysis, her ability to translate the apparent chaos of shanty-town lives into such neat patterns and to help outsiders view life as the inhabitants do are important contributions." —Inter-American Review of Bibliography

"An extremely competent ethnography, simple and straightforward." —Anthropos

"A pleasure to read, a mine of information which will be useful in teaching students to formulate their own hypotheses." —International Journal of Urban & Regional Research

"Very well written and provides a great wealth of the liveliest sort of ethnographic detail." —Latin American Research Review

"Lobo's study of two squatter settlements in Lima provides a solid, well-written, detailed, traditional ethnography of poor families in a Third World urban setting." —Hispanic American Historical Review

"This well-written account . . . has a lot of heart and feeling for the human face of the urban poor." —International Migration Review

Perhaps an unlikely subject for an ethnographic case study, the Metropolitan Community Church of Toronto in Canada is a large predominantly LGBT church with a robust, and at times fraught, history of advocacy. While the church is often riddled with fault lines and contradictions, its queer and faith-based emphasis on shared vulnerability leads it to engage in radical solidarity with asylum-seekers, pointing to the work of affect in radical, coalition politics. 

A House of Prayer for All People maps the affective dimensions of the politics of citizenship at this church. For nearly three years, David K. Seitz regularly attended services at MCCT. He paid special attention to how community and citizenship are formed in a primarily queer Christian organization, focusing on four contemporary struggles: debates on race and gender in religious leadership, activism around police–minority relations, outreach to LGBT Christians transnationally, and advocacy for asylum seekers. Engaging in debates in cultural geography, queer of color critique, psychoanalysis, and affect theory, A House of Prayer for All People stages innovative, reparative encounters with citizenship and religion. 

Building on queer theory’s rich history of “subjectless” critique, Seitz calls for an “improper” queer citizenship—one that refuses liberal identity politics or national territory as the ethical horizon for sympathy, solidarity, rights, redistribution, or intimacy. Improper queer citizenship, he suggests, depends not only on “good politics” but also on people’s capacity for empathy, integration, and repair.

A House on Stilts tells the story of one woman’s struggle to reclaim wholeness while mothering a son addicted to opioids. Paula Becker’s son Hunter was raised in a safe, nurturing home by his writer/historian mom and his physician father. He was a bright, curious child. And yet, addiction found him.

More than 2.5 million Americans are addicted to opioids, some half-million of these to heroin. For many of them, their drug addiction leads to lives of demoralization, homelessness, and constant peril. For parents, a child’s addiction upends family life, catapulting them onto a path no longer prescribed by Dr. Spock, but by Dante’s Inferno. Within this ten-year crucible, Paula is transformed by an excruciating, inescapable truth: the difference between what she can do and what she cannot do.

Although Anaïs Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her experiences during her lifetime. Instead, she turned to literary fiction, transforming her private writings into artfully crafted novels that explore female desire, identity, and emotional complexity.

A Spy in the House of Love is a classic of psychological and women’s fiction, centered on Sabina, a woman torn between her longing for artistic freedom, romantic adventure, and sensual fulfillment, and the social expectations that constrain her. Moving through a bohemian, Parisian-inspired world, Sabina navigates multiple relationships in her search for passion, meaning, and self-understanding.

Written at a time when Nin’s own life was shaped by conflicting loyalties and intense relationships, the novel offers a deeply introspective exploration of love, infidelity, erotic longing, and self-discovery. As Sabina confronts her inner divisions, she asks a timeless question: can one indulge the fantasies and restless pursuit of desire without facing profound emotional consequences?

A landmark of modernist literature and feminist writing, A Spy in the House of Love remains a powerful, evocative portrait of a woman’s inner life—ideal for readers of classic literary fiction, experimental narrative, and character-driven novels about relationships and desire.

In this first comprehensive examination of women candidates for the U.S. House of Representatives, Barbara Burrell argues that women are as successful at winning elections as men. Why, then, are there still so few women members of Congress? Compared to other democratically elected national parliaments, the U.S. Congress ranks very low in its proportion of women members. During the past decade, even though more and more women have participated in state and local governments, they have not made the same gains at the national level.

 

A Woman's Place Is in the House examines the experiences of the women who have run for a seat in the U.S. House of Representatives from 1968 through 1992 and compares their presence and performance with that of male candidates. The longitudinal study examines both general and primary elections and refutes many myths associated with women candidates including their ability to raise money and garner support from both interest groups and political parties.

 

According to Burrell, election year 1992 was correctly dubbed the "Year of the Woman" in American politics--not so much because women overcame perceived barriers to being elected but because for the first time a significant number of women chose to run in primaries. Burrell's study examines the effects women are having on the congressional agenda and offers insight on how such issues as term limitations and campaign finance reform will impact on the election of women to Congress.

Deeply rooted in respect and compassion for Appalachia and its people, these poems are both paeans to and dirges for past and present family, farmlands, factories, and coal. Kari Gunter-Seymour’s second full-length collection resounds with candid, lyrical poems about Appalachia’s social and geographical afflictions and affirmations. History, culture, and community shape the physical and personal landscapes of Gunter-Seymour’s native southeastern Ohio soil, scarred by Big Coal and fracking, while food insecurity and Big Pharma leave their marks on the region’s people. A musicality of language swaddles each poem in hope and a determination to endure. Alone in the House of My Heart offers what only art can: a series of thought-provoking images that evoke such a clear sense of place that it’s familiar to anyone, regardless of where they call home.