184 books match the query 'Murder' and 20 start with a

cover of A Death in Bali: A Jenna Murphy Mystery

A Death in Bali

A Jenna Murphy Mystery

Nancy Tingley

Ohio University Press, 2018

Intrepid young curator-turned-private eye Jenna Murphy—whom readers first met in A Head in Cambodia—goes to the tourist town of Ubud to study early twentieth-century Balinese painting. But her first discovery when she arrives in Indonesia is the speared body of expat artist Flip Hendricks. She soon is working with an old friend, a detective for the Ubud police force, to seek the killer. Jenna suspects the motive for the killing has to do with Flip’s paintings. Detective Wayan Tyo is not so sure.

Is Jenna right, or are there other forces at work in this paradise overrun with tourists? The threats to Jenna’s safety pile up, until she can no longer deny that her life is in danger. Her entanglement with various men only clouds her judgment and complicates the situation.

As she did in the first Jenna Murphy book, in A Death in Bali, Nancy Tingley draws on her extensive experience as a scholar of Asian art to bring the armchair traveler an immersive, inside view of the art world.

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cover of A Driftless Murder

A Driftless Murder

Jerry McGinley

University of Wisconsin Press, 2021

As he finishes a cup of his morning coffee, retired cop and former detective Pat Donegal gets a curious call from the Kickapoo County Chief Deputy Hennie Duggan. A gruesome discovery of human remains on a ridge portends grisly possibilities that neither man wants to consider. Donegal, physically and emotionally hungover from a rough break-up, is known for his unorthodox methods and a tendency to bend the rules. Even though Duggan chafes at his style, he knows he needs a skilled investigator like Donegal to have his back.
 
As strange details continue to emerge, the detectives enlist the help of city cop and data expert Shea Sommers. As the team crisscrosses the state to chase a few promising leads, their search expands beyond local guides and neighbors to members of a sinister, secret hunting society. When Duggan mysteriously disappears—and becomes a suspect himself—Donegal must take over the investigation. He soon realizes the case might not only be unsolvable but could land him in prison—or an early grave.
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cover of A Drunkard's Defense: Alcohol, Murder, and Medical Jurisprudence in Nineteenth-Century America

A Drunkard's Defense

Alcohol, Murder, and Medical Jurisprudence in Nineteenth-Century America

Michele Rotunda

University of Massachusetts Press, 2021

Is drunkenness a defense for murder? In the early nineteenth century, the answer was a resounding no. Intoxication was considered voluntary, and thus provided no defense. Yet as the century progressed, American courts began to extend exculpatory value to heavy drinking. The medicalization of alcohol use created new categories of mental illness which, alongside changes in the law, formed the basis for defense arguments that claimed unintended consequences and lack of criminal intent. Concurrently, advocates of prohibition cast “demon rum” and the “rum-seller” as the drunkard's accomplices in crime, mitigating offenders' actions. By the postbellum period, a backlash, led by medical professionals and an influential temperance movement, left the legacy of an unsettled legal standard.

In A Drunkard's Defense, Michele Rotunda examines a variety of court cases to explore the attitudes of nineteenth-century physicians, legal professionals, temperance advocates, and ordinary Americans toward the relationship between drunkenness, violence, and responsibility, providing broader insights into the country's complicated relationship with alcohol.

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cover of A Grammar of Murder: Violent Scenes and Film Form

A Grammar of Murder

Violent Scenes and Film Form

Karla Oeler

University of Chicago Press, 2009

The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim’s point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film. 

Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene’s intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.

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cover of A Hanging in Nacogdoches: Murder, Race, Politics, and Polemics in Texas's Oldest Town, 1870-1916

A Hanging in Nacogdoches

Murder, Race, Politics, and Polemics in Texas's Oldest Town, 1870-1916

By Gary B. Borders

University of Texas Press, 2006

On October 17, 1902, in Nacogdoches, Texas, a black man named James Buchanan was tried without representation, condemned, and executed for the murder of a white family—all in the course of three hours. Two white men played pivotal roles in these events: Bill Haltom, a leading local Democrat and the editor of the Nacogdoches Sentinel, who condemned lynching but defended lynch mobs, and A. J. Spradley, a Populist sheriff who, with the aid of hundreds of state militiamen, barely managed to keep the mob from burning Buchanan alive, only to escort him to the gallows following his abbreviated trial. Each man's story serves to illuminate a part of the path that led to the terrible parody of justice which lies at the heart of A Hanging in Nacogdoches.

The turn of the twentieth century was a time of dramatic change for the people of East Texas. Frightened by the Populist Party's attempts to unite poor blacks and whites in a struggle for economic justice, white Democrats defended their power base by exploiting racial tensions in a battle that ultimately resulted in the complete disenfranchisement of the black population of East Texas. In telling the story of a single lynching, Gary Borders dramatically illustrates the way politics and race combined to bring horrific violence to small southern towns like Nacogdoches.

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cover of A Head in Cambodia: A Jenna Murphy Mystery

A Head in Cambodia

A Jenna Murphy Mystery

Nancy Tingley

Ohio University Press, 2017

When the alluring, eleventh-century Cambodian stone head of Radha, consort to Krishna, shows up at the Searles Museum, young curator Jenna Murphy doesn’t suspect that it will lead her to a murder. Asian art is her bailiwick, not criminal investigation, and her immediate concern is simply figuring out whether the head is one famously stolen from its body, or a fake.

When a second decapitation happens—this time of an art collector, not a statue—Jenna finds herself drawn into a different kind of mystery, and the stakes are life or death. It turns out that the same talents for research and for unraveling puzzles—the bread and butter of an art historian—have perfectly equipped her to solve crimes. She’s certain the sculpture provides clues to help her solve the case, which takes her to Thailand and Cambodia. But the collectors, dealers, and con artists of the Bangkok art world only compound her questions.

A Head in Cambodia is the fiction debut of noted Asian art expert Nancy Tingley. Readers will delight in the rarified world of collecting, as well as getting to know Jenna, an intrepid and shrewd observer who will easily find her place among V.I. Warshawski, Kinsey Milhone, and other great female sleuths.

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cover of A Knight of Another Sort: Prohibition Days and Charlie Birger, Second Edition

A Knight of Another Sort

Prohibition Days and Charlie Birger, Second Edition

Gary DeNeal. Foreword by Jim Ballowe

Southern Illinois University Press, 1998

In 1913 Charlie Birger began his career as a bootlegger, supplying southern Illinois with whiskey and beer. He was charismatic, with an easygoing manner and a cavalier generosity that made him popular. The stuff of legend, he was part monster, part Robin Hood. In the early days, he would emerge from his restaurant/saloon in tiny Ledford in Saline County with a cigar box full of coins and throw handfuls in the air for the children. Echoing the consensus on Birger, an anonymous gang member called him "enigmatic," noting that "he had a wonderful quality, a heart of gold. There in Harrisburg sometimes he'd support twelve or fifteen families, buy coal, groceries. . . . [But] he had cold eyes, a killer's eyes. He would kill you for something somebody else would punch you in the nose for."

Drawing from the colorful cast of the living, the dead, and the soon-to-be-dead—a state shared by many associated with Birger and his enemies, the Shelton gang—DeNeal re-creates Prohibition-era southern Illinois. He depicts the fatal shootout between S. Glenn Young and Ora Thomas, the battle on the Herrin Masonic Temple lawn in which six were slain and the Ku Klux Klan crushed, and the wounding of Williamson County state's attorney Arlie O. Boswell. As the gang wars escalated and the roster of corpses lengthened, the gangsters embraced technology. The Sheltons bombed Birger's roadhouse, Shady Rest, from a single-engine airplane. Both Birger and the Sheltons used armored vehicles to intimidate their enemies, and the chatter of machine gun fire grew common.

The gang wars ended with massive arrests, trials, and convictions of gangsters who once had seemed invincible. Charlie Birger was convicted of the murder of West City mayor Joe Adams and sentenced to death. On April 19, 1928, he stood on the gallows looking down on the large crowd that had come to see him die. "It's a beautiful world," Birger said softly as he prepared to leave it.

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cover of A Murder in Wellesley: The Inside Story of an Ivy-League Doctor’s Double Life, His Slain Wife, and the Trial That Gripped the Nation

A Murder in Wellesley

The Inside Story of an Ivy-League Doctor’s Double Life, His Slain Wife, and the Trial That Gripped the Nation

Tom Farmer and Marty Foley

University Press of New England, 2017

On Halloween morning in 1999, Mabel Greineder was savagely murdered along a wooded trail in the well-heeled community of Wellesley, Massachusetts. As the shock following the brutal killing slowly subsided, the community was further shaken when the focus of the investigation turned to her husband, Dirk Greineder, a prominent physician and family man who was soon revealed to be leading a secret double life involving prostitutes, pornography, and trysts solicited through the Internet. A Murder in Wellesley takes the reader far beyond the headlines and national news coverage spawned by “May” Greineder’s killing and tells the untold story of the meticulous investigation led by Marty Foley, the lead State Police detective on the case, from the morning of the murder through Dirk Greineder’s ultimate conviction. Exhaustive interviews with key figures in the case, including many who have not talked publicly until now, contribute to an unprecedented behind-the-scenes account of how investigators methodically built their case against Greineder and how the sides taken by Dirk and May’s relatives aided the investigation but bitterly divided their families. A fascinating true-crime procedural that is also a deeply unsettling tale of the psychopath you thought you knew, of deceptions and double lives, and of families torn apart by an unthinkable crime. Culminating in one of the most dramatic courtroom spectacles in recent memory (aired nationally on Court TV), A Murder in Wellesley reveals the truth behind the murder that gripped a nation.
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cover of A Prescription for Murder: The Victorian Serial Killings of Dr. Thomas Neill Cream

A Prescription for Murder

The Victorian Serial Killings of Dr. Thomas Neill Cream

Angus McLaren

University of Chicago Press, 1993

From 1877 to 1892, Dr. Thomas Neill Cream murdered seven women, all prostitutes or patients seeking abortions, in England and North America. A Prescription for Murder begins with Angus McLaren's vividly detailed story of the killings. Using press reports and police dossiers, McLaren investigates the links between crime and respectability to reveal a remarkable range of Victorian sexual tensions and fears. McLaren explores how the roles of murderer and victim were created, and how similar tensions might contribute to the onslaught of serial killing in today's society.
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cover of A Tale of Two Murders: Passion and Power in Seventeenth-Century France

A Tale of Two Murders

Passion and Power in Seventeenth-Century France

James R. Farr

Duke University Press, 2005

As scandalous as any modern-day celebrity murder trial, the “Giroux affair” was a maelstrom of intrigue, encompassing daggers, poison, adultery, archenemies, servants, royalty, and legal proceedings that reached the pinnacle of seventeenth-century French society. In 1638 Philippe Giroux, a judge in the highest royal court of Burgundy, allegedly murdered his equally powerful cousin, Pierre Baillet, and Baillet’s valet, Philibert Neugot. The murders were all the more shocking because they were surrounded by accusations (particularly that Giroux had been carrying on a passionate affair with Baillet’s wife), conspiracy theories (including allegations that Giroux tried to poison his mother-in-law), and unexplained deaths (Giroux’s wife and her physician died under suspicious circumstances). The trial lasted from 1639 until 1643 and came to involve many of the most distinguished and influential men in France, among them the prince of Condé, Henri II Bourbon; the prime minister, Cardinal Richelieu; and King Louis XIII.

James R. Farr reveals the Giroux affair not only as a riveting murder mystery but also as an illuminating point of entry into the dynamics of power, justice, and law in seventeenth-century France. Drawing on the voluminous trial records, Farr uses Giroux’s experience in the court system to trace the mechanisms of power—both the formal power vested by law in judicial officials and the informal power exerted by the nobility through patron-client relationships. He does not take a position on Giroux’s guilt or innocence. Instead, he allows readers to draw their own conclusions about who did what to whom on that ill-fated evening in 1638.

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cover of Age of Sex Crime

Age of Sex Crime

University of Wisconsin Press, 1987

The sexualized serial murder of women by men is the subject of this provocative book. Jane Caputi argues that the sensationalized murders by men such as Jack the Ripper, Son of Sam, Hillside Strangler, and the Yorkshire Ripper represent a contemporary genre of sexually political crimes. The awful deeds function as a form of patriarchal terrorism, "disappearing" women at a rate of some four thousand annually in the United States alone.
Caputi asks us not only to name the phenomenon of sexually political murder, but to recognize sex crime in all of its various interconnecting manifestations.
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cover of Alchemy of Bones: Chicago's Luetgert Murder Case of 1897

Alchemy of Bones

Chicago's Luetgert Murder Case of 1897

Robert Loerzel

University of Illinois Press, 2002

On May 1, 1897, Louise Luetgert disappeared. Although no body was found, Chicago police arrested her husband, Adolph, the owner of a large sausage factory, and charged him with murder. The eyes of the world were still on Chicago following the success of the World's Columbian Exposition, and the Luetgert case, with its missing victim, once-prosperous suspect, and all manner of gruesome theories regarding the disposal of the corpse, turned into one of the first media-fueled celebrity trials in American history.

Newspapers fought one another for scoops, people across the country claimed to have seen the missing woman alive, and each new clue led to fresh rounds of speculation about the crime. Meanwhile, sausage sales plummeted nationwide as rumors circulated that Luetgert had destroyed his wife's body in one of his factory's meat grinders.

Weaving in strange-but-true subplots involving hypnotists, palmreaders, English con artists, bullied witnesses, and insane-asylum bodysnatchers, Alchemy of Bones is more than just a true crime narrative; it is a grand, sprawling portrait of 1890s Chicago--and a nation--getting an early taste of the dark, chaotic twentieth century.

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cover of American Infanticide: Sexism, Science, and the Politics of Sympathy

American Infanticide

Sexism, Science, and the Politics of Sympathy

Clara S. Lewis

Rutgers University Press, 2025

On April 22, 2015, the sorority sisters at Ohio’s Muskingum University’s Delta house encountered a horrific scene: pools of blood and gore in the first-floor bathroom. No one knew exactly what had happened, but the sisters suspected it had something to do with Emile Weaver. Studious, athletic, and well-liked, Emile had recently started wearing bulky sweatsuits and hiding her midsection, as if she was covering up a sudden weight gain. Could Emile be pregnant?
 
Emboldened by fear, the sorority sisters investigated. In the driveway next to the kitchen door, they found Emile’s newborn baby girl dead inside a garbage bag. Emile’s crime seemed senseless and left her family and friends with an aching question: what happened?
 
American Infanticide situates Emile's tragic act in a long intellectual, social, and legal history, uncovering disturbing missing chapters in our national history that undercut myths that have shaped public reactions to so-called monster moms and dumpster babies since the colonial era. Ultimately, the book uncovers how bias and inconsistency dictate how women accused of infant homicide are perceived and punished and sheds new light on how and why our legal responses to infanticide are so deeply misguided.
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cover of Amy Biehl’s Last Home: A Bright Life, a Tragic Death, and a Journey of Reconciliation in South Africa

Amy Biehl’s Last Home

A Bright Life, a Tragic Death, and a Journey of Reconciliation in South Africa

Steven D. Gish

Ohio University Press, 2018

In 1993, white American Fulbright scholar Amy Biehl was killed in a racially motivated attack near Cape Town, after spending months working to promote democracy and women’s rights in South Africa. The ironic circumstances of her death generated enormous international publicity and yielded one of South Africa’s most heralded stories of postapartheid reconciliation. Amy’s parents not only established a humanitarian foundation to serve the black township where she was killed, but supported amnesty for her killers and hired two of the young men to work for the Amy Biehl Foundation. The Biehls were hailed as heroes by Nelson Mandela, Desmond Tutu, and many others in South Africa and the United States—but their path toward healing was neither quick nor easy.

Granted unrestricted access to the Biehl family’s papers, Steven Gish brings Amy and the Foundation to life in ways that have eluded previous authors. He is the first to place Biehl’s story in its full historical context, while also presenting a gripping portrait of this remarkable young woman and the aftermath of her death across two continents.

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cover of An Organ of Murder: Crime, Violence, and Phrenology in Nineteenth-Century America

An Organ of Murder

Crime, Violence, and Phrenology in Nineteenth-Century America

Courtney E. Thompson

Rutgers University Press, 2021

Finalist for the 2022 Cheiron Book Prize​

An Organ of Murder explores the origins of both popular and elite theories of criminality in the nineteenth-century United States, focusing in particular on the influence of phrenology. In the United States, phrenology shaped the production of medico-legal knowledge around crime, the treatment of the criminal within prisons and in public discourse, and sociocultural expectations about the causes of crime. The criminal was phrenology’s ideal research and demonstration subject, and the courtroom and the prison were essential spaces for the staging of scientific expertise. In particular, phrenology constructed ways of looking as well as a language for identifying, understanding, and analyzing criminals and their actions. This work traces the long-lasting influence of phrenological visual culture and language in American culture, law, and medicine, as well as the practical uses of phrenology in courts, prisons, and daily life.
         
 
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cover of An Unarmed Woman

An Unarmed Woman

John Bennion

Signature Books, 2019

Rachel O’Brien Rockwood, like her stepfather J. D., longs to hunt criminals and other miscreants. So when, in 1887, during the height of US anti-polygamy legislation, two federal deputies on the lookout for Mormon polygamists are murdered in the small village of Centre, west of Salt Lake City, she jumps at the chance to join the investigation. But detecting never runs smoothly—Rachel and J. D. butt heads regularly over method and approach. Rachel favors talking and uncovering motives. J. D. prefers tracking and searching for the murder weapon. Also there are too many suspects—nearly every villager wanted the deputies gone. As fast as J. D. and Rachel can uncover clues, the local Mormon bishop brushes them aside, insisting instead that the deputies committed thievery and fled westward. Whose theory is true—Rachel’s, J. D.’s, the bishop’s? Or will the story be shaped by the federal marshal, openly hostile to all things Mormon?
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cover of Anatomy of Murder: Mystery, Detective, and Crime Fiction

Anatomy of Murder

Mystery, Detective, and Crime Fiction

Carl D. Malmgren

University of Wisconsin Press, 2001

Anatomy of Murder identifies and explores three basic fictional forms dealing with murder and detection—mystery, detective, and crime fiction. Mystery fiction takes place in a centered world, one whose most distinctive characteristic is motivation. Covering the forms of murder fiction, the book examines texts by Doyle, Christie, Sayers, Hammett, Chandler, Highsmith, Jim Thompson, Thomas Harris, and others.
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cover of Aristotle Detective: An Aristotle Detective Novel

Aristotle Detective

An Aristotle Detective Novel

Margaret Doody

University of Chicago Press, 2014

Murder and mayhem may seem like unreasonable company for Aristotle, one of the founding minds of Western philosophy. But in the skilled hands of Margaret Doody, the pairing could not be more logical. With her Aristotle Detective novels, Margaret Doody brings a Holmesian hero to the bloodied streets of ancient Greece, trading the pipe and deerstalker of Sherlock for the woolen chiton and sandals of Aristotle. Replete with suspense, historical detail, and humor, and complemented by an ever-growing cast of characters and vivid descriptions of the ancient world, Doody’s mysteries are as much lively takes on the figures and forms of the classics as they are classic whodunits in their own right.

In Aristotle Detective, we first meet Stephanos—naive Watson to Aristotle’s learned Holmes—a young landed Athenian and student of Aristotle. With the aid of his cunning, olive-loving teacher, Stephanos must clear his exiled cousin of murder and save his family’s honor in a tense public trial. Will Stephanos survive to cinch the case?
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cover of Aristotle and Poetic Justice: An Aristotle Detective Novel

Aristotle and Poetic Justice

An Aristotle Detective Novel

Margaret Doody

University of Chicago Press, 2014

Murder and mayhem may seem like unreasonable company for Aristotle, one of the founding minds of Western philosophy. But in the skilled hands of Margaret Doody, the pairing could not be more logical. With her Aristotle Detective novels, Margaret Doody brings a Holmesian hero to the bloodied streets of ancient Greece, trading the pipe and deerstalker of Sherlock for the woolen chiton and sandals of Aristotle. Replete with suspense, historical detail, and humor, and complemented by an ever-growing cast of characters and vivid descriptions of the ancient world, Doody’s mysteries are as much lively takes on the figures and forms of the classics as they are classic whodunits in their own right.

Stephanos and his teacher return in Aristotle and Poetic Justice, when a party given by wealthy Athenian silver miners leads to kidnapping, a ghost, a road trip to Delphi, and, of course, murder. More historical fiction than a detective novel, this sequel runs the gamut of Athenian social customs, myth, politics, and economics—from the trials of virgin love to the dangers of silver lust.

 
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cover of Artful Assassins: Murder as Art in Modern Mexico

Artful Assassins

Murder as Art in Modern Mexico

Fernando Fabio Sanchez

Vanderbilt University Press, 2010

Violence as a way of life, and murder as a political tool. This philosophy is nothing new to Mexico, most recently demonstrated in the wave of assassination and indiscriminate killing brought on by the drug war gripping the country. In Artful Assassins, author and scholar Fernando Fabio Sanchez unveils the long record of violence inspiring artistic expression in Mexico, focusing on its use and portrayal in film and literature. Sanchez is uniquely positioned to explore this topic, through his work as a novelist and poet in Mexico before entering academia in the United States.


Sanchez argues that the seemingly hopeless cycle of violence experienced by Mexico in the 20th century, as reflected in its "crime genre," reveals a broader intrinsic cultural and political failure that suggests grave implications for the current state of crisis. Tracing the development of a national Mexican identity from the 1910 Mexican Revolution onward, Sanchez focuses on the indelible presence of violence and crime underlying the major works that contributed to a larger communal narrative.


Artful Assassins ultimately offers a panoramic overview of the evolution of Mexican arts and letters, as well as nationalism, by claiming murder and assassination as literary and cinematic motifs. The collapse of post-revolutionary political unity was presaged all along in Mexican culture, Sanchez argues. It need only to have been sought in the art of the nation.

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