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This story collection is a welcome port of entry for any reader not yet familiar with Marguerite Yourcenar’s works.

Published to great acclaim in France in 1993, this collection is not only a delight for Marguerite Yourcenar fans but a welcome port of entry for any reader not yet familiar with the author's lengthier, more demanding works. This collection includes three stories written between 1927 and 1930 when the author was in her mid-twenties. These stories cover a range of themes, from an allegory on greed and a scene from the war of the sexes to a witch hunt that obsessively creates its own quarry.

For the devoted readers of Yourcenar, this collection allows a rare glimpse at the beginnings of a writer's craft. In these accomplished but forgotten pieces, edited and introduced by her biographer, Josyane Savigneau, readers will find the blend of fable and fairy tale of Oriental Tales, the psychological chronicle of Dear Departed, and the ironic realism of A Coin in Nine Hands. Read as an introduction to Yourcenar's work, the stories take us into the writer's workshop, as it were, to the early days of creation. A Blue Tale and Other Stories carries the unmistakable voice of a formidable and vastly talented writer.

Marguerite Yourcenar (her pseudonym was an anagram of her family name, Crayencour) was born in Brussels in 1903 and died in Maine in 1987. One of the most respected writers in the French language, she is best known as the author of the acclaimed Memoirs of Hadrian and The Abyss. She was awarded many literary honors, most notably election to the Académie Française in 1980, the first woman so honored.

In this collection of sixteen short stories, Robert Laxalt illuminates the Nevada of the 1950s. Written when Laxalt was in his twenties, the stories are as fresh as if they were penned yesterday. Humanity good and bad, humor and cruelty, satire and adventure are found in these early stories of a Nevada poised on the brink of change.

In the lead story, Cowboy Clint Hamilton laments that the town is “getting more like a big city every day” as the traditional gambling joints of earlier times give way to the gaudy casinos that will soon become modern glitz.

Sobering experiences from his days as a reporter give Laxalt an insight into murderers and prison life and lethal gas chambers. In a chilling short story, “The Snake Pen,” we find the seed of Robert Laxalt’s celebrated novel, A Man In the Wheatfield.

Just as Norman Maclean writes at the end of "A River Runs through It" that he is "haunted by waters," so have readers been haunted by his novella. A retired English professor who began writing fiction at the age of 70, Maclean produced what is now recognized as one of the classic American stories of the twentieth century. Originally published in 1976, A River Runs through It and Other Stories now celebrates its twenty-fifth anniversary, marked by this new edition that includes a foreword by Annie Proulx.

Maclean grew up in the western Rocky Mountains in the first decades of the twentieth century. As a young man he worked many summers in logging camps and for the United States Forest Service. The two novellas and short story in this collection are based on his own experiences—the experiences of a young man who found that life was only a step from art in its structures and beauty. The beauty he found was in reality, and so he leaves a careful record of what it was like to work in the woods when it was still a world of horse and hand and foot, without power saws, "cats," or four-wheel drives. Populated with drunks, loggers, card sharks, and whores, and set in the small towns and surrounding trout streams and mountains of western Montana, the stories concern themselves with the complexities of fly fishing, logging, fighting forest fires, playing cribbage, and being a husband, a son, and a father.

By turns raunchy, poignant, caustic, and elegiac, these are superb tales which express, in Maclean's own words, "a little of the love I have for the earth as it goes by." A first offering from a 70-year-old writer, the basis of a top-grossing movie, and the first original fiction published by the University of Chicago Press, A River Runs through It and Other Stories has sold more than a million copies. As Proulx writes in her foreword to this new edition, "In 1990 Norman Maclean died in body, but for hundreds of thousands of readers he will live as long as fish swim and books are made."

From its first magnificent sentence, "In our family, there was no clear line between religion and fly fishing", to the last, "I am haunted by waters", A River Runs Through It is an American classic.

Based on Norman Maclean's childhood experiences, the title novella has established itself as one of the most moving stories of our time; it captivates readers with vivid descriptions of life along Montana's Big Blackfoot River and its near magical blend of fly fishing with the troubling affections of the heart.

The paperback edition is now available with an evocative new cover by acclaimed Montana painter Russell Chatham.

"A masterpiece. . . . This is more than stunning fiction: It is a lyric record of a time and a life, shining with Maclean's special gift for calling the reader's attention to arts of all kinds—the arts that work in nature, in personality, in social intercourse, in fly-fishing."—Kenneth M. Pierce, Village Voice

Norman Maclean (1902-90), woodsman, scholar, teacher, and storyteller, grew up in the Western Rocky Mountains of Montana and worked for many years in logging camps and for the United States Forestry Service before beginning his academic career. He retired from the University of Chicago in 1973.

One of the most beloved works of fiction of the late twentieth century, a book that has been handed down from reader to reader, parent to child, friend to friend, for generations
 

When Norman Maclean sent the manuscript of A River Runs through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Forty years later, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs through It has established itself as a classic of the American West. This new edition will introduce a fresh audience to Maclean’s beautiful prose and understated emotional insights.

Elegantly redesigned, A River Runs through It includes a new foreword by Robert Redford, director of the Academy Award-winning 1992 film adaptation of River. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.”

Named a New York Times Notable Book
Winner of the PEN/Book-of-the-Month Club Translation Prize
Winner of the Anne Frank Prize

These shattering stories describe the lives of ordinary people as they are compelled to do the unimaginable: a couple who must decide what to do with their five-year-old daughter as the Gestapo come to march them out of town; a wife whose safety depends on her acquiescence in her husband's love affair; a girl who must pay a grim price for an Aryan identity card.

The author asks a big question: Who is responsible? One person in need of this information is Lon, who wonders why his marriage is falling apart. Lon thought his wife would re-initiate intimacy at some point. She doesn’t, and he sets out to find the man he thinks stands between them but only finds an apparition—and he still can’t fix his marriage.

In another story, the LDS prophet is drawn to s simpler time when he could wander out unnoticed and buy a candy bar. Church Security won’t let him outside on his own and Public Relations won’t let him wear anything but a suit and tie. Still, the impulse to be a regular guy for an afternoon is compelling. Can’t he make his own decisions? He can, but what are the consequences?

And then there’s Jerry, who passes three men in suits who are talking and laughing at the loading dock behind an LDS temple. One of them looks up, drops a cigarette and crushes it, then slips into a nearby car. Another man—someone who has made Jerry’s life miserable—taunts him, saying: “Jerry, your goodness is your enemy …and tell all your friends.” Who is responsible? Maybe it’s the author’s reverie that’s to blame, but his stories have a way of getting deep inside the psyche and haunting us.  

            The autobiographical story is about a literary man, frustrated in love, who puts aside his pride and makes a date with a young artist in Maine. Lavishly rendered in Wescott's elegant prose, the tale is explicit where it needs to be, but—as is typical of Wescott—it is filled with descriptive beauty and introspective lessons about sex and sexuality, love and creativity.

            Previously published in anthology form in the United Kingdom, "A Visit to Priapus" is presented for the first time in book form in America, containing previously uncollected stories, including three never before published. The result is a candid portrayal of the gifted but enigmatic writer who was famous in youth and remained a perceptive and compassionate voice throughout his long life. Drawn together from midcentury literary journals and magazines of the 1920s and 1930s, as well as from Wescott's papers, the stories were inspired by his life, from childhood to old age, from Wisconsin farm country to New York, London, Germany, and Paris.

Finalist, Gay General Fiction, Lambda Literary Awards

Of French and Malagasy stock, involved in South African politics from an early age, Alex La Guma was arrested for treason with 155 others in 1956 and finally acquitted in 1960. During the State of Emergency following the Sharpeville massacre he was detained for five months. Continuing to write, he endured house arrest and solitary confinement. La Guma left South Africa as a refugee in 1966 and lived in exile in London and Havana. He died in 1986. A Walk in the Night and Other Stories reveals La Guma as one of the most important African writers of his time.